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Joe Casely-Hayford. Photo by Ben Weller via Wikimedia Commons.

Pioneering Ghanaian-British Fashion Designer Joe Casely-Hayford Has Passed Away at 62

The designer, known for fusing bespoke tailoring and streetwear, lost his 3-year battle to cancer.

Joe Casely-Hayford, the innovating fashion designer best known for making way for streetwear through bespoke tailoring, passed away after losing his 3-year battle to cancer on January 3.

He was 62 years old.


Among the top British designers of his generation, Casely-Hayford, who has prominent Ghanaian roots as the grandson of Pan-African thinker Joseph Ephraim Casely Hayford, launched his eponymous fashion house in 1984 with his wife, Maria, where they soon reached fashion stardom in the industry and among the youth.

Casely-Hayford was a graduate of St Martin's School of Art and the Tailor and Cutter Academy, along with having Savile Row training under his belt, The Guardian adds. He dressed the likes of prime ministers and rock stars, including Bono, who wore his garments as the first man to grace the cover of British Vogue in 1992. His influence was a mainstay through the 90s.

"He was the first London designer to bring the cultural mix and energy of the East End together with the amazing skills of a Savile Row tailor," fashion critic Sarah Mower tells The Guardian.

The designer became the creative director of legacy men's tailor and menswear retailer Gieves and Hawkes in 2005, where he was awarded an OBE in the same year. In 2009, he relaunched his business as Casely-Hayford with his 32-year-old son Charlie. The father-son duo worked to position the brand's former appeal to a newer generation, which led them to a collaboration with Topshop. They opened their first shop in London this past November.

Mark C. O'Flaherty, a friend of Casely-Hayford, says when announcing the news of his passing that he "was grounded in being classless and cosmopolitan—he fashioned an ongoing document of the London in which he grew up and worked. At the same time, he was one of the few black designers to rise to a position of global prominence."

Revisit a 2012 interview with Casely-Hayford and Charlie below.

Casely-Hayford | Father & Son Designers youtu.be

News Brief

Prominent Zimbabwean Activist  Sheds Light on Current Crisis

Doug Coltart, a vocal activist and human rights lawyer based in Harare, speaks to Okayafrica about what's currently happening in Zimbabwe.

A few days ago, the Zimbabwean government issued a directive to major cellular network providers Econet and TelOne to disable the internet and all access to social media. The directive was an attempt to prevent any information from spreading outside the country's borders with regards to the nationwide protests which have led to the deaths of at least five people and the injury of at least twenty-five others.

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The front page of The New York Times on January 16, 2019

Kenyans Are Furious at the New York Times for Posting Photos of Terrorist Victims

After the the deadly attack on Tuesday, many are accusing the American newspaper of having a double standard on which dead bodies they allow into the paper

Is the New York Times guilty of a double standard when it comes to publishing images of dead bodies?

Kenyans, and others fed up with the coverage, took to social media in the hundreds to denounce a Times article that included an image of victims of Tuesday's Nairobi terrorist attack, bloodied from bullets, and lying hunched over their laptops, dead.

It has cause enough debate online to where the Times' incoming East Africa Bureau chief Kimiko de Freytas-Tamura felt the need to explain their photo policy, which is to show the dead only if their faces cannot be seen in the image. The photo in question fits the policy as the faces are facing away from the camera. She would later apologize before posting the official policy to her Twitter account. The photo remains up.

The Times' official response, as those tend to do online, has only created more anger. But unlike many unruly Twitter mobs, those responding to the official statement have a rather coherent message—"you wouldn't do this with photos of the American dead."

Some of the responses to the Times' official statement.

In a response to the controversy from the Poynter Institute, a typically astute observer of journalistic practice in the United States, they run through the typical American journalism school approach to publishing photos that might shock or offend. They write:

Should the Times have run the photo?
There is no easy answer.
The first question any news organization must ask when deciding to publish violent images is: WHY show it?
In other words, what is the news value? Does the public need to see such an image to fully grasp what happened? Does the public need to see such a photo to confirm or disprove the official account of the events?
An argument could be made that a writer's words could accurately describe the scene without being as disturbing as the image. In addition, when it comes to an act of terrorism, might publishing such a photo actually advance the cause of the terrorists, showing the damage they caused, thus fueling dread and panic?
Also this: The photo on the Times website came without warning. As a reader, you didn't know you were going to see a photo of dead people until you actually saw it.
Those are arguments to not run such a photo or, at least, warn readers of its graphic content.

While it's a fine analysis of when to show a violent image, it misses the central issue at play for those aggrieved by the Times' posting—that the American news-gaze values certain lives differently. Black, brown, foreign, poor—American journalism organizations, including the New York Times, cannot escape a base ethnocentrism in their coverage. It's so embedded into how these institutions operate, and the gap in understanding is so wide, that to much of the world, the Times' official response is laughably wrong at first glance.

"We take the same approach wherever in the world something like this happens--balancing the need for sensitivity and respect with our mission of showing the reality of these events"

And while there are examples from the Times that complicate this feeling, like these images of the dead in the terrorist attack in Nice, France, it doesn't discount the wider and correct feeling that the white victims of American mass shootings are treated differently than their African counterparts. And while there are complicated and systematic reasons for this which will always make discussing it difficult, to simply deny that different standards exist, does not increase the Times' credibility with Kenyans or the newspaper's growing online audience which will only become more vocal about how they're portrayed.

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The 10 Songs You Need to Hear This Week

The best music of the week featuring Falz, King Monada, Zlatan, Yemi Alade and more.

Every week, we highlight the cream of the crop in music through our Best Music of the Week column.

Here's our round up of the best tracks and music videos that came across our desks, which you can also check out in our Songs You Need to Hear This Week playlists on Spotify and Apple Music.

Follow OkayAfrica on Spotify and Apple Music to get immediate updates every week and read about some of our selections ahead.

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