Events

Okayplayer & SummerStage Present Jungle, Ibeyi And Sunni Colón [6/20]

London duo Jungle, French-Cuban twins Ibeyi and Sunni Colón will be playing our Okayplayer & SummerStage show at NYC's Central Park.


Art by Erin Cadigan.

Okayplayer and SummerStage are excited to present London modern soul duo Jungle, French-Cuban twin sisters Ibeyi and Sunni Colón for a free concert in Central Park. The show will see the buzzing Jungle, who've been making waves with singles like "Busy Earnin'" and "Time," joined by their XL Recordings labelmates Naomi and Lisa-Kaindé Díaz (Ibeyi) — who released one of our favorite songs and music videos of 2014 (and a strong candidate for 2015's album of the year) — plus the LA-based songwriter Colón.

The concert will be part of the City Parks Foundation's '30 Years Of SummerStage' celebration this season, which will be hosting 30 artists at the park in 30 days. Be sure to follow SummerStage on FacebookTwitter, and Instagram to receive all their announcements and check out their full schedule here.

Enter to win a limited edition copy of the show poster, crafted by artist Erin Cadigan, by signing-up for the Okayplayer email list below. The winner will be announced Monday, June 15. In the meantime, get acquainted with the sounds of the night by revisiting Jungle's "Busy Earnin'" and our own Okayafrica TV episode with Ibeyi record shopping in NYC below.

Okayplayer & SummerStage present:

Jungle, Ibeyi, Sunni Colón

June 20, 2015

Doors at 6pm

FREE until capacity

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Photo by Abena Boamah.

Photos: Here's What Happened at Daily Paper & Free the Youth's Design Talk for Accra's Young Creatives

Founders of the popular brands discussed all things African streetwear in a conversation facilitated by OkayAfrica and moderator Amarachi Nwosu.

Last week, Amsterdam-based, African-owned streetwear brand Daily Paper and Ghanaian streetwear label Free the Youth held a talk for young creatives at the Mhoseenu design studio in Accra, Ghana.

Moderated by Melanin Unscripted creator Amarachi Nwosu and presented in partnership with OkayAfrica, the design-based conversation explored everything from sustainable practices in manufacturing, to the overall evolution of streetwear globally. The founders of Free the Youth, which was been called Ghana's number one streetwear brand, expanded on how they've been able to build their audience, and shared details about their community-based initiatives.

They event, which took place at the Daily Paper Pop-up Store in Accra last Friday, drew a fashionable and creative-minded crowd ready to partake in a design discussion between West Africa and Europe.

Check out some of the action that took place at the Daily Paper x FYT event below, with photos by Abena Boamah.

Find more upcoming OkayAfrica events here.

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14 Cultural Events You Can't Miss this December in South Africa

OkayAfrica's guide to must-see events during South Africa's festive season.

South Africans will tell you that December is not just a month, it's an entire lifestyle. From beginning to end, it's about being immersed in a ton of activity with friends and family as well as any new folk you meet along the way. Whether you're looking to turn up to some good music or watch some provocative theater, our guide to just 14 cultural events happening in South Africa this December, has something for everyone.

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News Brief

South African Actor Charles 'Big Boy' Maja Has Passed Away

Tributes are pouring in for the beloved actor who starred in the popular South African television drama 'Skeem Saam'.

South African actor and former radio broadcaster, Charles Maja, has passed away according to reports by TimesLIVE. Affectionately known as "Big Boy", the name of the character he played on the popular local drama series Skeem Saam, the actor reportedly suffered a fatal stroke earlier this morning while in the northern province of Limpopo. He was just 54.

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Image courtesy of Nicole Rafiki.

Spotlight: Nicole Rafiki's Images Merge the Contemporary with the Traditional to Challenge Stereotypes

Get familiar with the work of Norway-based Congolese visual artist Nicole Rafiki.

In our 'Spotlight' series, we highlight the work of photographers, visual artists, multimedia artists and more who are producing vibrant, original work. In our latest piece, we spotlight Nicole Rafiki, a Congolese visual artist who uses symbolism to challenge stereotypes in a critical way. Read more about the inspirations behind her work below, and check out some of her stunning images underneath. Be sure to keep up with the artist on Instagram and Facebook and her Rafiki Arts Initiative here.


How would you describe yourself as an artist?

As an interdisciplinary artist, I use symbolism to re-imagine and challenge the stereotypical depiction of spaces, contexts and the people who are affected by global migration. I view my work as a platform for dialogues about identity, fluidity, place, and belonging. As an artist with a diverse cultural, historic and artistic background, I use art to inform, engage and heal. Because it is too easy to fall into the trap of promoting idealism or clichés, I make it a point to be critical and analytical in my work.

What is the message behind your recent photo-series "The Crown"?

This work came about after I had been stuck in Lagos traffic for 2 hours, listening to a radio show about the role of women in the household. One middle-aged woman called in to say that a "proper woman has to be domesticated". Listening to that radio show just made it seem like, for many people, it doesn't matter how educated, professionally accomplished or otherwise successful a woman is as long as she does not have the required domestic skills required by the African society. The urban attire complemented by traditional African elements illustrates the double role that many young African women have in our communities. And yet, that point is made against a yellow backdrop, symbolizing our power, historical achievements, hope and optimism for the future.

As an African artist, what do you want to communicate with your art about the continent?

The core message in my art is the promotion of our personal and collective healing process. That is only possible if we all understand the importance of playing our part. I believe that this is a very important time to be active in the contemporary art field. We have reached a historical point where Africans from the continent and the diaspora are challenging the status quo in the art industry by creating their own platforms to discuss, share and challenge the dominating philosophical, artistic, political and cultural perspectives on art. We have the power, individually and collectively to create a different legacy for the next generation and have personally just begun exploring all the possibilities out there.

Nicole Rafiki merges contemporary and traditional visual art. "Mkono" (2018), in loving memory of my grandmother.Image courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Untitled" (2019), in loving memory of Benon Lutaaya. Image courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Not without my bags" (2019)Image courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Kadogo (2019)"Image courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Mwenye imani haitaji macho" (A man of faith needs no eyes), (2019). Model: AfrogallonismImage courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Crown" (2020)Image courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Crown" (2020). Model: Deborah Kandoua AffouéImage courtesy of Nicole Rafiki.


Nicole Rafiki merges contemporary and traditional visual art. "Kwabende" (2019)Image courtesy of Nicole Rafiki.

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