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Osei Bonsu has Been Named the International Art Curator for London's Tate Modern

The British-Ghanaian curator will oversee the African arm of the museum's modern and contemporary art.

Yesterday, Osei Bonsu, was named the international art curator for the African arm of Tate Modern in London. The British-Ghanaian art curator, critic and historian, joins Nabila Abdel Nabi and Devika Singh will respectively oversee the Middle Eastern and Asian arms of modern and contemporary art respectively while Valentina Ravaglia will be in charge of Tate Modern's display programs. The appointment of these talented and diverse individuals is a part of the museum's intentions of steering in a more international direction.


Speaking about the recent appointments, Tate Modern's director, Frances Morris, said that, "Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection."

Bonsu is a lecturer of modern and contemporary art as well as the chairperson of the 2019 African Art in Venice Forum. Back in 2015, he wrote Saatchi Gallery's catalog, Pangaea II: New Art from Africa and Latin America, which brought together the works of 18 South American and African artists. Bonsu described the exhibition saying that it "accesses a personal universe that has nothing to do with geography and much more to do with imagination." In 2017, Bonsu went on to curate the 10th edition of Satellites, an exhibition which is co-commissioned by Jeu de Paume and the Center for Contemporary Art in Bordeaux. There, he organized an exhibition entitled The Economy of Living Things with several other artists. You can view that work in the video below.

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Photo by Matt Winkelmeyer/Getty Images for MRC)

Watch Burna Boy Close Out the Billboard Music Awards

The Nigerian star played a medley of "Last Last" and "Kilometre."

The 2022 Billboard Music Awards returned last night, Sunday May 15, broadcasting live from the MGM Grand Garden Arena in Las Vegas.

In the big slot of the night, closing out the award ceremonies, was none-other-than the African Giant himself Burna Boy.

The Nigerian superstar, who's coming off a headline-grabbing sold out show at Madison Square Garden, jumped onstage to perform a medley of his brand new single "Last Last" (which just dropped last Friday) and the high-energy "Kilometre" backed by a full band and a drum line.

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Film poster courtesy of EGM NY Management

You Can Now Watch the Documentary 'Bigger Than Africa' on Netflix

Award-winning Nigerian Director Toyin Ibrahim Adekeye's first feature film is out this Friday, the 13th exclusively on the global streaming platform.

Netflix's investment in original African stories has seen a hoard of brilliant minds and their creations gain access to global audiences. The latest creative to share their narrative on the global streaming platform is award-winning Nigerian director Toyin Ibrahim Adekeye and his first feature film 'Bigger Than Africa'. The film, produced by Los Angeles-based Motherland Productions is available on the streaming platform this Friday, May 13th.


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Photo Credit: David M. Benett/Dave Benett/Getty Images for Woolmark International Pty Ltd

Mmuso Maxwell Designers on Winning the Karl Lagerfeld Award for Innovation

We met up with Mmuso Potsane and Maxwell Boko, the duo behind South African brand Mmuso Maxwell. We spoke about their upbringing, winning the Karl Lagerfeld Award for Innovation, and more.

After a two year internship with veteran South African designer David Tlale, Mmuso Maxwell was born. The brand, founded by the young duo Mmuso Potsane and Maxwell Boko, has since established a name for themselves in the African fashion industry. With successful works with A-list artists like Beyoncé — on her Black is King album — they continue to set the bar on what it means to be a successful emerging designer brand.

The duo first started to make noise in 2017, when they won the South Africa’s Fashion Week’s Sunglass Hut New Talent Search. Two years later, they came second at the 30 Under 30: The New Stars Arise Fashion Show competition held in Lagos, Nigeria. The duo walked home with $50,000, helping them establish their presence on a global landscape.

Last month, Potsane and Boko won the biggest award of their career: beating out 200 designers throughout the world, they took home the The Karl Lagerfeld Award for Innovation, after presenting a Merino wool collection for their Autumn/Winter 2022 line.

After their big win, OkayAfrica was able to meet up with the duo and chat about their upbringing, winning the Lagerfeld Award, and more.

How would you describe your Mmuso Maxwell brand?

Maxwell Boko: I think that the perfect description of our brand is that it is inspired by African heritage, but, the most important part is that it is mixed with contemporary culture. It’s basically our point of view of our heritage. We’re modern young people who are living with technology and science, and are influenced by those things. So even if it’s still our African heritage, it’s still our own interpretation.

Mmuso Potsane: Our brand is a modern interpretation of who an African woman is. Our brand sees itself as a global brand, and we do not want to limit it to look like an ordinary African brand, but it is positioned to be like a global brand, while maintaining our African roots, interpretations and experiences.

How did the collaboration between the both of you start?

Potsane: We met during the internship from 2015-2017. At the end of the internship, we decided to bring our pieces together to make one collection because we had similar aesthetics. From there, we just decided to continue onwards as a brand.

That’s interesting. You know, the fashion industry can most times be more competition than collaboration. How are you navigating the times you might have contrasting ideas?

Boko: I think that the reason why we joined forces together is because we had similar tastes in general. What has worked for us over the five years is that we’re not dramatic about our approach to things. It’s not “this or nothing." We’re always open to each other's critiques. We also do not question our individual strengths at all.

Potsane: Yeah, we’ve sort of found a way to agree to disagree. We have somehow found a way to come together to have one vision and objection. So for us, if any of us feels strongly about something, we just give it a chance to see how it plays out. If it doesn’t, we find a way to navigate it.

Mmuso Maxwell designers with Saul Nash

Saul Nash, winner of the International Woolmark Prize, and Mmuso Potsane and Maxwell Boko of Mmuso Maxwell, winners of the Karl Lagerfeld Award for Innovation, celebrate with models wearing their designs.

Photo Credit: David M. Benett/Dave Benett/Getty Images for Woolmark International Pty Ltd

How about winning the Woolmark Karl Lagerfeld Innovation Award? How did that happen?

Boko: I mean, we applied, even though I said to Mmuso that Woolmark is something that’ll happen to us, maybe two, three years down the line, and that’s because it’s generally for established designers. I always figured that it’ll happen at a later date for us. So when they reached us to inform us that we were finalists, I thought, “that’s crazy.”

When I saw the other finalists, I thought that there was no chance to win; But as we progressed in the program, I saw why it was the right time for us. It helped us as a brand in terms of making our products. The eight months were very challenging, but the thing that I enjoyed the most was working with local artisans. I think that it’s even one of the reasons we won.

And just on the side, I think it’s very hard for us to see from inside how much of a big deal winning the award is. It’s always our loyal people who help us see and understand it.

How has winning this prize influenced your brand? I mean, how important do you think platforms like this are?

Potsane: I think it’s important because it allows you access to spaces in the industry that are very out of reach for a lot of African brands. It influences and helps us to think more/differently, and just on that level, play by the rules. You’re no longer thinking locally, but internationally. It’s made us more serious about our business and how to run it. People take your work more seriously, so that makes you take it more seriously too.

In terms of funding, it’s something that’s been a struggle. I mean, as a designer, you have to showcase your work and that requires a lot of money for stuff like shows, showrooms, and so on. With the help that we’re getting from the people like Birimian — some sort of investment group for African brands — it helps you ease the stress this induces.

And what are some of the challenges you’ve faced during this? Are there ways you’re now navigating it?

Boko: When we started our brand, there was no initial capital for us to start our brand. But we got a little support, and that made our next challenge be sustaining our coming collections; but recently, our major challenge has been fabric sourcing and production. There are no facilities to produce the quality we aspire to.

Potsane: To navigate these challenges, we really just go with it one step at a time, and also speak with those who can assist with things like this, such as Birimian. In terms of production, we have to come to a compromise to ensure getting the quality we want.

You're a sustainable brand. What are some of the practices you’re doing that makes it sustainable?

Potsane: We utilize local crafts and local artisans. It’s something we’ve always been passionate about since we started our brand. We use homegrown yarns for production, and working with artisans makes us follow the route of slow fashion.

Boko: We’ve always had an affinity for natural fibers since we started. As an African creative, you’re inherently sustainable because we’re not prone to waste. It’s not something we can afford. When we buy fabrics, we buy exactly what we need, and all the things we’ve done so far have been in pre-orders. We do not produce with hopes that someone will buy what we’ve made. All pieces go to our clients.

Are there creatives that inspire the work that you do?

Potsane: The people that inspire our brand, we already currently work with. So people like Tatenda Chidora, a photographer. We also love Tony Gum. She’s an amazing artist. Same as Chloe Andrea and Daniel Obasi. We totally love these people, and are highly inspired by them.

Music

The 5 Songs You Need to Hear This Week

Featuring Burna Boy, Adekunle Gold, Ladipoe, Rema and more.

Every week, we highlight the top releases through our best music of the week column. Here's our round-up of the best tracks and music videos that came across our desks.

If you like these music lists, you can also check out our Best Songs of the Month columns following Nigerian, Ghanaian, East African and South African music.

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