Nana Oforiatta Ayim author photo (c) Naafia Naah
In Conversation: Nana Oforiatta Ayim On How Her Debut Novel ‘The God Child’ Challenges the Typical Immigrant Narrative
The Ghanaian writer, art historian and filmmaker talks to OkayAfrica about the magical storytelling in her new book, exploring the complexity of intergenerational African identity, the writing process and more.
Nana Oforiatta Ayim's debut novel The God Child isn't your typical immigrant tale—in fact, despite it being about a Ghanaian family living in Germany and the UK, according to the art historian and novelist, it isn't one at all. "I refer to [the characters] as 'expats,' because I think it's kind of nonsensical that Westerners have co-opted this [word]," says Ayim who is also the creator of the African Cultural Encyclopedia project, dedicated to preserving Africa's artistic heritage. "When they come to work in Africa, they call themselves expats, and yet when we go to work in Europe or America, we are automatically immigrants."
The novel seeks to turn trite narratives about immigrants on their head, as it follows two young protagonists Maya and Kojo who come to terms with their cultural heritage while being brought up as first-generation children in Europe. When they learn about their homeland through mystical tales from Maya's mother, they take it upon themselves to try and restore the fictional Ghanaian dynasty back to its former glory.
The God Child colorfully explores the intergenerational experience of African children and parents living in the West, and how each responds to, adapts to, or reject the feelings of loss and sacrifice that often come along with it. Ayim depicts two young people determined to hold on to their culture despite the challenges presented by their environment. The book offers a nuanced perspective and challenges the notion that most Africans migrate to Europe or America out of an idealization of the West.