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The Come Again: Grap N Clap Remix


[audio:http://www.okayafrica.com/wp-content/uploads/11-Grap-an-Clap-remix.mp3|titles=Grap N Clap Remix (Pupa Bajah and Baw-Waw Society)]

Pupa Bajah, who is sometimes described as Sierra Leone's contemporary Bob Marley,  got his big start with this single. "Grap N Clap" tore through post-war Sierra Leone in 2004, launching Bajah, then just a teenager, into musical stardom and giving him the moniker the "fastest rapper in Sierra Leone." Within a few short months Bajah went from a young ruffian in the streets of Freetown to a musical  superstar. The title, which translates from Sierra Leonean Krio into  'stand up and clap', is a political call-to-arms to his fellow youths.

The above remix, which samples the hit "City Life" by  Dovy Dovy and A-Klazz (then known as the Baw-Waw Society), marks the start of the official Dry Eye Crew collabo. The rest is history.

Check out the original video below with a very young versions of Bajah, Dovy, and A-Klazz.

[embed width=550][/embed]

 

Art
Image courtesy of Peintre Obou.

Ivorian Artist Peintre Obou Speaks on Expression Through His Masked Characters

Peintre Obou talks about how he came to be an artist, his fervour for the mask, and his uplifting project, 'Abobo E Zo'.

Gbais Obou Yves Fredy better known as Peintre Obou is an Ivorian artist whose work is centered around the political-military crisis in his home. To date, his career has been an exploration of his passion for the human condition and the traumas he has experienced as a result of human-orchestrated disasters. He goes as far as highlighting life in the slums and the individuals who opened their arms to him in the lowly communes of Abidjan. He distinctively distorts the faces of his subjects with masks and places vibrant colors upon their bodies as he weaves tales of war, trauma, suffering, and oppression.

Last summer, the Ivorian commune of Abobo underwent renovation in a project titled, Abobo E Zo commissioned by the Minister Hamed Bakayoko. Not only were downtrodden areas within the community rehabilitated and sanitized but multiple buildings around the populous commune were painted to the delight of residents. It was street art set on enlightening a disadvantaged community piloted by Obou with help from hundreds of crafty volunteers.

This interview was conducted in French and has been translated and edited for length and clarity.

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