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Via Adele's Instagram

Adele in the offending outfit and hairstyle

Adele's Notting Hill Carnival Costume Sparks Diaspora Debate

The online reaction to Adele's Bantu knots reveal a divide in the African diaspora over cultural appropriation

When Adele posted a photo of herself wearing a Jamaican flag bikini, Bantu knots and Jamaican-themed costume at the Notting Hill carnival last night, the floodgates opened and we were buried in the deluge of criticism and counter-criticism. The English singer-songwriter's Instagram post has once again kick-started a recurring conversation around cultural appropriation, Black outrage and who gets to participate in Black culture or not.


While many, mostly Black Americans and British-Jamaicans have expressed their disapproval of what they say is cultural appropriation, others particularly Black British people of African immigrant descent and Africans themselves, consider the sentiment to be an overreaction and Adele's costume, completely harmless.

From Africans who don't see a reason why Black people are outraged


To those explaining why it is actually important


To those accusing African-Americans of being hypocrites

And a perspective from a Black-British commenter:


Even a member of parliament chimed in:


Some questions come to mind when considering this conversation and what people are essentially saying.

Is it okay to look away because it is Adele and not say, Kim Kardashian or Bhad Bhabie? Who gets to decide on what direction this sort of outrage should take? Africans living in Africa from where the Bantu knots originated from? British-Jamaicans whose heritage was part of Adele's get-up? Or Black-Americans who have had to deal with years of their hair, when worn naturally, being illegal, termed unprofessional, and forced to fit into mostly white beauty/hair standards to be able succeed in viciously white spaces.

While there are various nuances to this conversation, with different parties putting forth their concerns, displeasure and indifference, it is clear that an overwhelming number of Africans haven't come to terms with the many nuances, histories, daily experiences and traumas that come with being Black in America. We might never fully understand.

A disappointing trail that has followed the outrage being expressed by African-Americans is the absolute disregard of their point of view by Africans. An eagerness to term a people's lived experience as "overactive" when we scarcely understand where they are coming from. Until natural Black hair is accorded the respect, dignity, and visibility it deserves when worn on Black people, it doesn't make sense for it to be given a pass when appropriated by white people.

The fact that laws banning the discrimination of Black hair were just being passed last year should tell us all we need to know about the complicated and unjust dynamics of what it means to wear black hair as a black person in America. And this is far as the news tells us. Black people have either been forced to cut their hair before they can be allowed to perform in certain spaces, or have had to straighten it before they are considered professional or appropriate.

This is the backstory many Africans continue to miss, and a reeducation has to happen if we can find ourselves fit to engage in conversations around African-American cultures and experiences, particularly when it comes to hair. We may not have the range, but we don't have to discredit Black people's outrage because our politics with hair isn't as stringent.

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Image: Nabsolute Media

Reekado Banks Recalls The Carnage of The #EndSARS Protests In Single 'Ozumba Mbadiwe'

The Nigerian singer pays his respects to those lost during last year's #EndSARS protests.

Nigerian singer and songwriter Reekado Banks is back with a track that is as socially important as it is a banger. It seems fitting for the singer's first solo release of the year to be a tribute to his fellow countrypeople fighting for a country that they all wish to live in. The 27-year-old Afrobeats crooner has returned with endearing track 'Ozumba Mbadiwe', honoring the one-year anniversary of the #EndSARS protests that saw the Nigerian government authorize an onslaught of attacks on Nigerian citizens for their anti-government demonstrations.

The protests took the world by storm, additionally because the Nigerian government insists that none of the police brutality happened. In an attempt to gaslight the globe, Nigerian officials have come out to hoards to deny any and all accusations of unlawfully killing peaceful protesters. Banks mentions the absurd denials in the track, singing "October 20, 2020 something happened with the government, they think say we forget," in the second verse. Reekado's reflective lyrics blend smoothly and are supported by the upbeat, effortless Afrobeat rhythm.

In another reflective shoutout to his home, 'Ozumba Mbadiwe' is named after a popular expressway on Lagos Island that leads to the infamous Lekki Toll Gate where protesters were shot at, traumatized, and murdered. Although packed with conscious references, the P.Priime produced track is a perfect amalgamation of the talents that Reekado Banks has to offer; a wispy opening verse, a hook to kill, and an ethereal aura to mark this as a song as a hit. On "Ozumba Mbadiwe," all the elements align for Reekado's signature unsinkable sound to take flight.

Check out Reekado Bank's lyric video for his single 'Ozumba Mbadiwe'

Reekado Banks - Ozumba Mbadiwe (Lyric Video) www.youtube.com

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