Arts + Culture

NextGen: Manzel Bowman's Digital Art Is a Perfect Fusion of Black Excellence and Space Travel

For digital artist Manzel Bowman, his work depicts black people flourishing in fantasy outside the norm that the world puts them in.

DIASPORAOver the course of July we'll be publishing short profiles, essays and interviews on the theme of "Afrofutures." Together these stories will be a deep dive into the way African and diaspora thinkers, technologists and artists view a future for Africans in the world and outside of it. 


Take a look at our introduction to Afrofuturism here.

Throughout this month, we'll also highlight and celebrate young, leading talents who already put into practice what a future with black people look like through their work in our daily profile series, 'NextGen.'

In our third edition, we reached out to artist and creative, Manzel Bowman. 

In Manzel Bowman's digital masterpieces, black people are transported to outer space, are gigantic landscapes overseeing new countries and are deities painted in blue, gold, green and red—hues so hypnotizing that their pigments pop out of your phone screen. His images are so detailed, so enticing, that one can gaze into and create a mental story to accompany his visually arousing pieces.

Bowman exercises art as a tool for black empowerment, celebration, and a negation of harmful stereotypes applied to our race. "I am trying to bring about a correction to the misrepresentation of my people," Bowman tells us via email, "and the best way I can do that is by creating pieces and scenes daily to counter America's normative. I just want to see black people flourish the way they are supposed to!"

A post shared by MANZEL BOWMAN (@artxman) on

Bowman's art also recalls old school psychedelic album covers of Sun Ra, Jimi Hendrix and even Michael Jackson's "Dangerous." There are collages littered with Egyptian symbolism, planets, West African inspired statues and countless stars that stretch across the sky—or decorate women's faces like a confetti of freckles. There is a bond between black people and the unknown, the distant and the unseen, that Manzel's art articulates. Our spiritualities, consciousness, rebirths and reincarnations are sewn within the stars: laced across the sky like secret codes only we can decode—etched into mountains and spun around planets' orbits like infinite rites of passages.

A post shared by MANZEL BOWMAN (@artxman) on

Yet, Bowman seems modest about his Afrofuturistic masterpieces, even though his art swims in a sea of black fantasy, space travel and magical reality. "To be honest I'm not sure what Afrofuturism means to me, as I was unaware of the term until I had seen an article online featuring my work with Afrofuturism in it's title," he tells us. "I suppose it means to bring to light the interconnections of the past, present and future in an artistic manner representing people of African descent." Right on, brotha.

A post shared by MANZEL BOWMAN (@artxman) on

Check out a few more of our favorites from Bowman below:

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Music
Image: Nabsolute Media

Reekado Banks Recalls The Carnage of The #EndSARS Protests In Single 'Ozumba Mbadiwe'

The Nigerian singer pays his respects to those lost during last year's #EndSARS protests.

Nigerian singer and songwriter Reekado Banks is back with a track that is as socially important as it is a banger. It seems fitting for the singer's first solo release of the year to be a tribute to his fellow countrypeople fighting for a country that they all wish to live in. The 27-year-old Afrobeats crooner has returned with endearing track 'Ozumba Mbadiwe', honoring the one-year anniversary of the #EndSARS protests that saw the Nigerian government authorize an onslaught of attacks on Nigerian citizens for their anti-government demonstrations.

The protests took the world by storm, additionally because the Nigerian government insists that none of the police brutality happened. In an attempt to gaslight the globe, Nigerian officials have come out to hoards to deny any and all accusations of unlawfully killing peaceful protesters. Banks mentions the absurd denials in the track, singing "October 20, 2020 something happened with the government, they think say we forget," in the second verse. Reekado's reflective lyrics blend smoothly and are supported by the upbeat, effortless Afrobeat rhythm.

In another reflective shoutout to his home, 'Ozumba Mbadiwe' is named after a popular expressway on Lagos Island that leads to the infamous Lekki Toll Gate where protesters were shot at, traumatized, and murdered. Although packed with conscious references, the P.Priime produced track is a perfect amalgamation of the talents that Reekado Banks has to offer; a wispy opening verse, a hook to kill, and an ethereal aura to mark this as a song as a hit. On "Ozumba Mbadiwe," all the elements align for Reekado's signature unsinkable sound to take flight.

Check out Reekado Bank's lyric video for his single 'Ozumba Mbadiwe'

Reekado Banks - Ozumba Mbadiwe (Lyric Video) www.youtube.com

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