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University of Cape Town Names Memorial Hall After Khoi Heroine Sarah Baartman

The Council of the University made the historic decision of renaming their Memorial Hall in honor of the young enslaved Khoi woman, Sarah Baartman.

Yesterday, the Council of the University of Cape Town (UCT), led by its Vice Chancellor, Professor Kgethi Phakeng, announced that they had moved to rename the university's iconic Memorial Hall (formerly known as Jameson Hall) after Sarah Baartman, a Khoi woman who was taken from South Africa and enslaved in Europe in the 19th century.


UCT's Memorial Hall, now known as the Sarah Baartman Hall, is the site for many a prestigious events at the university, chief among them, graduation ceremonies and even exams and tests. The university has certainly made strides in terms of the transformation agenda, moving towards very progressive politics following the #RhodesMustFall movement which centered on the removal of a statue of colonialist Cecil John Rhodes that was positioned on the university's main campus.

Sarah Baartman was a descendant of the Khoikhoi (or Khoi), an indigenous people of South Africa who are famously known for their language which purely comprises of clicks and has also influenced the click system in other Bantu languages of Southern Africa such as IsiXhosa and IsiZulu. Baartman was born in what is now the Eastern Cape Province. Clashes between the Khoi and the Dutch occurred following the Dutch's desire to expand their colonial empire. Baartman was enslaved and taken to England where, because of her typical Khoi physique, a large derriére and very light complexion, she was used to attract hundreds of Europeans who considered her a "freak show" for their amusement. She later died of disease in France.

Former President Nelson Mandela, in a process that took approximately eight years, eventually had the French return Baartman's remains to South Africa. She was laid to rest in the Eastern Cape following a sacred Khoi ceremony. Read more about her history here.

In a written statement also released by the university, they cited another important reason for the historic decision:

"It is fitting that a woman who was treated as a slave should be honoured by UCT, where some buildings have been constructed over the graves of past slaves and many of our communities have been affected by its legacy. This is one way we can pay homage to the lives that were lost through slavery, and the consequences of that evil practice in modern-day Cape Town."

In a press conference, Phakeng and Chancellor Graça Machel, the wife of the late Nelson Mandela, announced the decision to rename Memorial Hall and several other reasons for it. Watch the video below.

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Image courtesy of Lula Ali Ismaïl

'Dhalinyaro' Is the Female Coming-of-Age Story Bringing Djibouti's Film Industry to Life

The must-watch film, from Lula Ali Ismaïl, paints a novel picture of Djibouti's capital city through the story of three friends.

If you're having a tough time recalling the last movie you watched from Djibouti, it's likely because you have never watched one before. With an almost non-existent film industry in the country, Lula Ali Ismaïl, tells a beautiful coming of age story of three young female Djiboutian teenagers at the cusp of womanhood. Dhalinyaro offers a never-before-seen view of Djibouti City as a stunning, dynamic city that blends modernity and tradition—a city in which the youth, like all youth everywhere, struggle to decide what their futures will look like. It's a beautiful story of friendship, family, dreams and love from a female filmmaker who wants to tell a "universal story of youth," but set in the country she loves—Djibouti.

The story revolves around the lives of three young friends from different socio-economic backgrounds, with completely varied attitudes towards life, but bound by a deep friendship. There is Asma, the conservative academic genius who dreams of going to medical school and hails from a modest family. Hibo, a rebellious, liberal, spoiled girl from a very wealthy family who learns to be a better friend as the film evolves and finally Deka. Deka is the binding force in the friendship, a brilliant though sometimes naïve teen who finds herself torn between her divorced mother's ambitions to give her a better life having saved up all her life for her to go to university abroad, and her own conviction that she wants to study and succeed in her own country.

Okayafrica contributor, Ciku Kimeria speaks to Ismaïl on her groundbreaking film, her hopes for the filmmaking industry and the universality of stories.

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Stogie T Enlists Nasty C, Boity, Nadia Nakai and More, for ‘The Empire of Sheep’ Deluxe Edition

Stream the deluxe version of Stogie T's EP 'The Empire of Sheep' featuring Nasty C, Boity, Nadia Nakai and more.

Stogie T just shared a deluxe version of his 2019 EP The Empire of Sheep titled EP The Empire of Sheep (Deluxe Unmasked). The project comes with three new songs. "All You Do Is Talk" features fellow South African rappers Nasty C, Boity and Nadia Nakai. New York lyricist appears on "Bad Luck" while one of Stogie T's favorite collaborators Ziyon appears on "The Making."

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"Kata" single cover.

Listen to Tekno's New Single 'Kata'

The Nigerian artist and producer returns with a melodic banger just in time for the weekend.

Nigerian artist Tekno is back with his second single of the year, "Kata."

The heavyweight artist and producer delivers a melodic track that sees him singing about his devotion to his lover over drum-filled production from Phantom. The track features subdued vocals from. the artist, and a beat that's easy to move along to. The song follows the track 'Beh Beh' which he released earlier this year.

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South African Jazz Artist Nduduzo Makhathini Releases Highly-Anticipated Blue Note Records Debut

Listen to South African jazz artist Nduduzo Makhathini's new album 'Modes of Communication: Letters from the Underworlds.'

South African pianist, composer, and healer Nduduzo Makhathini has released his Blue Note Records debut Modes of Communication: Letters from the Underworlds. The 11-track album is characterized by Makhathini's trademark piano keys, hissing percussions that collide with expressive vocals. As is always the case with Makhathini's work, spirituality is a huge part of the album deals with humans' connection to the ancestors and the spiritual realm.

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