Lady Donli "Cash" cover artwork (detail).

The 14 Best Nigerian Songs of the Month

Featuring Olamide, Lady Donli, Wizkid x Larry Gaaga, Tekno, Tolani and more.

Here are our selections for the best to come out of Nigeria in April.

Follow our new NAIJA HITS playlist on Spotify here and Apple Music here.

Olamide 'Spirit'

Syncretic sensibilities emerge strongly in Pheelz' production for "Spirit" which straddles a fine balance of galala and reggae. It is matched by equally fine writing and earnest singing from Olamide who employs populist Christian platitudes—"I have refused to downgrade from God to Human / my purpose in this life you cannot understand"—in what, musically, may otherwise be an unholy mix of Christian religiosity and Africanist spirituality with strong allusions to Rastafarianism all blended into one.

Lady Donli 'Cash'

An insistent piano is often outshone by a prickly electric guitar on the latest single from Lady Donli, a forerunner of Nigeria's much vaunted "alte" music whose image of organic music-making, unreliant on the flash and perceived vacuity of pop, gets a nice contrast in this shameless celebration of money.

Reminisce 'Oja'

Balanced neatly between house and dancehall, Sarz' production on "Oja" has the right amount of bounce, which is quickened by the short percussive riffs and largely sustained by an unceasing, ominous keyboard. It's the type of sensible production over which Reminisce truly shines combining his husky flow and street lord persona in a long history of standout collaborations by the pair that include "Diet", "Shekpe", "Eleniyan" and "Ise Yen."

Tekno 'Uptempo'

Reminiscent of Don Jazzy's own ornate highlife production heard as recently as on 2018's "My Dear," this co-production between Selebobo and Tekno gets a satisfying turn by the latter who rides the winning groove with ease and mischief.

Wizkid x Larry Gaaga 'Low'

"This kind love is stupid, this kind love is foolish / but na this kind love man dey want" insists Wizkid who here revisits the soothing production that inspired 2018's "Fake Love" leading to the resurgence of Duncan Mighty and defining, in part, the soundscape of Nigerian afropop for most of the year.

Tolani 'Liar'

"Liar" is an admonishment of a cheating lover delivered with the right amount of acerbic emoting in its muted use of the work "fucking" and clever use of Nigerian-isms. The cursing gets extra fizz on account of the singer's clean image and respectable millionaire dad when she tells off the cheating lover with the words "save that shit for your father." It is produced by E Kelly, who here utilises the elegant guitar lick and piano melodies he used for "Pour Me Water" for Mr Eazi. The tastefully shot video emphasises a revenge plot and has Tolani brandishing a bat and later locking up the offending lover in a car booth.

Yung L 'Get Up' feat. Reekado Banks

Chopsticks is a dab hand at making heavily rhythmic house beats with heaving drums in an uptempo that is perfect for regular collaborator Yung L and guest, Reekado Banks. Both singers combine well and its success will improve matters for Yung L who has long been an accomplished afropop act but without the defining status of a runaway hit

Terri 'On Me' 

The starlet of Starboys, Terri, sounds remarkably surefooted in his vocal identity even when it is, so far, largely a clear distillation of his mentor Wizkid and the raspy charm of Kizz Daniel (that was well realised on 2018's "Bia"). His new single "On Me" maintains the same formula with a sense of playfulness and mischief that is all his.

Ogranya 'Don't Leave Me'

Ogranya's lover in his new single "Don't Leave Me" is in on the deception, and while both parties are complicit, she is either self-deceiving or coy. He's more likely swooning more than he is in full control of his emotions. He sings: "so if you say we're nothing more than friends / Tell me why things just keep on getting more intense / I'll be your lover, we can call it pretend / Tomorrow we can do it over again, over again." Ogranya's paucity of releases are good enough to sustain interest in his work despite periods of seeming inactivity. "Don't Leave Me" is a delicious confection of ambient instrumentation in the lineage of Maxwell's subterranean "Drowndeep: Hula" and Usher's Spanish flirtation on 2001's "How Do I Say" All of which Ogranya has made his own with cutlets of Nigerianisms, "girl, you supposed reason my side," but largely in the idiom of American R&B.

FALANA 'Give Into You'

"Stranger things have happened / so why can't this be love?" asks Falana of a dithering lover on one of five sensibly and sensitively written songs that make up her sophomore EP titled Chapter One after 2014's Things Fall Together.

WurlD 'Candy'

Released this month, Love Is Contagious is the much mulled over debut project by Wurld which delivers on the promise shown on early singles "Show You Off" (2017) and "Contagious" (2018). All through the song, he likens a lover's affections with candy and yet avoids saccharine sentiments. Of the other satisfactory songs on the album, "Candy" is a true gem which shows off Wurld's refined sensibility and the R&B chops of a Motown singer.

Simi x Falz 'Mind Your Bizness'

Both Simi and Falz formed a proven musical partnership on their 2016 joint EP, Chemistry, whose stand out song "Foreign" equally mocks and celebrates the theatricality in class pretensions. Taken from her new album, Omo Charlie Champagne Vol 1, "Mind Your Bizness" is a clever piece of songwriting which reworks "Shake Bodi," the 1999 hit song by Trybesmen which itself, and at the time, was a reworking of Fela's afrobeat. Simi's own version is rebuff to rumours about her personal affairs and that of others.

Moelogo "Grateful" & "Magic"

The themes of essentialism, self affirmation and self-actualization that are at the core of Moelogo's music-making and philosophy are best realised on "Magic" and "Grateful" taken from his satisfying second project, Magic, after the promise of 2016's Ireti. Over spare production that relies on plaintive and searching unceasing guitar, "Grateful" is a song of thanksgiving while in "Magic", the singer marvels in the extraordinary within the ordinary when he sings "nothing is promised / but you get one thing / Free will, that is your magic."

BOJ 'Awolowo'

A brilliantly conceived song which despite the allusion the bank notes that bare the image of Nigerian statesman, Chief Femi Awolowo is a more interesting assembly of the subset of Nigerian and Ghanaian pop, otherwise called "alte" who act as a counterbalance to the dominance and flash of top-layer pop.

Follow our new NAIJA HITS playlist on Spotify here and Apple Music here.

Photo by KOLA SULAIMON/AFP via Getty Image

#EndSARS: 1 Year Later And It's Business As Usual For The Nigerian Government

Thousands filled the streets of Nigeria to remember those slain in The #LekkiTollGateMassacre...while the government insists it didn't happen.

This week marks 1 year since Nigerians began protests against police brutality and demanded an end to the Special Anti-Robbery Squad (SARS). The #EndSARS protests took the world by storm as we witnessed Nigerian forces abuse, harass and murder those fighting for a free nation. Reports of illegal detention, profiling, extortion, and extrajudicial killings followed the special task force's existence, forcing the government to demolish the unit on October 11th, 2020. However, protestors remained angered and desperate to be heard. It wasn't until October 20th, when soldiers opened fire on demonstrators at Lekki tollgate in the country's capital, Lagos, that the protests came to a fatal end. More than 56 deaths from across the country were reported, while hundreds more were traumatized as the Nigerian government continued to rule by force. The incident sparked global outrage as the Nigerian army refused to acknowledge or admit to firing shots at unarmed protesters in the dead of night.

It's a year later, and nothing has changed.

Young Nigerians claim to still face unnecessary and violent interactions with the police and none of the demands towards systemic changes have been met. Fisayo Soyombo the founder of the Foundation for Investigative Journalism, told Al Jazeera, "Yes, there has not been any reform. Police brutality exists till today," while maintaining that his organization has reported "scores" of cases of police brutality over this past year.

During October 2020's protests, Nigerian authorities turned a blind eye and insisted that the youth-led movement was anti-government and intended to overthrow the administration of current President Muhammadu Buhari. During a press conference on Wednesday, in an attempt to discredit the protests, Minister of Information and Culture Lai Mohammed hailed the Nigerian army and police forces for the role they played in the #EndSARS protests, going as far as to say that the Lekki Toll Massacre was a "phantom massacre with no bodies." These brazen claims came while protesters continued to gather in several major cities across the country. The minister even went on to shame CNN, Nigerian favorite DJ Switch as well as Amnesty International, for reporting deaths at Lekki. Mohammed pushed even further by saying, "The six soldiers and 37 policemen who died during the EndSARS protests are human beings with families, even though the human rights organizations and CNN simply ignored their deaths, choosing instead to trumpet a phantom massacre."

With the reports of abuse still coming out of the West African nation, an end to the struggle is not in sight. During Wednesday's protest, a journalist for the Daily Post was detained by Nigerian forces while covering the demonstrations.

According to the BBC, additional police units have been set up in the place of SARS, though some resurfacing SARS officers and allies claim to still be around.

Young Nigerians relied heavily on social media during the protests and returned this year to voice their opinions around the first anniversary of an experience that few will be lucky enough to forget.

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How CKay's 'Love Nwantiti' Became the World's Song

Nigerian singer and producer CKay talks to OkayAfrica about the rise of his international chart-topping single "Love Nwantiti," his genre-defying sound and the reasons behind this era of afrobeats dominance.