popular
The front page of The New York Times on January 16, 2019

Kenyans Are Furious at the New York Times for Posting Photos of Terrorist Victims

After the the deadly attack on Tuesday, many are accusing the American newspaper of having a double standard on which dead bodies they allow into the paper

Is the New York Times guilty of a double standard when it comes to publishing images of dead bodies?

Kenyans, and others fed up with the coverage, took to social media in the hundreds to denounce a Times article that included an image of victims of Tuesday's Nairobi terrorist attack, bloodied from bullets, and lying hunched over their laptops, dead.

It caused enough debate online to where the Times' incoming East Africa Bureau chief Kimiko de Freytas-Tamura felt the need to explain their photo policy, which is to show the dead only if their faces cannot be seen in the image. The photo in question fits the policy as the faces are facing away from the camera. She would later apologize before posting the official policy to her Twitter account. The photo remains up.

The Times' official response, as those tend to do online, has only created more anger. But unlike many unruly Twitter mobs, those responding to the official statement have a rather coherent message—"you wouldn't do this with photos of the American dead."

Some of the responses to the Times' official statement.

In a response to the controversy from the Poynter Institute, a typically astute observer of journalistic practice in the United States, they run through the typical American journalism school approach to publishing photos that might shock or offend. They write:

Should the Times have run the photo?
There is no easy answer.
The first question any news organization must ask when deciding to publish violent images is: WHY show it?
In other words, what is the news value? Does the public need to see such an image to fully grasp what happened? Does the public need to see such a photo to confirm or disprove the official account of the events?
An argument could be made that a writer's words could accurately describe the scene without being as disturbing as the image. In addition, when it comes to an act of terrorism, might publishing such a photo actually advance the cause of the terrorists, showing the damage they caused, thus fueling dread and panic?
Also this: The photo on the Times website came without warning. As a reader, you didn't know you were going to see a photo of dead people until you actually saw it.
Those are arguments to not run such a photo or, at least, warn readers of its graphic content.

While it's a fine analysis of when to show a violent image, it misses the central issue at play for those aggrieved by the Times' posting—that the American news-gaze values certain lives differently. Black, brown, foreign, poor—American journalism organizations, including the New York Times, cannot escape a base ethnocentrism in their coverage. It's so embedded into how these institutions operate, and the gap in understanding is so wide, that to much of the world, the Times' official response is laughably wrong at first glance.

"We take the same approach wherever in the world something like this happens--balancing the need for sensitivity and respect with our mission of showing the reality of these events"

And while there are examples from the Times that complicate this feeling, like these images of the dead in the terrorist attack in Nice, France, it doesn't discount the wider and correct feeling that the white victims of American mass shootings are treated differently than their African counterparts. And while there are complicated and systematic reasons for this which will always make discussing it difficult, to simply deny that different standards exist, does not increase the Times' credibility with Kenyans or the newspaper's growing online audience which will only become more vocal about how they're portrayed.

popular
Photo by Simon Maina /AFP for Getty Images

'Chalk Back' Sees Kenyan Women Fighting Back Against Street Sexual Harassment

Kenyan women and girls in Kibera are using chalk to literally document their experiences with sexual harassment on the very streets they've been harassed.

Kenyan women and girls living in Kibera, one of the largest informal settlements on the continent, are fed up with being sexually harassed daily on the streets by men.

In a campaign dubbed "Chalk Back", women and young girls are using chalk to document their experiences with sexual harassment on the same streets they've been harassed, according to the BBC.

Keep reading... Show less
popular
Photo by Lana Haroun

From #FeesMustFall to #BlueforSudan: OkayAfrica's Guide to a Decade of African Hashtag Activism

The 2010s saw protest movements across the continent embrace social media in their quest to make change.

The Internet and its persistent, attention-seeking child, Social Media has changed the way we live, think and interact on a daily basis. But as this decade comes to a close, we want to highlight the ways in which people have merged digital technology, social media and ingenuity to fight for change using one of the world's newest and most potent devices—the hashtag.

What used to simply be the "pound sign," the beginning of a tic-tac-toe game or what you'd have to enter when interacting with an automated telephone service, the hashtag has become a vital aspect of the digital sphere operating with both form and function. What began in 2007 as a metadata tag used to categorize and group content on social media, the term 'hashtag' has now grown to refer to memes (#GeraraHere), movements (#AmINext), events (#InsertFriendsWeddingHere) and is often used in everyday conversation ("That situation was hashtag awkward").

The power of the hashtag in the mobility of people and ideas truly came to light during the #ArabSpring, which began one year into the new decade. As Tunisia kicked off a revolution against oppressive regimes that spread throughout North Africa and the Middle East, Twitter, Instagram and Facebook played a crucial role in the development and progress of the movements. The hashtag, however, helped for activists, journalists and supporters of causes. It not only helped to source information quickly, but it also acted as a way to create a motto, a war cry, that could spread farther and faster than protestors own voices and faster than a broadcasted news cycle. As The Guardian wrote in 2016, "At times during 2011, the term Arab Spring became interchangeable with 'Twitter uprising' or 'Facebook revolution,' as global media tried to make sense of what was going on."

From there, the hashtag grew to be omnipresent in modern society. It has given us global news, as well as strong comedic relief and continues to play a crucial role in our lives. As the decade comes to a close, here are some of the most impactful hashtags from Africans and for Africans that used the medium well.

Keep reading... Show less
Audio
GuiltyBeatz, Kwesi Arthur & Mr Eazi's "Pilolo" visualizer video (Youtube).

The 20 Best Ghanaian Songs of 2019

Featuring Pappy Kojo, Sarkodie, Amaarae, Kwesi Arthur, Shatta Wale, Efya GuiltyBeatz, Joey B, R2Bees and many more.

2019 was definitely an exciting year for Ghanaian music.

Right from the top of the year, we saw both new and established make their mark with songs that would soundtrack the nation's airwaves, functions, and nights for months to come. In 2019 we got to experience an E.L comeback, Shatta Wale and Beyoncé on the same song, numerous solid Ghana-Naija collaborations, and bop after bop by old and new artists alike.

We also saw the rise of brand new artists, starting from the likes of J.Derobie's wave making debut in January, to Kofi Mole's widespread trap anthem, to Fameye's declaration of brokeness, to the promising future superstar Sam Opoku. As far as projects go, 2019 was a good year for that in the Ghana music space as well. We were blessed with an EP from Sarkodie, an album by the superstar duo R2Bees, talented singer King Promise's debut album, Ko-Jo Cue's stellar debut, and M.anifest's 7-track feel-good EP, among several others.

Ghanaian music has been stepping its game up lately, and there's only one way to go from here. Below, we give you the rundown on the Ghanaian songs that stole ears and hearts and set the pace for the country's sound this year.

Check out the list below. Listen in no particular order.—Nnamdi Okirike

Follow our GHANA WAVE playlist on Spotify here and Apple Music here.

Keep reading... Show less
popular
(Photo by Matt Winkelmeyer/Getty Images for AFI)

Cynthia Erivo Earns Golden Globe Nomination for 'Harriet'

Check out the full list of 2020 nominees (and the snubs).

Award-winning actress, Cynthia Erivo has earned a Golden Globe nomination for her portrayal of abolitionist leader Harriet Tubman in Harriet. She's earned a nomination for Best Original Song for 'Stand Up."

She's nominated in the "Best Performance by an Actress In a Motion Picture—Drama" alongside Charlize Theron, Scarlett Johansson, Renée Zellwegger and Saoirse Ronan.

Keep reading... Show less

get okayafrica in your inbox

news.

popular.