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Lupita Nyong'o Opens Up About Learning to Love Her Natural Hair

"I love my hair. I love it because I've also been able to really embrace the stuff it can do," the actor tells Allure Magazine.

The prevalence of Eurocentric beauty standards, means that many black women have complex relationships with their hair—Lupita Nyong'o is no different.

She opens up about her haircare journey in Allure Magazine's "The Culture of Hair" issue, and her story is real and relatable.


She told opened up about her relationship with her hair starting from a young age:

Well, I didn't love my hair when I was a child. It was lighter than my skin, which made me not love it so much. I was really kind of envious of girls with thicker, longer, more lush hair. In my tween years, I started begging my mother to have my hair relaxed. She wouldn't allow it, though her hair was relaxed. She felt that that was a decision I could come to when I was maybe 18. Around 13 or 14, I had such a rough time with being teased and feeling really unpretty. My dad intervened and spoke to my mom about my hair, and she finally agreed. She took me to the salon in the middle of the school day, and I got my hair relaxed. I felt so much better because it was easier to tame. All the girls in my class had their hair relaxed. Very few had natural kink, so I felt a lot more acceptable.

She also discussed the politics of hair within families by recalling her mother's reaction to her doing the "big chop."

When I got home, my mother was horrified. She was just like, "What have you done to my hair?" I remember her saying that: "I've been growing that hair since you were born — how can you?" Then I felt really self-conscious. It was hard to see the horror on my mother's face. She was so disapproving, and I was so sensitive about it at the time, that I started to get scared that I had done the wrong thing. And it was cold. All of a sudden I would feel really cold on my head, and I didn't have hats or the right headwear for a bald head. Eventually my mom came around.

Like many of us, though it took some time, Nyong'o learned to own her hair, and wholly appreciate its versatility. In fact, we think it's safe to say that she's now a hair icon.

I've tried it all. Now I love my hair. I love it because I've also been able to really embrace the stuff it can do. It's like clay in the right hands. Clay can be dirt in the wrong hands, but clay can be art in the right hands. Being able to have that kind of playtime with Vernon to create different things has inspired me.

Read the full article via Allure.

Photo by Dereck Green/Gallo Images/Getty Images

AKA Announces Social Media Break After Fiancé Nelli Tembe's Passing

South African rapper AKA has shared that he will be going on a social media hiatus as he mourns the tragic death of his fiancé Nelli Tembe.

South African super rapper AKA has reached out to the public for the first time since the tragic death of his fiancé Nelli Tembe two weeks ago. Supamega released a public statement stating that he had relinquished his social media accounts to his management team to allow himself time to mourn. The statement comes a week after Anele Tembe, affectionately known as Nelli, was laid to rest.

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Interview

Interview: Terri Is Stepping Out of the Shadows

We talk to the Wizkid-signed artist about the story behind the massive hit "Soco" and his latest Afro Series EP.

Certain afrobeats songs have made in-roads in international markets and paved the way for the genre's ceaselessly-rising widespread recognition. Among these history-defining songs were D'banj's "Oliver Twist," Tekno's "Pana," Davido's "If" & "Fall," Runtown's "Mad Over You," and of course, Wizkid's "Soco." Wizkid released "Soco" under his label imprint, Starboy Entertainment in March 2018, and the song spread like wildfire across Africa and beyond. "Soco" was an Afro-pop wonder delivered at a time when the 'afrobeats to the world' movement was gathering steam, further cementing its electric nature. The Northboi-produced song was co-signed by celebrities across the world like Rihanna, Cardi B, and Paul Pogba and has accrued well over a hundred million streams across streaming platforms worldwide.

"Soco" was not only a trailblazer amongst mid-2010s afrobeats records, it was also the introduction of the first Wizkid-signed artist, Terri. Just weeks before "Soco" was released, Terri was discovered by Wizkid's longtime producer, Mutay, who saw him covering the song "Oshe" on social media.

Before "Soco," Terri Akewe was well on his way to fame. At fifteen, he had performed at street carnivals in his neighbourhood and, one time, was carried all the way home by neighbours after winning a Coca-Cola sponsored singing competition. Before his life-changing meeting with Wizkid, Terri had a seven-track EP ready for release, as well as a viral song titled "Voices." "One time I was on set with the video director T.G Omori, he told me that 'Voices' was the first time he heard of me" Terri tells me as we settle on a plush couch at his home in Lagos.

Regardless of Terri's initial career trajectory; signing to a label headed by afrobeats' biggest superstar was bound to accelerate his musical journey, and at the same time, cast a huge shadow of expectation on his career, especially given a debut as spectacular as "Soco." With his latest EP, Afro Series, powered by the sensational single "Ojoro," one thing is clear: Terri is stepping out of the shadows into his own spotlight and he is doing it on his own terms.

This interview has been edited and condensed for clarity.

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Interview
Photo: Black Butter/Sony UK.

Interview: JAE5 Is Crafting London's Distinct Diasporic Sound

We talk to the buzzing producer about his Grammy win alongside Burna Boy, his work with J Hus and the ever-looming influence of Ghana.

When tales about the origins of hip-hop come into the cypher, the hyperfocus is almost always about the culture being born out of a unique and profound struggle that centers Black and Indigenous youth in the Bronx. First and second generational youth with roots in both the English and Spanish-speaking Caribbean, who in spite of their deteriorating environment — at the time some of the most impoverished streets in North America — learned to harness the power of creative ingenuity as a form of survival.

We can, arguably, deduce then that the original purveyors of this music that was made from scratch — quite literally — weren't actually intending on making music that could speak for or represent a people and their stories. No. I'd wager the first DJs worrying the vinyls on Uptown blocks, and the first MCs spitting outside corner bodegas were simply living, relishing in the little joy they could manifest for themselves. Two-stepping and waving braggadocio hands in the few darkened spaces that welcomed them.

For JAE5 (born Jonathan Mensah) one of today's most prolific producers on the other side of the Atlantic, creating a fresh UK sound that in many ways is an expression of contemporary African British youth, it was not intentional. It was simply inevitable.

"I lived in Ghana for three years. J Hus grew up around a lot of Ghanaians. All of our friends are African and our parents are African," he shares. "So even when we were trying to make music from the UK, it would always have an African influence because that's what we grew up listening to and that's who we are. So I don't think anything was intentional. It's what it is."

With origins in Ghana and a coming-of-age set in London, JAE5 first became known as the genre-splicing beat machine behind J Hus' intoxicating songs, including the summer smash of 2017 "Did You See" off his Common Sense album. Having executive produced J Hus' entire debut album, JAE5 made a name for himself as the East Londoner developing a distinct diasporic sound combining elements of hip-hop, afrobeats and afro-fusion.

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Joeboy Recruits Kwesi Arthur on Remix of 'Door' & Music Video

Joeboy enlists Kwesi Arthur on the new remix to his single 'Door' and shares the accompanying visuals.