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Image courtesy of Daily Paper.

Daily Paper Enlists Ghanaian Artist David Alabo For New Tarot Card Capsule Collection

The streetwear brand's new line of t-shirts feature striking, Afro-Surrealist designs by Ghanaian artist David Alabo.

Amsterdam-based, African-owned streetwear brand, Daily Paper has released a new limited edition capsule collection in collaboration with Ghanaian visual artist David Alabo.

The Tarot Card collection of high end t-shirts is part of the brand's Spring/Summer 2020 collection. Each t-shirt features a unique design by Alabo "highlighting an Afro-Surrealism tarot card providing insight and guidance through symbolism and spiritual wisdom," according to a press release from Daily Paper. The designs reflect Alabo's artistic vision of using elements of fantasy and mysticism to critique African society.

"Daily Paper is dedicated to promoting African culture by honoring the past and its influence on their vision of the future," said the artist. "They push the boundaries and challenge the perception of Africa in the fashion world which is what I aim to achieve in the art world too. It just makes sense that we work together and inspire each other."


Each item in the capsule collection features a unique tarot card design with a symbolic meaning. "The Magician" for instance, represents "spiritual development," while "The High Priestess" design reflects "intuition, mystery, and sensuality."

Daily Paper has mad it a point to collaborate with African artists and creatives. Last year, the brand linked with Nigerian superstar Wizkid for the limited edition STARBOY collection.

Check out pieces and designs from the Tarot Card collection below. The line is now available via Daliy Paper's website and on Instagram.

Photo courtesy of Daily Paper

Photo courtesy of Daily Paper

Photo courtesy of Daily Paper

Photo courtesy of Daily Paper

Photo courtesy of Daily Paper

Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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