<h2><a href="https://www.tiff.net/tiff/where-hands-touch/" target="_blank"><em>Where Hands Touch</em></a> | Amma Asante</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODIyMTYzOS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY2NjA5MzIyM30.msv3OrYketX9yUfZXg4-zmVuJzvnsODek0kt4w6VRA8/img.jpg?width=980" id="72b38" class="rm-shortcode" data-rm-shortcode-id="7f01a756bcce7ca4f798ebaecda887ea" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-caption" placeholder="add caption...">Photo via TIFF.</small></p><p><strong>Amandla Stenberg </strong>stars in director <strong>Amma Asante's</strong> (<em>A United Kingdom</em>) disquieting coming-of-age romance about a Black German teenager who falls in love with a member of the Hitler Youth.</p><p>World Premiere</p><h2><a href="https://www.tiff.net/tiff/widows/" target="_blank"><em>Widows</em></a> | Steve McQueen</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODIyMTY2NS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxMzUzNjgyMX0.lK7dyvm4rNX4PZmXUnLx7RoX7m40uHK1_6Y7NqniU5M/img.jpg?width=980" id="dc9f2" class="rm-shortcode" data-rm-shortcode-id="6cded9ce7b2c181f1876484a660d573b" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-caption" placeholder="add caption...">Photo via TIFF.</small></p><p>A heavyweight cast—including <strong>Viola Davis</strong>, <strong>Daniel Kaluuya</strong>, <strong>Liam Neeson</strong>, <strong>Jacki Weaver</strong>, <strong>Colin Farrell</strong>, and <strong>Michelle Rodriguez</strong>—propels <strong>Steve McQueen's</strong> white-knuckle thriller (co-written by <em>Gone Girl</em>'s <strong>Gillian Flynn</strong>) about four women left in a deadly lurch when their criminally connected husbands are all killed.</p><p>World Premiere</p><h2><a href="https://www.tiff.net/tiff/the-weekend/" target="_blank"><em>The Weekend</em></a> | Stella Meghie</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODIyMTY3Mi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzOTAzNTE5OX0.hM3PPSinKarFo8yV0DSWmpseVDKRQ_cROUmRCP8b3Gk/img.jpg?width=980" id="0a398" class="rm-shortcode" data-rm-shortcode-id="d2f0891f70d1e9025f93b4fe11166251" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-caption" placeholder="add caption...">Photo via TIFF.</small></p><p>An acerbic comedian (<strong>Sasheer Zamata</strong>) becomes romantically entangled with her ex (<strong>Tone Bell</strong>), his new girlfriend (<strong>DeWanda Wise</strong>), and another guest (<strong>Y'Lan Noel</strong>) during a weekend getaway, in the newest feature from <strong>Stella Meghie</strong> (<em>Jean of the Joneses</em>).</p><p><div class="dfp_atf-slot" data-not-loaded="true"></div><script type="text/javascript">
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</script></p><p>World Premiere</p><h2><a href="https://www.tiff.net/tiff/if-beale-street-could-talk/" target="_blank"><em>If Beale Street Could Talk</em></a> | Barry Jenkins</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODIyMTY3Ny9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxNzg5NDk1OX0.Qh0mHE5UlnfEpCLA3HPplHbmiN2VKPVykX4Gd5_zqL0/img.jpg?width=980" id="2a364" class="rm-shortcode" data-rm-shortcode-id="179d531cb05de1a431ddf895305dd10f" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-caption" placeholder="add caption...">Photo via TIFF.</small></p><p>Director <strong>Barry Jenkins' </strong>ambitious follow-up to <em>Moonlight </em>adapts <strong>James Baldwin's</strong> poignant novel about a woman fighting to free her falsely accused husband from prison before the birth of their child.</p><p>World Premiere</p><h2><a href="https://www.tiff.net/tiff/monsters-and-men/" target="_blank"><em>Monsters and Men</em></a> | Reinaldo Marcus Green</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODIyMTY4NS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxNDU2MTE1N30.VosZnu9xRVVAihzEBygr-Hmv7bELVN_iESsoqxzpm2s/img.jpg?width=980" id="3ec70" class="rm-shortcode" data-rm-shortcode-id="579dff0c616d65f3c03d948c0674e047" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-caption" placeholder="add caption...">Photo via TIFF.</small></p><p>When a Black man is shot dead by police, three members of his community face different but serious consequences if they reveal their knowledge of the murder or the systemic corruption behind it, in writer-director <strong>Reinaldo Marcus Green's</strong> bracing feature debut.<br></p><p>Canadian Premiere</p><p><em>The 43rd Toronto International Film Festival runs from Sept. 6 to 16, 2018. Visit their <a href="https://www.tiff.net/" target="_blank"><strong>website</strong></a> for more information.</em></p>
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