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This EP Blends the Afro-Brazilian Rhythms of Bahia With Bass Music

Get into Telefunksoul and Felipe Pomar's Ré_Con Ba$$ EP.

Brazilian producers Felipe Pomar (of TrapFunk & Alivio) and Telefunksoul come through with a dizzyingly energetic EP in the form of Ré_Con Ba$$.

Telefunksoul, who happens to be one of the main promoters of Bahia Bass music, came up with the concept of exploring the rhythms coming out of Recôncavo of Bahia and showing how they can fit into bass music.

Through the 7-track Ré_Con Ba$$ EP, him and Pomar mold and transform the diverse music of Bahia, fusing its rhythms with afrobeat, future house, deep house and much more.

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Image courtesy of Ostinato Records.

The Story of Mohammed Wardi, 'The Last King of Nubia'

The legendary Sudanese singer's son, Abdulwahab, speaks in-depth about the life and times of his father, detailing his artistic and political impact on so many across the continent.

It's often confounding how someone of Mohammed Wardi's stature is not remembered in the same vein or celebrated worldwide as Fela Kuti. Wardi was a legendary Sudanese singer and activist akin to Fela in stature and impact in his music and politics. In fact, Wardi was, in many ways, the single most adored singer across Africa. The Wire magazine in the UK calls him a "cross between Fela Kuti and Lebanon's Feiruz."

Mohammed Wardi once performed at a sold-out 60,000 stadium in Yaoundé, Cameroon to a largely Francophone crowd who did not understand his Arabic lyrics but remained infatuated. A man from Mali once walked on foot for three months to Sudan to meet Wardi because the father of the woman he wanted to marry would only allow it if he got an autographed cassette and photo from Wardi himself.

In 1994, Wardi won a prize that anointed him the best singer in Africa. Politically, he fought for the ideas of his day: social justice, decolonization, redistribution of wealth, pan-Africanism. His relentless activism resulted in detention and eventually exile. His passing in 2012 was mourned from Mauritania to Djibouti.

His son, Abdulwahab, spoke to us in depth about the life and times of his father, detailing his artistic and political impact on the lives of so many across the continent.

This is Mohammed Wardi's story, as told by Abdulwahab.

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Nix. Photo: Sidy M. Kandji.

The Artist Is Present: Nix, the Senegalese Rap Pioneer

Nix talks about his new album, EMW2: Excuse my Wolof 2: The Nuulest, and putting Senegal on the map.

Nix or Nicolas Omar Diop, 39, has been a driving force behind his Senegal's hip-hop scene for about two decades. Like any old-head or vieux père, as we like to call them, his love of rap is rooted in admiration for the likes of Doug E Fresh, Kool Moe Dee, Father Mc, The Boys, Bobby Brown. as well as Frenchmen Mc Solaar, Assassin, NTM, and IAM.

Nix got his start with the group Kantiolis in 1993. Black Crystal, his first solo album from 2003 so moved the youth of the time it got him a Senegalese Hip Hop Award. 2010 would bring his second solo project, Rime de Vie. This was the start of international success and paved the way for a collaboration with Wyclef Jean. In 2016, he dropped his award winning third album, Art de Vivre and the Excuse My Wolof EP.

The EP was a test, it was his first project comprised majorly of Wolof, the Senegambian language spoken by 80 percent of Senegal's population. Before then, his tracks had been in French. When Nix dropped Excuse My Wolof, he did so knowing that fewer people would be able to understand his rhymes. The return to his roots forced him to step out of his comfort zone and reinvent himself artistically.

Last Friday, Nix released his highly-anticipated 16-track album, Excuse My Wolof 2: The Ñuulest or The Blackest. The name is a call to a period in the artist's life when he was made fun of for the darkness of his skin. It's also a state of mind and a celebration of using every aspect of yourself: your history, intuition and culture to create.

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