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Uganda's President Wants to Ban Oral Sex, Says the "Mouth is for Eating"

"The mouth is for eating, not for sex. We know the address of sex," says President Museveni.

Uganda's President Yoweri Museveni has issued what he calls a "public warning" against oral sex.

The president claims the practice has been pushed on Ugandans by "outsiders," and argues that the mouth is solely for eating.

"Let me take this opportunity to warn our people publicly about the wrong practices indulged in and promoted by some of the outsiders," he told the press during an address.

"One of them is what they call oral sex. The mouth is for eating, not for sex. We know the address of sex, we know where sex is," he continued.


According to the Daily Mail, back in 2014 Museveni stated that performing oral sex could cause people to get worms. "You push the mouth there, you can come back with worms and they enter your stomach because that is a wrong address," he is quoted as saying.

That same year he passed the "Anti-Homosexuality Act," which makes being gay illegal in Uganda, and makes it a criminal offense to not report someone for being gay.

Though it's sadly clear that Museveni is serious about his disapproval of oral sex, folks online have managed to find the humor in his comments.






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Photo courtesy of Martin Senkubuge

Ugandan Artist Martin Senkubuge is Dismantling the Stigma Around Vitiligo

Ugandan artist Martin Senkubuge is using his artwork to start conversations and raise awareness around the skin condition vitiligo.

In September 2019, Ugandan artist Martin Senkubuge was showcasing artwork at a group exhibition in Kampala when a woman approached him. She was drawn to a painting of his titled Melanin Tattoo. Ready to pay, she asked him if there was a particular story behind the painting. Senkubuge said the painting, which confronted issues around skin whitening, was inspired by Michael Jackson and how he bleached his skin.

“Artists should do research before presenting their work,” she said, disappointed, and less motivated to purchase the piece. The woman was a Michael Jackson fan and she knew that the late pop star had suffered from vitiligo, a skin disorder that causes loss of skin color in blotches and patches. From that moment, Senkubuge was inspired to learn about the pop star’s relationship with vitiligo.

He would find out that the star had received criticism from the public, on the assumption that he had chose to bleach his skin. If a man of such international acclaim was treated this way, how were those who were poorer treated? In other parts of the world — in remote places where public ignorance thrives — those living with the condition are seen as a bad omen or cursed.

Senkubuge wanted to change that. He soon founded the Part of Us initiative. The main objectives of the initiative are to visually amplify vitiligo voices, fight against stereotypes and stigma, and embrace vitiligo as a natural skin condition using visual art.

In his small studio in the outskirts of Kampala, the 25-year-old artist draws hyper-realistic charcoal portraits of persons with vitiligo. Between April and May, 2022, Sunkubugbe conducted an online survey where respondents revealed that they faced stigma, trauma, emotional stress and social injustice as a result of vitiligo. In his campaign along the way, he has been the recipient of a slew of recognition and external support. In 2020, he won a project grant of 2 million Ushs ($559) from Goethe Zentrum, Kampala (GZK).

Together, with a team of volunteers, he organized a solo show in the premises of GZK throughout April, 2021. Under Part of Us, the exhibition advocated for inclusivity of people living with vitiligo. Recent data from Global Vitiligo Foundation indicates that about 70-100 million people are affected by vitiligo in the world. In Africa, people living with vitiligo are stigmatized for the entirety of their lives. In this interview with OkayAfrica, Senkubuge talks about combating stereotypes around vitiligo and challenges faced by his initiative.

Photo courtesy of Martin Senkubuge


What was your turning point in your art career?

October 2021 was a game changer. It was during this time that my lost hope was restored. At first, it was when my artworks were featured in a Guardian article by John Agaba. Then a journalist from BBC World Service contacted me after reading the same article. This was a dream come true and, for the first time, my dad believed that his son would make it as an artist. Additionally, this international recognition and attention towards my drawings became a strong affirmation that my artwork is relevant. I cannot afford to reconsider being a visual artist; I firmly believe that I will die one.

What motivated you to launch your Part of Us visual campaign and how has been the journey?

When my work went viral on the internet and media, a number of people living with vitiligo reached out to me with interest in working with me. I then decided to create a lifetime campaign that would allow me to work with more people living with the condition. Following this global publicity and attention, the Part of Us Initiative has since embraced and focused on the New Art Movement of Vitiligo Art and creativity, with an aim of dissipating stigma, trauma and psychological stress amongst people living with this skin condition. Later on many creative minds and artists, mostly fellow youths, reached out asking how they could take part in the campaign.

We then decided to establish Part of Us as a Nonprofit Organization, a foundation made up of creative people, people living with vitiligo and humanitarians who don’t live with the skin condition. In addition to creating awareness through visual arts and creativity, the Initiative gives us a chance to directly impact many more people living with vitiligo who may not be interested in appearing in artworks due to various personal reasons.

Martin Senkubuge artwork

Photo courtesy of Martin Senkubuge

With the stigma surrounding vitiligo not only in Uganda but on the continent, how do you find and approach models for your portraits?

At the beginning, in 2019 and 2020, I would post on my social media platforms asking for contacts of people with vitiligo. After talking to about 60 over the phone — since it was during the lockdown period — only three gave me the benefit of trust. It was challenging then to convince many, since opportunists have taken advantage of their condition and left them more emotionally damaged. Currently, the fact that more writers and journalists have continued to document and cover my work and stories of the models [helps.] Most of the new models already have hints about my clear vision and they are more than willing to contribute to this vision.

Martin Senkubuge

Photo courtesy of Martin Senkubuge

How has your initiative impacted the people living with vitiligo? Any success stories?

Keeping in mind that our ultimate goal is to create awareness, end stigma and transform lives, we have a number of successful stories. For the first time we celebrated World Vitiligo Day in Uganda on the 25th of June this year. It was a successful photo-shoot event accompanied by indoor games, eats and drinks, networking and sharing about life experiences. We have been able to receive more local media coverage which wasn’t the case the first two years when we were always turned down due to the intensity of myths surrounding vitiligo.

One of my pioneer models, Eva Atukunda, stopped covering her blotches with make-up after seeing her face all over the internet and on big screens. Waking up every morning had become a lifelong responsibility to her and her two young children who she had trained to apply makeup so that they could finish fast and go to school. When she posted her face on Facebook for the first time without makeup, many were shocked by her courage. One gentleman, who had never looked at himself in a mirror for about 23 years, directly messaged Eva and he never remained the same. Isaac is the other person in my drawings. He is a model and vixen who has been identified by many more videographers and modeling agencies to work with him. There are many more individual stories but most importantly our initiative continues to receive and register more people living with vitiligo.

Do you believe that art can reduce stigma and myths surrounding vitiligo in Uganda and Africa at large?

I believe that art can reduce stigma and myths. Looking back in the old times of Caravaggio, [Claude] Monet, Rembrandt and Leonardo Da Vinci times, artists were mirrors to their societies. They would capture moments and events which greatly and diversely informed our present times in terms of medical, health, technology, education, life trends, fashion, and politics. I believe that, as artists, we have a high sense of imagination which we can use to either build or destroy the world through our executions in fine arts, films, animations, musical lyrics and videos, designs, content on the internet. One of my philosophies as a researcher and a visual artist is that the more we paint, draw, and showcase a challenge based on research, to the public with consistency, vision and reason, we can positively influence transformations in various societal perceptions.

What are your future plans?

Through social media, many people living with vitiligo have reached out to me from different continents to be drawn. I am now looking forward to a global project which will be extremely unique. We have our second edition of the Part of Us Art Exhibition in June, 2023. I am glad that more artists, both male and female, have joined me to make this exhibition more relevant. We shall always hold biannual Art Exhibitions with purely artwork creation inspired by vitiligo skin condition. I plan to go for further studies, with my research focusing on Vitiligo and the myths, stigma, beliefs surrounding it.

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(YouTube)

The Best East African Songs of 2022 So Far

From Kenyan drill to bongo flava and everything in between, here are the best East African songs of the year so far featuring Buruklyn Boyz, Zuchu, NJERI, Diamond Platnumz, Khaligraph Jones and more.

The first half of 2022 has seen many rising stars of the region cement their place in the charts with some exquisite bodies of art.

As the new generation of East African artists innovates their look and sound they’re gaining from the rest of the world every day. From the likes of Buruklyn Boyz, NJERI and Zuchu, we have seen some spectacular singles and projects so far this year. On the other hand, the heavyweights kept their fans happy with plausible releases that raised the bar for all artists from this side of the continent.

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Photo Credit: From Taamaden

10 Upcoming African Films to Look Forward to in 2022

From Nigerian thrillers to South African documentaries, here are 10 African films we are looking forward to in 2022.

The glitzy and glamorous Durban International Film Festival (DIFF) recently returned for its 43rd edition. The eight day festival, which took place in Durban (KwaZulu-Natal, South Africa), featured an embarrassment of riches on the program, from around the world. The festival is a good indicator of what we can expect from African cinema for the rest of 2022.

The 10 films on this list were all screened at the festival. These films managed to stand out for reasons that have been explained below. (One of those films, Robin Odongo's Bangarang from Kenya, won the Best African Feature Film award at DIFF.)

Do not miss these movies when they come to a theater or streaming platform near you.

1960 (South Africa)

This pleasant, King Shaft directed period musical centers a heroine who may have been inspired by the life of the late South African icon Miriam Makeba. 1960 opened the Durban festival this year and set the tone for what would come after. Lindi (played by both Zandile Madliwa and Ivy Nkutha) is a singer who in her twilight days digs back into her past to shed light on the murder of an apartheid-era police officer when his remains turn up in Sharpeville some six decades after the infamous massacre of 1960.

African Moot (South Africa​)

There are plenty reasons to be hopeful for the future of the continent. According to Shameela Seedat’s African Moot, the educated youth are leading the way. This fly-on-the-wall documentary follows a group of bright law students who are participating in the annual African Human Rights Moot Court Competition. Seedat, a human rights law specialist turned filmmaker, heads to the University of Botswana with her subjects. Her film details the interesting ways the students approach the fictional case of a people crossing fictional African borders to escape oppression.

​Bangarang (Kenya)

Inspired by true events, Robin Odongo’s chaotic feature expounds on an earlier short film. Bangarang’s protagonist, Otile (David Weda) is a graduate of engineering who has failed to secure decent employment a decade after university. He makes a meagre living as a bike rider instead. When election violence erupts after the disputed Kenyan presidential elections of 2007, an embittered Otile leads rioters on the streets of Kisumu. Before long, he is on the run from the law, accused of murder.

Collision Course (Nigeria)

A frustrated young man collides with the brutal power of the police force. Can a tormented official stop the descent into carnage? The third feature length title from Nigerian director Bolanle Austen-Peters (The Bling Lagosians, The Man of God) is a propulsive thriller set over the course of 24-hours. Starring Daniel Etim Effiong and Kelechi Udegbe, Collision Course digs into the underbelly of urban crime, law enforcement gone rogue, and the desperate victims that suffer the consequences.

The Crossing (La Traversee) (Burkina Faso)

After years in Italy, Djibi returns to his native Burkina Faso and begins to mentor a group of young people whose sole purpose is to leave for Europe. Djibi prepares them for this crossing through a tasking physical and intellectual program that helps bring them personal achievement and may end up neutering their resolve to migrate. Can he make this difference? Irène Tassembédo’s social drama embraces the complicated nature of the immigration experience.

Lesotho, the Weeping Motherland (South Africa)

Told interchangeably between South Africa and Lesotho, this Lwazi Duma-directed documentary engages with the effects of climate change on the agricultural sector, a key income earner in the region. Duma follows Khethisa Mabata as he attempts to revive his father’s farm. The film uses Mabata’s personal story as an entry point into the larger national crisis that has taken Lesotho from a thriving food basket to one suffering extreme drought.

Skeletons (South Africa)

Conceived as an experiment in theatre-making during the COVID-19 lockdowns, this magical realist expression was re-written for film and now sits somewhere as a hybrid between theatre and film. Set in the heart of the Maluti mountains, Skeletons grapples with the issue of land and ownership as told through the lives of four characters. In an environment of scarcity, these four people wrestle to break free from the vicious cycle of oppression. Skeletons confronts notions of home, belonging, and identity.

Streams (Tunisia)

Amel, a married Tunis factory worker is imprisoned on charges of adultery and prostitution following an assault. Upon release, she attempts to put back the pieces of her life and reconnect with her teenage son whose life was derailed by the scandal. Director Mehdi Hmili comments on the decay, contradictions, and hypocrisies of contemporary Tunisian society with this engaging drama about the breakdown of a working-class family and the state’s unwillingness to protect the vulnerable.

Taamaden (Cameroon)

In Taamaden, Mali-born filmmaker Seydou Cissé paints a uniquely intimate portrait of immigration and zeroes in on spirituality. Taamaden, which is the Bambara word for traveler or adventurer, presents two different points of view. The first is that of Bakary, a young Malian preparing for yet another attempt at crossing over to Europe. The other is a motley crew of West African immigrants struggling to survive in Spain. They are united by their ties to their spiritual clairvoyant.

You’re My Favorite Place (South Africa)

Jahmil X.T. Qubeka (Of Good Report, Knuckle City) is one of the most exciting and original cinematic voices on the continent. His latest, which closed the Durban film festival, is a change of pace attempt that also carries some of Qubeka’s slick imprint. On the last day of high school, the young heroine of You’re My Favorite Place and her three friends embark on an unforgettable road trip. They steal a car and head to the remote Hole in the Wall, a landmark that according to Xhosa legend, enables communication with the dead.

Interview
Photo courtesy of the artist.

Kelvyn Boy On Becoming One of Afrobeats’ Leading Stars

The Ghanaian singer narrates how his latest single "Down Flat" has accelerated the trajectory of his career.

Kelvyn Boy is one of the leading afrobeats hitmakers from Ghana. Since his official debut in 2017 under singer Stonebwoy’s record label imprint Burniton Music Group, the talented singer, songwriter, and performer has consistently dished out hit after hit. From the sentimental midtempo ballad “Na You” to the gritty afropop cut “Mea” to his Mugeez and Darkovibes-assisted smash hit “Momo”, with every new release Kelvyn Boy has established his profile as one of the West African nation’s top afrobeats acts.

Fast forward to January 2022, Kelvyn Boy drops his most recent single “Down Flat," an infectious afrobeats single produced by Nigerian producer KullBoiBeatz, and the song has been immensely successful. “Down Flat” has held the number one spot on Apple Music’s “Top 100: Ghana” playlist, hit number 10 on Billboard’s “Worldwide Digital Song Sales” chart, just a couple of out several other accolades the song has landed in the few short months since its release.

The effect of the song’s success has already kicked in, with the singer in London, United Kingdom as I speak to him, which is one of the early stops of his current world tour. “Down Flat” is currently the biggest song of his career so far, and even Kelvyn Boy himself didn’t see it coming. “Some of the great things that happen are unpredictable and unplanned. I didn’t really see it coming” he explained. “Everyone believes in himself or herself. I have that belief and that feeling already when I’m making every song. If it’s not right, I won't sing it. But I didn’t see it coming as quick as it did, and I didn’t know it would get to this level. I knew it was gonna be big, but honestly it got out of hand.”

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