Anatii. Photo by Sabelo Mkhabela.

Medicine For The Soul: Anatii Finds His Sound on His Soothing New Album ‘Iyeza’

Iyeza is the sound of a day turning into a gorgeous twilight.

Iyeza is a masterpiece. It's music for the soul, with Anatii providing an intensely healing listen, which is fitting, considering the album title literally means "medicine" or "anti-dote."

The album contains percussion, chants, guitars, bass lines and melodies associated with an array of sounds. There are elements of everything from gospel, maskandi and mbhaqanga to hints of Afropop and hip-hop. Anatii follows the path taken by South African artist such as Mashayabhuqe KaMamba, Sjava, Mlindo The Vocalist and Bongeziwe Mabandla in fusing elements of traditional South African music with newer sounds.


The album-opener "Wena" is a dreamy wedding song that encapsulates the sense of romance, praise and culture Iyeza explores. On "Ehlathini," the artist is clearly in his musical pocket. With the refrain "we suffer through the weekdays," the track compares the struggles of Joburg to the solace of nature. From those hardships, Anatii aims to transport us to a place more serene. What makes this album so appealing is his invitation to us to actively go with him, rather than stumble upon the destination.

Anatii. Photo by Sabelo Mkhabela.

He literally asks "usa hamba nami?" on "U Sangthanda Na?" where he channels the voice of the late Ray Phiri. On the standout "Ndaweni," which is reminiscent of the maskandi duo Shwi NoMntekhala, he talks about being recognized wherever he goes.

The songs on Iyeza range from romantic to longing, but more immediately, fuse Anatii's hip-hop background with diverse sounds. It's this duality that makes this album such a wholesome listen, with the switches in mood combining for a replenishing experience.

Read: AKA, Anatii and the Gospel of Money & Power

"Ntloni," a certified banger, juxtaposes Xhosa chants with a bustling bassline and hypnotic xylophone while "Ngozi" lulls you into a daze as it's centred around looped notes. That's until the beat drops, and it's a quarter to turn up, providing a similar feeling to the infectious "Holy Mountain" off his collaborative album with AKA, Be Careful What You Wish For. Building on those sounds and songs like "Thanda" from his debut album Artiifact, is proof that this is the sound Anatii has been working towards for a long time.

He tackles all the songs on Iyeza, with IsiXhosa at the forefront of his delivery and his knack for catchy ad libs will keep you hooked. While listening to this offering, there's definitely no need for sleep, as he serenades on "Vuka," which incidentally embodies the album's ability to simultaneously hype and calm you. Iyeza is the sound of a day turning into a gorgeous twilight. It's warm and the music is buttery, romantic and refreshingly spiritual.

Iyeza amalgamates a range of influences into a cohesive 33 minutes. "Ndaweni" for instance, draws on maskandi but incorporates the classic "hey, hey, hey" hip-hop chant. These moments are when the texture of Iyeza is revealed. The layers of production and subject matter centre both Anatii's musical influences and the artist's spirituality. Traces of gospel are apparent on "God Is My Best Friend" and "Zion (Interlude)," while the music video for "Thixo Onofefe" includes religious symbols, candles and a traditional healer exalting the grace of God.

To end the album on this note keeps the listener craving for more and highlights the commendable sequencing of the songs. Considering the myriad of influences the artist draws upon, Anatii accomplishes a sultry synthesis of sounds. Between the lush bass lines, traditional instrumentation and enchanting rhythms, Iyeza is designed to let you be a repository for the magic pouring out. With the help of producer BLFR, the soundscape Anatii achieves is his most cohesive yet. In making Iyeza proudly Xhosa and also a bop, this is Anatii coming full circle as the Electronic Bushman. Oh, and he did it all with no features!

Stream Iyeza below and/or download it here.

Read: Meet BLFR, the 19-Year-Old Producer Behind Hits From AKA, Anatii, Riky Rick & Others

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Photo by Al Pereira/Getty Images.

Angélique Kidjo on Africa Day: 'We demand not to be at the mercy of our circumstances anymore.'

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Today is Africa Day and while primarily a commemoration of the formation of the African Union (AU) back in 1963, it has also become an opportunity to unapologetically celebrate Africa while providing a moment for reflection on how far we've come as a continent and as a people.

With this year's theme focused on "Silencing the Guns in the context of the COVID19", there has never been a more important time for deep reflection on our collective present and future as Africans.

And who better to share in that reflection than the legendary and inimitable Beninese musician Angélique Kidjo? A fierce African and artist who has paved the way for many of her contemporaries including Burna Boy, Davido, Thandiswa Mazwai, and several others, the four-time Grammy award winner emphasises the urgent need for unity among Africans. 'It's about time that people start realising that Africa is a continent. I've been saying this my entire career,' she says passionately.

OkayAfrica spoke briefly to Kidjo who shared some of her refreshing thoughts on this year's Africa Day.

This interview has been edited for length and clarity.

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