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Star shine, moon glow from Water Life collection by Aida Muluneh commissioned by WaterAid and supported by H&M Foundation

Ethiopian Artist Aida Muluneh's 'Water Life' Is a Response to the Urgent Threat of Water Scarcity

The photo series, shot in the hottest place on earth, will be showing at Somerset House in London starting this September.

The Ethiopian artist Aida Muluneh will bring her highly-acclaimed photo series "Water Life" to London's Somerset House this September, as part of the creative institution's "ongoing strand of environmental programming." The highly-acclaimed series addresses water scarcity—particularly its grave impact on the wellbeing of women and girls.

Described as an "afrofuturist work," the series was shot in Dallol, Afar in Ethiopia, an extreme setting known to have the hottest and driest conditions on earth. "Taking inspiration from traditional ornamentation and body paint from across the African continent, the Ethiopian-born artist has explored not just issues of water scarcity and ecological emergency but also the vital role of art in advocacy and how Africa is represented in global media," reads a description of "Water Life."

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Renowned Nigerian Art Curator Okwui Enwezor Has Passed Away

Enwezor's work directly challenged Eurocentrism in the art world.

Okwui Enwezor, the international renowned contemporary art curator, writer and educator, recognized as one of the foremost ambassadors of contemporary African art has passed away after a three year battle with cancer. He was 55.

Enwezor has an illustrious and noteworthy career, setting several precedents for African curators. In 2015, he became the first African-born curator to spearhead the Venice Biennale. He also became the first non-European curator to organize the German-based exhibition Documenta in 2002, according to Art News. He is the only curator to have overseen both the Venice Biennale and Documenta.

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'The Bread Loaf' by AbdulRahman Alnazeer.

How Sudanese Art Is Fueling the Revolution

Young artists are using their work to voice the frustrations of the masses in a country yearning for political reform.

In 2012, I attended the launch of world-renowned Sudanese artist Ibrahim El-Salahi's autobiography, 'A Fistful of Sand', in Khartoum. During the Q&A session, a man raised his hand to address El-Salahi. "While we appreciate your contribution Mr. El-Salahi, I fail to see the importance or influence of art in society."

Thirty years under the rule of Omar Al-Bashir and his self-dubbed "Savior" regime have led to acute brain drain in every discipline, and a complete disintegration of the arts.

So that man's dismissive attitude comes as no surprise; more so than proof of the violent repression in which the Sudanese people live, it is the natural result of three decades of economic hardship and impoverishment. As one friend put it, "Art was one of the casualties [of this regime] - who has the time for 'silly things' like creative expression and self-actualization when you're worried about your next meal?"

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Photo by Stella Tate.

Meet South African Artist Gabrielle Goliath, the 2019 Recipient of the Prestigious Standard Bank Young Artist Award

Her work centres on gendered and sexualised violence and disrupts the status quo.

One Christmas Eve while still in primary school in the quiet South African mining city of Kimberley, Gabrielle Goliath tragically lost a friend to an act of domestic violence. This traumatic event impacted her profoundly, and ultimately pushed her to create artwork that commemorates victims of violence.

While still in school, Goliath moved to Johannesburg where she is still based. As an artists she is known for her conceptual pieces that address complex social issues. Using video, live performance and photography, Goliath's work highlights issues regarding gendered and sexual violence and the invisibility of women, people of colour and LGBTQI+ people.

Goliath studied fashion design at the University of Witwatersrand's School of Arts in Johannesburg, where she was influenced by experimental fashion designers such as Hussein Chalayan. During this time, her work evolved into creations that were more conceptual in nature and "unwearable."

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