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Lupita Nyong'o Opens Up About Learning to Love Her Natural Hair

"I love my hair. I love it because I've also been able to really embrace the stuff it can do," the actor tells Allure Magazine.

The prevalence of Eurocentric beauty standards, means that many black women have complex relationships with their hair—Lupita Nyong'o is no different.

She opens up about her haircare journey in Allure Magazine's "The Culture of Hair" issue, and her story is real and relatable.


She told opened up about her relationship with her hair starting from a young age:

Well, I didn't love my hair when I was a child. It was lighter than my skin, which made me not love it so much. I was really kind of envious of girls with thicker, longer, more lush hair. In my tween years, I started begging my mother to have my hair relaxed. She wouldn't allow it, though her hair was relaxed. She felt that that was a decision I could come to when I was maybe 18. Around 13 or 14, I had such a rough time with being teased and feeling really unpretty. My dad intervened and spoke to my mom about my hair, and she finally agreed. She took me to the salon in the middle of the school day, and I got my hair relaxed. I felt so much better because it was easier to tame. All the girls in my class had their hair relaxed. Very few had natural kink, so I felt a lot more acceptable.

She also discussed the politics of hair within families by recalling her mother's reaction to her doing the "big chop."

When I got home, my mother was horrified. She was just like, "What have you done to my hair?" I remember her saying that: "I've been growing that hair since you were born — how can you?" Then I felt really self-conscious. It was hard to see the horror on my mother's face. She was so disapproving, and I was so sensitive about it at the time, that I started to get scared that I had done the wrong thing. And it was cold. All of a sudden I would feel really cold on my head, and I didn't have hats or the right headwear for a bald head. Eventually my mom came around.

Like many of us, though it took some time, Nyong'o learned to own her hair, and wholly appreciate its versatility. In fact, we think it's safe to say that she's now a hair icon.

I've tried it all. Now I love my hair. I love it because I've also been able to really embrace the stuff it can do. It's like clay in the right hands. Clay can be dirt in the wrong hands, but clay can be art in the right hands. Being able to have that kind of playtime with Vernon to create different things has inspired me.

Read the full article via Allure.

Zlatan "Zanku (Leg Work)" music video.

Is Zanku Set to Be the New Dance Craze of 2019?

Breaking down what could become the year's new dance craze.

With last week's release of the video for "Zanku (Leg Work)," Zlatan Ibile has consecrated himself as the originator of the newest dance craze in afropop.

The specific origin of the name 'zanku' is uncertain but the dance itself, says Ibile in this interview from December, is one he noticed from his visits to The Shrine in Lagos and refashioned into a trend.

The best zanku, so far, works best in beats combining repeated foot tapping or pounding, with hands held aloft, and finished with a flourish—a stylised thrusting of one foot as if to knock down a door. Variations include a faster footwork, mimicry of slicing and screwing hand motions and the brandshing of a white kerchief, all of which is done with vigour and attitude.

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WurlD. Image courtesy of the artist.

WurlD: Nigeria's Most Inspired Star?

We talk to the Nigerian artist about creating a sound that connects to the quintessential Afropolitan mind.

WurlD, the blue-haired singer with a killer voice and deep songwriting, is a wonder. His music sits at the intersection between African vibes and Western delivery. 2018 has been a huge for him, with a deal with Universal Music ensuring that his art has received consistency in release.

Born Sadiq Onifade, the Afro-Fusion artist has had an inspiring journey, moving from the streets of Mushin in Lagos, to the US, from where much of his music has been conceived. The complete creative embrace of that cross-cultural influence has become his strongest point, with songs such as "Show You Off" and "Contagious" offering a unique angle to his sound.

"Moving to America for me gave me the opportunity to learn music and I fell in love with songwriting," WurlD says of his influence. "Atlanta (where I lived) is a creative hub when it comes to songwriting and producing, some of the biggest songs in the world were produced in Atlanta, people round the world go to Atlanta to go meet producers and songwriters in Atlanta. There, I fell in love with music and songwriting."

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Still from YouTube.

France Still Doesn't Know How Racism Works and the Vilification of Nick Conrad Proves It

The French rapper is currently on trial for his music video "Hang White People," which depicts what life might be like if the racial tables were turned.

When the music video "Pendez les Blancs" ("Hang White people") by French rapper Nick Conrad was released, the backlash was intense. The video shows what life would be if black people had enslaved white people. "Hang white people… arm them and let them kill each other" Conrad raps. He is not the first artist to think about a life where Black people would dominate white people. Todric Hall's music video "Forbidden" and Malorie Blackman's novels "Noughts and Crosses" did it before. But in France, a country that still tries to stop Black people from organising as a community, Nick Conrad had to pay the price.

First, he received countless death threats and lost his job at a prestigious French hotel. Everyone, from French personalities to the government called him out. And then, two anti-racist and anti-semitism organizations, the LICRA and L'AGRIF sued him. His trial happened last week. French journalist Sihame Assbague was there to witness it, and what she reports is baffling.

To the prosecution, Conrad is encouraging his audience to kill white people. They believe that anti white racism or "reverse racism" is just as bad as any type of racism and that Conrad is using a "black supremacist language" with words like "queen" "king" when he mentions Africa. In their mind, once Black people stop trying to integrate and start organising themselves, it's just as bad as white people being racist. Ethnocentrism is dangerous.

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