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Watch Kojo Funds and Banx & Ranx Get Caught In a 'Traffic Jam' In Their New Music Video

Check out the lively, Accra-shot video for their new collaboration.

Ghanaian-Dominican artist Kojo Funds links up with Canadian production duo Banx & Ranx for their upbeat new single "Traffic Jam."

The collaborators headed to Accra for the song's lively music video, which sees them caught in a traffic jam like no other. The traffic jam turns into more of a block party as colorfully dressed dancers take over the streets and everyone turns up. The video was directed by popular afrobeats video director Meji Alabi.


"Traffic jam was a fun song to make," said Kojo Funds in a statement. "The song reflects the energy that was created in the studio that day. Working with Banx & Ranx felt like we had been working together for years, they are two musical geniuses."

The Montreal-based duo shared similar thoughts about the making of the track: "What I love about "Traffic Jam" is the simplicity of the chorus, it really reflects the fun we had in the studio that day. Writing it with Kojo, without force and bouncing all over the place," explains Yannick of Banx & Ranx.

Banx & Ranx who came on the scene in 2017 with the album LIT, previously released the single "The Reason Why," while UK-based Kojo Funds released the catchy track "I Like" featuring Wizkid back in August.

Watch their video for "Traffic Jam" down below.

Banx & Ranx x Kojo Funds - Traffic Jam (Official Video) youtu.be

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Photo: Lex Ash (@thelexash). Courtesy of Simi.

Interview: Simi Is Taking Risks

Nigerian star Simi talks about the successes & risks of this year, her thoughts on the #EndSARS protests, and how her husband, Adekunle Gold, inspired Restless II.

Simi is restless. It has nothing to do with the year she has had, in fact, she reaffirmed her status as one of Nigeria's most successful musicians with a single music drop, "Duduke," which enjoyed widespread appeal as the nation went into lockdown earlier in the year.

The 32-year-old singer's restlessness is a reflection of the organised chaos that has defined her recording process this year as she combined the rigours of being an expectant mother with an examination of her place in the wider world. It, more accurately, reflects her re-negotiation of the parameters of her stardom.

"I've never really been a big fan of the spotlight," she whispers silently early in our Zoom conversation. "I know that it comes with the territory, but when I got my big break and more people started to recognise me, I realised that I had to edit myself, my life, and most of the things that I'd do or say because I wanted to be careful to keep a part of me for myself."

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