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Image by Kabelenga Phiri.

Check out 'AKANTUNSE', a Visual Celebration of African Mythology

The speculative photo series by Zambian collective Kabumba, re-imagines nine significant figures in African mythology, cosmology and folklore.

Kabumba is a Zambian multimedia curatorial platform based in Lusaka that curates African visual art that seeks to push the limits on existing narratives within African art. AKANTUNSE is Kabumba's latest project—a fun and speculative multimedia project which celebrates nine figures in African mythology, cosmology and folklore.

We reached out to creative director, Chanda Karimamusama, who worked alongside photographer Kabelenga Phiri and make-up artist Mary Mthetwa, to find out what how AKANTUNSE came together.


What inspired Kabumba to create AKANTUNSE?

With AKANTUNSE, we really wanted to affirm the creative media and design possibilities for imaginative African storytelling and speculation. Drawing inspiration from African folklore and mythology, we attempted to preserve various African cultural assets by reconciling the old with the new. We used various digital and IRL [in real life] media tools to create a new and relatable sort of urban tradition of storytelling.

We also really wanted to demonstrate (through the subtle politics of this project) the historic prowess as well as contemporary relevance of African storytelling in expansively imaginative expression and exchange.

Why these specific nine figures of mythology?

We specifically chose to celebrate Yemaya, Nyami Nyami, Yumboe, Dzivaguru, Nyau, Oshun, Makeda, Anansi, and Obayifo for a number of reasons. I'll try to narrow them down to three:

Each of them are important, powerful, and magnificent figures appearing in the African imagination on the African continent and diaspora. This was important for us—that our selection of figures was representative, historically relevant, and pan-African.

We really wanted our selection of figures to be reflective of the politics of African artifacts like these, their corresponding knowledge systems, and how they've chronologically informed our identities and the possibilities we attribute to those identities.

Lastly, we considered which figures had the poorest online index, which figure narratives had suffered discoloration overtime, and which figures were most relatable. Each one is so unequivocally badass!

Why do you think preserving African folklore or mythology is important as Africans?

It's because you have no idea where you're going without the full knowledge of where you're coming from. Less implicitly, the cultural memory of our history has traditionally been oral. Without contemporary documentation, speculation, or tangible knowledge systems of our own volition, our collective and disparate stories disappear, or worse, they become twisted and they lack depth.

View the photos from AKANTUNSE below:

Anansi, an Akan folktale character.Image by Kabelenga Phiri.


Dzivaguru, Zimbabwean god of rain.Image by Kabelenga Phiri.


Makeda, the Biblical Queen of Sheba.Image by Kabelenga Phiri.


Nyau, a masked dancer from Malawi's Chewa people.Image by Kabelenga Phiri.


Nyami Nyami, Zambezi river god. Image by Kabelenga Phiri.


Obayifo, West African vampire-like creature. Image by Kabelenga Phiri.


Oshun, Yoruba goddess of love and water.Image by Kabelenga Phiri.


Yemaya, Yoruba goddess of the ocean. Image by Kabelenga Phiri.


Yumboe, a Senegalese fairy-like creature. Image by Kabelenga Phiri.

Sports
Photo: Mainimo Etienne

The Rwandan Woman Who Made Football History

We talked to Rwandan referee Salima Mukansanga, who is the first woman to officiate a match in the Africa Cup of Nations' 65-year history.

On the 18th of January, 2022, a woman stepped into the Ahmadou Ahidjo Stadium in Yaoundé, Cameroon, whistle in hand, a walkie-talkie tucked behind her shorts. Taking up her post as central referee for the Zimbabwe-Guinea game, she would make history as the first woman to officiate a match in the Africa Cup of Nations. Chit-chat occupied the stands, as spectators waited for the curtains to be drawn at 17:00 hours for the match to begin. Whispers of “Hope she will deliver,” could be heard, as Salima Mukansanga prepared to take to the field.

During the match, some spectators counted the 34 yellow cards she handed out at the end; others found her soft and tender with no serious refereeing issues in the game. Mukansanga leads a quartet of women match officials for this year's AFCON, with Carine Atemzabong, from Cameroon, Fatiha Jermoumi and Bouchra Karboubi, both from Morocco, present as assistant referees. Until this year’s tournament, in its 65-year history, an all-women team of refereeing officials had yet to be designated for an Africa Cup of Nations match.

With this accomplishment, 35-year-old Mukansanga has emerged as a trailblazer for other women who aspire to step out and break sporting bounds. Her role in this year’s tournament signals a major moment in the development of women refereeing in football, on the continent and for the sport as a whole.

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