Arts + Culture

NextGen: Look to Lina Iris Viktor for Illuminating Depictions of Black Girl Magic

The first profile of our July 'NextGen' series highlighting talents who envision a black future features visual artist Lina Iris Viktor.

DIASPORAOver the course of July we'll be publishing short profiles, essays and interviews on the theme of "Afrofutures." Together these stories will be a deep dive into the way African and diaspora thinkers, technologists and artists view a future for Africans in the world and outside of it. 


Take a look at our introduction to Afrofuturism here.

Throughout this month, we'll also highlight and celebrate young, leading talents who already put into practice what a future with black people look like through their work in our daily profile series, 'NextGen.'

We kick off the series with artist and visionary, Lina Iris Viktor.

Self-portraiture is an expendable, infinitely interpretive space to express reflections of ourselves. In our mind's eye, we may be more glamorous than we physically present ourselves to the world, or worse: less glorious than we truly are.

'Syzgy' (2016). Lina Iris Viktor. Photo via Instagram.

British-Liberian artist Lina Iris Viktor sees her work beyond the confines of self-portraiture—a universal form that enhances her worldly persona, evolving herself into an ethereal, regal being. Using paints of white, blue, black and browns, geometric patterns, photography and pure gold, Viktor presents herself as a sensual goddess, an intimidating empress, a fierce queen, and so much more.

Photo via Lina Iris Viktor's Instagram.

The narratives behind her paintings reclaims the ideas of black girl magic by envisioning herself as an intergalactic, otherworldly black female entity. “My work is an abstraction of self—an obliteration,” Viktor says in an interview with OkayAfrica. “...Those portraits, whether viewed as me or not, are an act of defiance, and in there lies something that is empowering. It controls the gaze—demands respect.”

'the body black series, 2015.' Lina Iris Viktor. Photo via Instagram.

Considering the stereotypes attached to black women—hypersexualization, fetishization, misogynoir, the angry black women—Viktor’s worlds negate these notions and pursue a more enlightened, uplifting narrative that’s been echoing in our inner ears for centuries: black women are magic, dripping in gold.

Lina Iris Viktor. Photo via Instagram.

Viktor’s Afrofuturism is timeless, empowering and bold. One look at her dreamy, stylish images and we are transported into a world where curves, confidence and brown skin reigns, and where gold is an element used to evoke emotion, tell stories and symbolize our royalty—exactly what our ancestors would have wanted.

Lina Iris Viktor. Photo via Instagram.

Watch Lina Iris Viktor speak on the misconceptions of blackness in art in this video and keep up with her on Instagram here.

Style
Photos by David Pattinson.

First Look: This New Collection from Art Comes First Is Peak Black Yeehaw Aesthetic

The design and brand consultant duo previews the SS20 collection displayed during their residency at The Mandrake Hotel in Paris.

Following their wavy Surf Afrika collection, Art Comes First (ACF) shares with us a preview of their SS20 collection that is all things Black Yeehaw Aesthetic.

Dubbed El Charro Negro, the collection features neutral colors and an array of textures—from leather, embroidery, fringed denim and ponchos, to vests, suede jackets and straight flyness.

Sam Lambert and Shaka Maidoh of ACF are known as the "Travelling Tailors" where their ventures around the world influence their designs. This time the nomads, who hail from the West Indies, Ghana and Angola respectively, have landed in Paris.

Earlier this month, ACF curated a week-long event-filled residency at The Mandrake Hotel in Paris that encapsulates their ethos of taking cultural influence from around the world and only staying still long enough to create. There, Lambert and Maidoh presented an installation, live musical performances and DJ sets, a film screening and a pop-up shop leading up to Fashion Week. The residency also showcased the duo's latest collaboration with London mainstay Fred Perry.

El Charro Negro will still be showcased in Paris at another location from June 18 to 23. Keep up with ACF on Instagram to stay tuned for details.

Check out our favorite images from the collection below.

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Nonso Amadi & Kwesi Arthur's 'Comfortable' Will Get You In Weekend Mode

Watch the trippy new music video for this link-up from the buzzing Nigerian and Ghanaian artists.

Nonso Amadi is one of the standout acts from a young wave of Nigerian musicians blending afro-fusion with RnB and much more. He's now dropping the brand new single "Comfortable," an addictive self-produced track that sees him linking up with bubbling Ghanaian act Kwesi Arthur, which we're premiering below today.

"Comfortable" is built on woozy synth keys and sparse beat work, all spearheaded by Nonso Amadi's vocals about wanting freedom in a relationship.

"The song is inspired by experiences with having a girl over and not wanting them to get too comfortable by staying too long with you," says Nonso Amadi. "I thought it'll be interesting to create a song around this 'cos it's not a perspective were used to hearing from guys very often."

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Screenshot via YouTube.

Maleek Berry Makes a Statement with His First Track of the Year, 'Flashy'

And the music video follows suit.

After months of anticipation, Maleek Berry finally dropped his first track of the year, "Flashy."

The Nigerian crooner-producer surely makes a statement on the track while flexing his rapping skills, as he chronicles how he leveled up to be flashy—and it's well-deserved. The video shows us a scene of a fly photo shoot that's underway, where Maleek is dripping in gold and fancy cars surrounded by stunning black women and his homies—Eugy, Tinie Tempah, Juls and more.

Watch the video, directed by Capone and Guise of Vissionaire Pictures, below.

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