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Sampha "Treasure" Photo: Youtube.

Sampha’s 'Treasure' Performance Is a Collaborative Moment of Black Excellence

Reenacted on stage with some of the most emotionally-intelligent and culturally-influential black artists, "Treasure" turns into a live relationship.

Sampha's live televised performances are few and far between.

It seems like he is always silently working on something emotive and remarkable in the background. But when he finally does face the camera, the moment is heart wrenching and unforgettable. You are surrounded by his full, delicate yet unwavering voice, like walking into a dimly lit room.

Last week, he appeared on The Late Late Show with James Corden, along with a flurry of some of his magnificent musical friends. Kelsey Lu, Robert Glasper, serpentwithfeet and Kamasi Washington joined Sampha on stage in a moment of beautiful, monumental harmony.

They came together to perform Sampha's latest, "Treasure," written for Beautiful Boy, the Steve Carell and Timothee Chalamet film on a father-son relationship.


Sampha: Treasure youtu.be

Sampha is an expert at extrapolating complex, difficult and often wordless emotions into illustrious lyrics and stirring instrumentals, and unsurprisingly "Treasure" feels more his song than a commissioned work. Reenacted on stage with some of the most emotionally & musically intelligent, and culturally-influential black artists turns "Treasure" into a live relationship. This performance articulates the magic that occurs when powerful, aesthetically disparate yet intentionally connected musicians collaborate in unison.

Robert Glasper, known for his indulgently romantic, jazzy black power ballads with The Robert Glasper Experiment, reveals himself as a gentle yet firm pianist perfectly mirroring Sampha. Kamasi Washington's sporadic, hypnotic saxophone becomes a hushed, tantalizing whisper amidst the echoes of spiraling instruments. Kelsey Lu, a force of queer, eclectic nature, known for her classical-gospel-folk songs, is partnered with serpentwithfeet, the eccentric and loving avante garde singer using his upfront vocals to express worship for men. Together they harmonize with Sampha gorgeously, without losing their own tone and personality.

It is a mesmerizing audio-visual experience of black excellence. Watch Sampha's "Treasure" performance above.

Read: Sampha's Process and the Necessity of Vulnerable Black Masculinity

News Brief

Watch Chika's Cerebral Performances on Jimmy Kimmel Live

The Nigerian-American MC drops serious bars in "No Squares" and "Richey v. Alabama."

Chika Oranika, also just known as Chika, recently made her late night TV debut on Jimmy Kimmel Live, guest hosted by Lena Waithe.

Waithe is a huge fan of the Nigerian-American wordsmith (as we all are, let's be real), especially since her freestyle about the rise and fall of Kanye West went viral last year. The rapper continues to be inspired about current events and eloquently gives much needed thoughts and commentary through straight bars.

With her performances of "No Squares" and "Richey v. Alabama" on the show, it's fair to say that she's the internet's unofficial poet laureate.

"We all know what's going on in Alabama right now, and I'm from Alabama. I felt like with this opportunity and the way that it lined up, it would make so much sense for me to come on here and speak for people who would otherwise feel voiceless," she shares with Waithe on what inspired "Richey v. Alabama."

She continues:

"Richey is the last name of one of my best friends who has such a powerful story when it comes to what's going on in Alabama. I felt like this would be a proper tribute to her, and also a proper tribute to all women in Alabama—all people in Alabama with wombs who are able to carry children—and I felt like this is my time to speak for us."

Watch her poignant performances below.

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News
South Africa's midfielder Linda Motlhalo (L) and South Africa's defender Janine Van Wyk celebrate after scoring a goal during the FIFA international friendly football match between South Africa and Jamaica at the Moses Mabhida Stadium in Durban , South Africa on April 7, 2019. - South Africa's Women Team, known as "Banyana Banyana", has qualified for the FIFA Women's World Cup in France 2019. (Photo: ANESH DEBIKY/AFP/Getty Images)

South Africa's National Women's Football Team to Receive Equal Pay

The Banyana Banyana, will receive the same pay as their male counterparts for the first time ever as they head to the FIFA World Cup.

Last November it was announced that South Africa's national women's football Team, the Banyana Banyana, would be heading to the FIFA Women's World Cup for the first time ever. South Africans celebrated the news, but some also pointed out that despite their successes, the female players were still being payed less than their male counterparts.

This is set to change however, as for the first time ever South Africa's women's team and its men's team, Bafana Bafana, will earn the same pay as they head to the World Cup in France and the African Cup of Nations (Afcon) in Egypt, respectively, Times Live reports.

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Audio

Listen to Runtown's Surprise Release of His New EP 'Tradition'

#SoundgodBack.

Nigerian star hitmaker Runtown is back with the surprise drop of his latest EP, Tradition. The highly-anticipated 6-song release was due next Friday, but the artist got it all live earlier today.

"My team is probably going to kill me. I honestly tried my best to stick to the plan but I couldn't wait," Runtown mentions. "I have broken the protocols because I want you guys to have the music as quickly as possible. Do me a favor stream the EP until you can sing every song word for word."

Tradition features five new song alongside the previously released "Unleash," a collaboration with UK grime act Fekky.

The EP features production from Del B ("Redemption," "Unleash"), Spellz ("Emotions," "International Badman Killa"), Elputo ("Tradition") and Ransom Beatz ("Goose Bumps"). Overall, Tradition looks to bring the hazy & downtempo sonic world of Runtown's addictive hits like "Mad Over You" and "For Life" to higher levels.

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