Travel
Photo courtesy of Rachelle Salnave.

Travel Diary: Rachelle Salnave & Her Daughters Are Welcomed Home To Ghana In the Year of Return

"No one had to tell us—we felt at home!"

In OkayAfrica's latest Travel Diary, Haitian-American indie filmmaker Rachelle Salnave shares the gift she gave her daughters of traveling to Ghana, West Africa for the first time during The Year of Return.

Staying at Agoo Hostel in Nima was a page out of the 1980's American TV series, The Love Boat—except the characters were Ghanaian!

"Akwaaba! Welcome home my sistahs," is a phrase we were told not just at Agoo, but throughout our entire Ghana girls trip. Akwabba is not just this country's motto—it's the vibe in Ghana.

This girls trip was a graduation gift for my daughters, Kiara and Nadine. Having traveled to Morocco to connect with my Moroccan stepmom and sister, Africa was not unfamiliar to them—but I knew Ghana would be different. My DNA had been traced to Ghana and Benin, it's neighboring country. I immediately saw a taste of Haiti, my parents' country and the girls felt the kinship. I prayed this trip would change our relationship with Africa and bond us closer together as women. Ghana did just that!

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Photo by Audrey Lang.

Travel Diary: Audrey Lang Connects To a New Home Away from Home—Côte d'Ivoire

An OkayAfrica contributor captures her vibrant and on-the-go experience in Côte d'Ivoire's Abidjan and neighboring cities.

In OkayAfrica's latest Travel Diary, our contributor Audrey Lang shares her musings while exploring Côte d'Ivoire for the first time.

During a visit to Dakar, Senegal for the Biennale last summer, I met an advertiser and DJ named Lio. He excitedly described his impending move to Abidjan, Côte d'Ivoire and implored I make it my next stop on the African continent. Lio spoke of an invigorating creative scene in which he would thrive and I yearned to interact with the creatives telling its story so I could do the same. With little convincing, I obliged.

My desire to travel around the African continent is aimed at being able to refute a common media narrative that is often detrimental to its creatives and locals. Luckily, we are living in times where Africans far and wide are at the helm of a change in tide. Our stories are being told the right way—raw and unapologetically. They are as diverse as they are expansive. What is manifesting is nothing short of extraordinary.

Furthermore, because I am a second generation Cameroonian-American, travel is also aimed at connecting to a home I've never had the chance to live in, yet feels very much like it is mine. I am a product of an environment in which I was consistently reminded that despite the fact I live here, I am not from here. With time, I have learned that trips such as these are critical to forging a path in a world that so often attempts to dictate how you should identify and how this identity should make you feel. More often than not, my connection with heritage drives me.

Côte d'Ivoire is a West African country with idyllic beaches, a French-colonial legacy and a people who are friendly and warm. This country is honestly a gem that's heavily slept on.

From the moment I hop off the plane, I am moved by an ease. There is an air of not taking things too seriously. The doctors who administer my yellow fever shot jokingly offer to take me to get attiéké, alloco and garba (notable local dishes). The immigration agent who stamps my passport happily speaks on her phone about what appears to be a matter of no importance to her work.

Abidjan is a refreshing mix of post-colonial France and traditional culture. It's a sprawling metropolis with people very much on the go. I caught myself smiling at the locals' take on urban attire that reminds me of America.

The images I took engaging with the local landscape of Abidjan and some neighboring cities and towns do the best job of conveying just how lively the country is—check them out below.

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Photo by Antonio Thompson.

Travel Diary: Antonio Thompson Gets To Know Guinea-Bissau—the Birthplace of Revolutionary Amílcar Cabral

"Guinea-Bissau represents, to me, the meaning of family and the distance we can travel when kindness is the language spoken."

In OkayAfrica's latest Travel Diary, Antonio Thompson links with us again sharing the faces and places he came across in Guinea-Bissau after reconnecting with his homeland Cape Verde for the first time.

During my final few weeks in Cape Verde, I attended a party where, by chance, I met a couple from Guinea-Bissau. I knew this was a good sign: just a few weeks prior, I purchased an inexpensive flight there and planned to stay for just one week. After a great conversation, they promised to put me in touch with someone named Baltazar who lived in Bissau, the capital city.

Up to that point, the most I knew of Guinea-Bissau was its shared history with Cape Verde: both countries were once colonized by Portugal; then led to independence by the revolutionary Amílcar Cabral, who was assassinated in 1973. Going to another country with my still-developing Portuguese and such little background information was exciting, if not naïve. Thus, the idea that someone would help me during my travels there was a relief.

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Photo by Hakeem Adam.

Travel Diary: How Hakeem Adam Fell In Love with Maputo In 10 Days

An OkayAfrica contributor revels in all things art and architecture in Maputo, Mozambique.

In OkayAfrica's latest Travel Diary, our Accra-based contributor Hakeem Adam recently ventured to Mozambique for the first time and shares his experiences through stunning images.

Peaceful, calm, clean, positive energy are the words I've been using to describe my time in Maputo, Mozambique to basically anyone that would listen to me. The Portuguese-speaking Southern-African country was the first I have had the pleasure of visiting in that region and the visual, spiritual and mental experience has provided me with a much-needed contrast to my ideas of an African capital city in many ways.

The enchanting city moves at its own pace, a gentle and graceful saunter that calms and relaxes anyone who has become numb to the non-stop barrage of stress that is symptomatic of most capital cities. In Maputo, the air is clean and refreshing and the weather is mostly warm without it being sticky with humidity. Rather, the strong breeze from the Pacific Ocean keeps everything gentle as you get swaddled in Mozambican hospitality.

ColabNowNow, a 10-day artist residency organized by the British Council, #SouthernAfricaArts and Maputo Fast Forward ( a month-long festival centering the arts in Mozambique), was the reason for my being in Mozambique. The program brought together nine artists from West, East, Southern Africa and the UK to work collaboratively towards producing work with a digital focus. This offered me the opportunity to meet and interact with Mozambican artists as well as explore their studios and hubs.

Very quickly, you learn that art is one things that grounds the city of Maputo as the expression of their creativity is woven into the engineering of their daily lives—from the rich and colorful alchemy of European and tropical architecture lending the city an iconic look, to the amorous and ingénue community of artists, activists, curators and researchers who are actively engineering unique ways and spaces for their expression. Indeed, most of the artists we visited had all designed their homes as active exhibition spaces where their work and pieces from other artists in the same community embellish their living and working spaces.

As a visiting artist, Maputo was a much needed breath of the fresh air that is art from a hectic year. The architectural and design landscape of the city, as well as the mind-blowing work that is going on in the arts scene there were the two things that will forever stay with me.

However, my best description of my time there are highlighted by the images I took.

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