Film: Africa Movie Academy Awards Winners

Last night in Lagos, the winners of the Africa Movie Academy Awards, also known as the "African Oscars," were announced. Unsurprisingly, South Africa and Nigeria, the continent’s present-day cinematic superpowers, came away with the lion’s share of the prizes: twelve for the former and ten for the latter. Of those twelve, four went to How to Steal 2 million (trailer below), a magnificent film noir which took home best director (Charlie Vundla), best film, achievement in editing, and best supporting actress (Terry Phetto).

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Two others tied for second place with three awards each: the Nigerian Adesuwa and Man on Ground (trailer below), a stylish treatment of xenophobia in modern South Africa, whose capturing of the Special Jury Prize represents an acknowledgment on the part of critics and the public of the enormous work that country has done to promote African cinema in recent years. Despite the great hopes laid on Otelo Burning, nominated for multiple awards and widely considered one of the year’s great films, it won in only two categories, Achievement in Cinematography and Best Child Actor (Tsepang Mohlomi).

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With regards to films from the Diaspora, there were few surprises. The two great successes were Touissant L'Overture (the protagonist of which, Jimmy Jean-Louis, was the festival’s presenter) and The Education of Auma Obama, which respectively garnered Best Diaspora Feature and Best Documentary in Diaspora.

AMAA is continuously growing, with 328 entries from all across Africa in 2012, up from 220 in 2011. Dr. Asantewa Olantunji, director of programming of The Pan African Film Festival, headed this year's jury, which included June Giavanni, programmer for Planet Africa at The Toronto International Film Festival; Keith Shiri, founder and film curator at the London festival, Africa at The Pictures; Dorothee Wenner, a curator at The Berlin Film Festival; Shaibu Husseini, an actor, dancer and The Nigerian Guardian arts journalist; Steve Ayorinde, editor-in-chief of The Daily Mirror; Ayoko Babu, executive director of The Pan African Film Festival; Dr. Hyginus Ekwuazi, a film scholar and critic; and directors Berni Goldblat and John Akomfrah, OBE.

Here is the Full Winners List:

Short Film - Braids on Bald Head (Nigeria)

Best Documentary - African Election (Nigeria/Germany)

Best Diaspora Feature - Toussaint L’Ouverture (France)

Best Documentary in Diaspora - The Education of Auma Obama (Germany)

Best Diaspora (Short Film) - White Sugar In a Black Pot (USA)

Best Animation - The Legend of Ngog Hills (Kenya)

Best film by an African Living Abroad - Mystery of Birds (USA/Nigeria)

Achievement in Production Design - Phone Swap (Nigeria)

Achievement in Costume Design - Adesuwa (Nigeria)

Achievement in Make-up - Shattered (Kenya)

Achievement in Soundtrack - Alero's Symphony (Nigeria)

Achievement in Visual Effects - Adesuwa (Nigeria)

Achievement in Sound - State of Violence (South Africa)

Achievement in Cinematography - Otelo Burning (South Africa)

Achievement in Editing - How To Steal 2 million (South Africa)

Achievement in Screenplay - Ties that Bind (Ghana)

Best Nigeria Film - Adesuwa (Lancelot Imasuen)

Best Film in an African Language - State of Violence (South Africa)

Best Child Actor - Tsepang Mohlomi (Ntwe), Otelo Burning

Best Young/Promising Actor - Ivie Okujaye (Alero), Alero's Symphony

Best Actor in a supporting role - Fano Mokoena (Man on ground)

Best Actress in a supporting role - Terry Pheto (How to steal 2 Million)

Best Lead Actor - Majid Michael (Somewhere in Africa)

Best Lead Actress - Rita Dominic (Shattered)

Best Movie - How To Steal 2 million (South Africa)

Best Director - How To Steal 2 MillionCharlie Vundla

Special Jury Prize - Man On Ground – South Africa / Nigeria

Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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