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These Tweets About African Parents Hating Halloween Are Hilariously Real

African parents be like..."what is a Halloween?"

African parents generally enjoy celebrations. Weddings, of course. Christmas is basically life. Birthdays are full of blessings. Thanksgiving—a breeze. Halloween, "what kind of thing is that?"


Many African parents can't really wrap their heads around the thought of dressing up as a ghost, skeleton, or worse—an actual devil, and going door to door asking for candy. As a result, many African children were robbed of the childhood experience known as "trick-or-treating," and some are still harboring resentment to this day.

Basically, African parents are just not here for Halloween. While, we could get into a critical discussion about the underlying religious and sometimes cultural reasons as to why they don't like Halloween, for now, we'd rather just laugh at them for sucking absolutely all the fun out of what is supposed to be a mindless and playful holiday.

Below are some of the funniest tweets about African parents and their general disdain for Halloween.

Of course, it's not all African parents though.

But for the most part it seems:

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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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