News Brief
Still from 'Child of the World'

Falz Speaks Out Against Sexual Assault In His New Video 'Child of the World'

In his latest music video, the Nigerian rapper tackles rape, HIV/AIDS and suicide.

Following his viral hit "This is Nigeria," in which he addressed a number of social and political issues facing Nigeria, Falz is back with another socially-charged song and video.

In "Child of the World," Falz addresses the pervasiveness of sexual abuse against women and the harmful effects it can have on a victim's life.

In the music video, which stars Nigerian actors Toyin Abraham and BamBam—who play mother and daughter respectivelyFalz tells the story of a young woman who was on a promising career path, which gets rocked when she is suddenly raped by an authoritative male figure. She eventually contracts HIV/AIDS, and she considers suicide as a result. Thankfully, the young woman is able to put herself back on the road to recovery, and she goes on to help educate others about HIV/AIDS and suicide prevention.


It's clear that many Nigerians appreciate Falz for his willingness to constantly tackle the hard issues.


While the video has garnered a mostly positive reception, some have expressed that some aspects of the video play into tired narratives around policing women's bodies and behavior—an issue that continue's to negatively shape attitudes towards women in Nigerian society.

Check out the video for "Child of the World" above, directed by the talented Kemi Adetiba, who was named one of OkayAfrica's 100 Women in 2017.

Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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