News Brief

Skepta, A British-Nigerian Grime MC, Has Won the 2016 Mercury Prize

Skepta's been awarded the 2016 Hyundai Mercury Prize for his fourth album 'Konnichiwa.'

Grime has arrived.

Well, really, it's been here for more than a long minute but, for many, the genre's climbed another step in popularity today as Skepta's been awarded the 2016 Hyundai Mercury Prize for his fourth album Konnichiwa.

Skepta's album beat the likes of Radiohead, Laura Mvula, Michael Kiwanuka, The 1975 and even David Bowie to win the award.

During his performance at the Mercury Prize, the grime MC gave a nod to the Black Lives Matter movement.

Skepta, who's of Nigerian descent (real name: Joseph Junior Adenuga), brought his crew and his Nigerian parents on stage with him to accept the award. In an emotional speech, he thanked "my mum and dad, and all my friends' mums and dads."

His album Konnichiwa features hits like "Shutdown" and "That's Not Me," and its title track shouts out Wizkid.

Skepta was also the person responsible for first playing “Ojuelegba” for Drake, which sparked the monster remix that catapulted Wizkid into his current reigning spot.

With this win, Skepta becomes the second grime act to win the Mercury Prize, following Dizzee Rascal in 2003.

See some tweet reactions to Skepta's Mercury Prize win below.



Interview: Wavy The Creator Is Ready to See You Now

The multidisciplinary Nigerian-American artist on tapping into all her creative outlets, creating interesting things, releasing a new single and life during quarantine.

A trip canceled, plans interrupted, projects stalled. It is six months now since Wavy the Creator has had to make a stop at an undisclosed location to go into quarantine and get away from the eye of the pandemic.

The professional recording artist, photographer, writer, fashion artist, designer, and evolving creative has been spending all of this time in a house occupied by other creatives. This situation is ideal. At least for an artist like Wavy who is always in a rapid motion of creating and bringing interesting things to life. The energy around the house is robust enough to tap from and infuse into any of her numerous creative outlets. Sometimes, they also inspire trips into new creative territories. Most recently, for Wavy, are self-taught lessons on a bass guitar.

Wavy's days in this house are not without a pattern, of course. But some of the rituals and personal rules she drew up for herself, like many of us did for internal direction, at the beginning of the pandemic have been rewritten, adjusted, and sometimes ditched altogether. Some days start early and end late. Some find her at her sewing machine fixing up thrift clothes to fit her taste, a skill she picked up to earn extra cash while in college, others find her hard at work in the studio, writing or recording music.

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