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Listen to Tshego’s Debut Album ‘Pink Panther’

Tshego's debut album is here.

Tshego's Pink Panther was one of the most anticipated South African albums of the year. After making the move from Family Tree to Universal Music Group, the artist released the single "No Ties," which features King Monada.

Pink Panther arrives today with 15 songs. Most of the production on the song is handled by him, alongside a selection of other producers. A handful of guests make appearances—Riky Rick, Kwesta, Focalistic, Tellaman, Black Cass and Frank Casino.

Pink Panther is a light-hearted album that will come in handy this summer. Apart from the lead single "No Ties," songs like "With My Bros," "Ubumnandi," "Me and You," "The Touch" and many others will make great soundtracks to the memories you'll make in the summer.

Throughout most of the album, Tshego sings over trap production, as you would expect if you've been a follower of his music.

Tshego has built his name in the last few years, appearing on several songs by other artists, such as Nasty C, Nadia Nakai, Cassper Nyovest and others.

Pink Panther will cement his place in the game.

Listen to Pink Panther below:



Follow Tshego on Instagram, Twitter and Facebook.

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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