south african music
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Nobantu Shabangu
Nov. 26, 2020 04:24AM EST
Photo by: Gonzales Photo/Flemming Bo Jense/PYMCA-Avalon/Universal Images Group via Getty Images

Denmark, Copenhagen - May 19, 2019. The South African electronic musician, DJ and record producer DJ Lag performs a live concert during Click Festival 2019 in Elsinore.

will.i.am Apologises for Plagiarising DJ Lag's Beats on 'Culture' Song

American producer will.i.am has apologised for plagiarising DJ Lag's beats on Megan Ryte's single 'Culture'. DJ Lag has refused to acknowledge the apology.

Update 27/11: American producer and Black Eyed Peas front member, will.i.am, has reportedly responded to the controversy surrounding Megan Ryte's single "Culture". This comes after South African Black Twitter dragged the artist for plagiarising DJ Lag's "Ice Drop". According to News24, will.i.am released a shallow apology yesterday for failing to credit DJ Lag. Ironically, the apology is directed at Ryte not the South African artist. DJ Lag has reportedly refused to accept the apology. South African Black Twitter has, of course, demanded that will.i.am remunerate DJ Lag.

The one-minute video apology was posted on will.i.am's Twitter and Instagram this past Thursday. will.i.am admits that he is at fault for not crediting DJ Lag because he was responsible for the credit submission and somehow "forgot" to mention that the beat was not his. He additionally stated that Ryte should not receive any "hate" for the "error". will.i.am went on to say that DJ Lag, an international and Grammy-nominated South African DJ has an "awesome future ahead."


DJ Lag commented on will.i.am's apology saying, "The apology was not directed at me so I don't have to comment on that." He added, "But I can confirm that I was not approached by will.i.am or Megan for the use of my track before our Twitter brought it to trial."

This is not the first accusation the The Black Eyed Peas front man has faced from a South African artist. In 2015, TimesLIVE reported that will.i.am was caught up in a copyright infringement case with South African rapperToya Delazy. Delazy had released the single "Dreamer" in October of 2014 . A few weeks later, will.i.am then released a track titled "Dreamin' About The Future" the following month. Not only did the two tracks sound similar but will.i.am bagged a Lexus advert with the plagiarised song. Delazy also took to Twitter to comment on the "Culture" case.

According to News24, DJ Lag's recording manager, Sevi Spanoudi, confirmed that neither Ryte or will.i.am requested permission for using "Ice Drop". Ryte has yet to issue a formal response or apology in her own capacity. The "Culture" music video has since been pulled from the Hot 97 DJ's YouTube page.

-NS

Continue for Original Story:

American DJ Megan Ryte has been accused of stealing beats from prominent South African gqom artist,DJ Lag, according to IOL. This comes after Ryte released her new song "Culture" featuring will.i.am and A$AP Ferg. Accusations gained traction this past Wednesday after many South African fans compared "Culture" to DJ Lag's "Ice drop" which was released in 2016 from his self-titled EP. Many more have also remarked on the apparent similarities in the music video as well and going on to further accuse Ryte of not only stealing the song's beat but also the video concept itself. DJ Lag responded to Ryte's "Culture" Twitter post with his "Ice Drop" music video which was released back in 2017.

READ: Meet DJ Lag, the 21-Year-Old Producer Taking Gqom to a Higher Place

Ryte announced the release of the "Culture" visuals on November 20th of this year. According to Revolt, the song (ironically) is about preserving and protecting Black culture from cultural appropriation. The music video is strikingly black and white with drone shots of the DJ on top of a building. On the other hand, DJ Lag's "Ice Drop" music video also has drone shots of dancers on a roof top.

Below are the two music videos for comparison purposes:

DJ Megan Ryte - Culture ft. will.i.am & A$AP Ferg (Official Video)www.youtube.com


DJ Lag - 'Ice Drop' (Official Video)www.youtube.com

Some Black South Africans have referenced famed American feminist theorist, bell hooks,to point out Ryte's cultural appropriation. Black Twitter, on the other hand, has not held back from blatantly calling her a "thief". South Africans have rallied behind DJ Lag by flooding the comment section under the "Culture" video on YouTube causing the artist to disable the comments. The number of dislikes under the video has risen exponentially above Ryte's actual number of subscribers. Complaints about the song have also been directed to Hot 97, the radio station where Ryte works.

According to Hot New Hip Hop, it is difficult to discern when beats are stolen considering "the finite number of possible chord progressions and melodic ideas, some cases are a little more clear than others - especially when the court of public opinion is out for blood". Admittedly, Ryte's silence is questionable considering that DJ Lag is an international artist who has played sets all over Europe.

South Africans are demanding that DJ Lag be credited and paid if the allegations are proven true. Take a look at some of their reactions below.






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Style
Photo by Cindy Ord

The Best Style Moments of Tems

From normcore, Y2K-inspired streetwear, figure-hugging catsuits to high-fashion formalwear, the style of the alt R&B superstar has matured over the years.

With a Grammy win now among her accolades, Tems’ crossover campaign continues to hit spectacular highs. Selling out shows, collaborating with Future and Drake, conquering global charts, lending her voice to a Marvel movie soundtrack, and brunching with JAY-Z and Beyoncé are some of the things her star power has pulled.

Tems, whose 2019 breakout single “Try Me” locked down decent fame in Nigeria, was introduced to fresh ears overseas on Wizkid’s monster hit “Essence.” The Nigerian singer-songwriter has since begun her ascent into stardom. As such, her wardrobe has scaled up significantly. It has found a confident balance between upward luxury and cool-girl DIY-ness. The latter is a holdover from Lagos, bootstrapping as an artiste in the city’s alté scene.

Her stylist, Dunsin Wright, is the creative force behind her many statement looks, especially the hot streak of red carpet moments. Even so, Tems’ body is a marvel on its own, — shapely proportions that reward the camera. And therein lies the complicated relationship between an artist on the come-up and bodily anxieties. A female artiste, to be clear, who styled herself in plain, functional clothes, sunnies and sneakers, with natural hair swooped up or done in long box braids.

Sometimes a catsuit, but big shirts, jackets, and loose pants were a matter of practicality. Additionally, these wardrobe choices appeared to be a self-effacing maneuver around female objectification and to keep the focus on her music.

For corroboration: her Instagram photos were often captured in portraits. And when she stood in full view, a frontal pose was only offered. On social media, a viral appetite took hold, asking her to show more skin or give a back pose.

While Tems hasn’t explicitly addressed this, she’s currently cognizant of the demands of being a celebrity without straying too much from personal comfort. Her style journey is still ongoing. In the meantime, we select her best looks with all the style inspo it brings.

Tems Wearing Pleated Robert Wun

For her 2022 London tour that hit a stop at famous concert venue KOKO, Tems showed up on stage wearing Robert Wun. A custom teal matching set elevated by dramatic accordion pleats. Her long box braids, though the singer’s signature style, harmonized with the flowy pleated details of the look. The show of cleavage from the plunging neckline has been a continuing theme for Tems.

Wun, a London-based Hong Kong designer, had showed off the look in his studio before the concert. On Tems, it was a technical understanding of proportions. But what makes wearing Robert Wun such a big deal is that Wun’s couture debut in Paris was darkly gorgeous, and received praise from the industry.

Perhaps in the future, Tems can reunite with Wun in something decidedly couture to hit the red carpet.

Tems At the 2022 BET Awards

Tems won Best International Act at the 2022 BET Awards. She made history, becoming the first Nigerian female artist to be a recipient. On the red carpet, she made a show-stopping statement wearing a custom black bustier gown with a thigh-high slit.

From Dilara Findikoglu, it’s interesting to see Tems wear a creation from the rising Turkish-British designer. The gown is Tems’ first black formalwear on a huge stage, in strap heels and a Swarovski necklace to boot. For her glam look, her signature glossy ombre lips and wispy lashes were just right for the occasion.

LOS ANGELES, CALIFORNIA - JUNE 26: Tems poses in the press room during the 2022 BET Awards at Microsoft Theater on June 26, 2022 in Los Angeles, California.Photo by Robin L Marshall/Getty Images For BET

Tems at the 2022 BMI London Awards

Tems joined big winners at the BMI London Awards, taking home the prestigious Impact prize, in recognition of her artistry, creative vision and impact on the future of music. Holding a silver box clutch with an iridescent shimmer, hoop earrings, and stiletto nails polished in metallic chrome, her outfit for the ceremony merged her love for catsuits with a red carpet sensibility.

A white turtleneck gown in stretch silk crepe. London-based photographer Bet Bettencourt, who has been taking photos of Tems at events, showed another view of the gown on Instagram after the awards were over. A slew of sizzling snaps revealed a huge cutout at the back and a comfortable pose.

Tems on the red carpet in a white dress. LONDON, ENGLAND - OCTOBER 03: Tems attends the 2022 BMI London Awards at The Savoy Hotel on October 03, 2022 in London, England.Photo by Jeff Spicer/Getty Images for BMI London Awards

Tems at the 2022 Global Citizen Festival: Accra

Performing at the Global Citizen concert in Ghana, Tems slipped in a turquoise blue lace catsuit with front cutouts from Brielle. The satin wrap of a mini skirt was a nice accent piece, held together by a crystal clasp that could be mistaken for a brooch.

Cuffing her wrist was a diamond bracelet, feet in silver pumps. Given the outdoor concert atmosphere, it was a fun, playful attire. And it’s not surprising to see Tems accessorize with white sunglasses, an ever-present staple in her wardrobe.

Tems in a turquoise body suit and white sunglassesACCRA, GHANA - SEPTEMBER 24: Tems performs on stage during Global Citizen Festival 2022: Accra on September 24, 2022 in Accra, Ghana.Photo by Jemal Countess/Getty Images for Global Citizen

Tems at Coperni's SS' 2023 runway show

Last year, Parisian brand Coperni grabbed headlines for spraying a dress onto Bella Hadid. This was their spring/summer 2023 show, and Tems was in attendance. Leaving the looming, Romanesque architecture of the venue, the Salle des Textiles of the National Museum of Arts and Crafts in Paris, the singer was dressed in Coperni herself.

A jet-black stretch satin bodycon dress, with a twist and cutout detailing. The thigh-high slit, sheer socks in Coperni bridge platform sandals, and pin-straight hair brought edginess to the picture. A crystal-embellished ring pouch bag from the brand was a statement accessory, subtly contrasting the all-black ensemble.

The dark sunglasses gave a futuristic, techno-chic vibe, an aesthetic Coperni has been working into their brand to redefine the lexicon of French style. That night, Tems took a photo with the founders, Arnaud Vaillant and Sébastien Meyer, showing a decent infiltration into the high-fashion circle.

Tems in Tommy Jeans

For this photo Tems posted on Instagram, she wore top-to-bottom Tommy Hilfiger and Tommy Jeans. The overlay of the colorblock windbreaker, triangle sports bralette, baggy jeans, open-toe heels, and chunky belly chain can only be described as streetwear chic. More importantly, it’s a delicate juxtaposition of the masculine and feminine dressing codes Tems had been embracing.

Anyone who followed ‘90s pop culture (think Aaliyah) and the renaissance of Y2K fashion will surely appreciate the look. Tems wearing a classic American brand isn’t a random occurrence. In late 2021, she announced she had secured a deal with the global clothing brand. And in 2022, we saw her lead a campaign for Tommy Jeans, the diffusion that targets a younger market.

Tems in Vivienne Westwood at the 2023 Grammys

With three nominations coming into the 65th Grammys, Tems bagged her first Grammy award in the Best Melodic Rap Performance category. It was for Future’s “Wait For U” featuring herself and Drake, making her the first Nigerian female artist to receive such honor.

Tems played up her femininity, styling her hair into space buns, wearing a gold-corseted Vivienne Westwood number. The bodice had the corset built in, with a draping from the waist that fell into a sweeping train. The nipped-waist silhouette flattered her curves. Layered pearl necklace and gold Tom Ford pumps, it was inarguably a moment of high fashion for the star.

Tems on the red carpet in a gold dress. LOS ANGELES, CALIFORNIA - FEBRUARY 05: Tems attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California. Photo by Lester Cohen/Getty Images for The Recording Academy

Tems on the Cover of Dazed Magazine

For Dazed magazine’s winter 2022 issue, Tems landed as the latest cover star. “Uncut Tems: the rise and reign of the queen of alté R&B” was the headline, and it remains her most provocative editorial spread to date. So much so that she was criticized by internet trolls for which she took to social media to defend herself.

With styling from Ibrahim Kamara, the photo shoot served up sultry images of the singer. Particular standouts: the form-fitting translucent beige dress from Dilara Findikoglu with a bodysuit underneath, strap heels and fringe-framing hair. In another shot: a Sportsmax faux fur coat worn over a Chloé leather dress, and vintage Susan Caplan gold necklace feels like a refreshing take on old Hollywood glamour.


Tems' Couture at the 2023 Oscars

Nominated for Best Original Song for the Black Panther: Wakanda Forever track “Lift Me Up,” Tems arrived at her first Oscars in a sculptural, gravity-defying puff of couture. Even though she didn’t win (it was a tough category), she turned heads (literally).

By Ukranian designer, Lesya Verlingieri of Lever Couture, Tems was a commanding presence of sophistication on the sand-hued carpet. Further, it showed her maturing confidence as of late. Hand sculpted from gauzy nylon mesh, the bold and breathtaking silhouette newly placed her in the canon of celebrities to look out for at high-caliber events.

With no necklace on Tems, we aren’t sure if this is leaning into the “no-necklace” trend amongst celebrities on the red carpet. Not that the look needed one, anyway. Going bare was smart to maintain a clean focus on what she was wearing. Attending the Vanity Fair Oscar Party, the sculptural hood and elegant puff gave way to a slightly more stripped-down attire.

A cat ear-shaped bustier in black silk crepe, built into a full skirt with drape detail. Thigh-high slit? Of course, a repeated motif we are sure to see more of. For accessories, a transparent PVC choker with a cutout had dots of Swarovski crystals. Altogether, it had a smattering of kinky, a dip into the bondage aesthetic Tems can possibly dial up in the future.

Tems in a puffy white dress a the 95th Oscars carpet. HOLLYWOOD, CALIFORNIA - MARCH 12: Tems attends the 95th Annual Academy Awards on March 12, 2023 in Hollywood, California.Photo by Kevin Mazur/Getty Images

Tems in black dress on a blue carpet walkway. BEVERLY HILLS, CALIFORNIA - MARCH 12: Tems attends the 2023 Vanity Fair Oscar Party Hosted By Radhika Jones at Wallis Annenberg Center for the Performing Arts on March 12, 2023 in Beverly Hills, California.Photo by Cindy Ord/VF23/Getty Images for Vanity Fair

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Photo by Oupa Bopape/Gallo Images via Getty Images

South African Rapper Costa Titch Dies While Performing on Stage

Costa Titch, who was only 28, collapsed on stage in the middle of a festival performance.

South African rapper Constantinos Tsobanoglou, popularly known as Costa Titch, died over the weekend after collapsing onstage during a music festival performance. He was only 28.

Titch was performing at the Ultra South Africa concert near Johannesburg, when collapsed while on stage. The rapper regained consciousness but in quick succession collapsed a second time. Following his second collapse, emergency responders, and members of his team tried to revive him, but their efforts were unsuccessful. It is not yet clear what caused him to collapse.

Following the chain of events, Costa Titch’s family members confirmed the tragic news of his passing on his official Instagram account.

Ever since the news broke, fans shared their condolences on social media, and praised the artist for his musical ability.


Akon, who signed Costa to his label Konvict Muzik, also shared some heart warming words on his instagram account in respect to the late artist.

“I remember when Babs played me his record for the first time. I was convinced that he was going to make an impact in this world. Costa Titch had a vision that I knew for sure would take over the music industry globally and was on his way to doing just that when god’s plan intervened. It’s been a sad day but what makes me feel better is that I know he died doing what he loved doing the most in this world. God bless you COSTA!!!!!,” Akon wrote.

Before he passed, Costa had released the remix to his commercially successful “"Big Flexa" song. The rapper was also known for records like “Super Star” and “Goat." In 2020, he released his debut album, Made in Africa. Here's what OkayAfrica wrote about it at the time:

"Made in Africa doesn't do much to introduce the listener to the person behind Costa Titch. It's not that kind of album. As mentioned previously, it's made up of bangers and has plenty of guests. Almost every song is designed to be a single. So, there aren't any deep cuts in which the artist digs deep into his personal life to share heartfelt stories and vulnerability. The only instance is the song "Holy Rain" in which he reflects on his ongoing rise to the top of the SA hip-hop food chain—from being Cassper Nyovest's dancer to being tasked with 'saving the game.'"

Our thoughts go out to all of his loved ones.

News Brief
Photo by Amos Gumulira

Malawi’s President Says Half the Country Damaged by Cyclone Freddy

The death toll in Malawi has reached 447 people, with 282 residents missing and close to 400,000 people still displaced.

It has been a month since Cyclone Freddy ravaged Madagascar and then made a downfall in Malawi and Mozambique. But the aftermath of the tragedy still rages on. As more officials work to uncover the devastating effects of the cyclone that led to the loss of many lives, more details are surfacing.

In an interview with The Guardian published on Monday (March 20th), Malawi’s President Lazarus Chakwera said that over half of his country has been damaged by Cyclone Freddy.

“This demonstrates that climate change issues are real and we are standing right in the path of it,” Chakwera told The Guardian. Chakwera also stated that the devastation of the cyclone could very well keep Malawi in the cycle of poverty.

According to reports from the country’s authorities, the death toll in Malawi has reached 447 people, with 282 residents missing and close to 400,000 people still displaced. (When you factor in Mozambique and Madagascar, there have been close to 600 confirmed deaths.)

Cyclone Freddy first mounted in Australia before traveling across the Indian Ocean and settling in south-east Africa, where it destroyed property and killed residents across Mozambique, Madagascar, Zimbabwe and now, Malawi. This intense deadly storm has been dubbed one of the longest-lasting tropical cyclones ever recorded in history.

Chakwera also detailed the effects of the tragedy, stating that the country, which has a population of over 19 million people, was in dire straits.

“We need everyone’s help and support for this tragedy to be mitigated,” Chakwera said. “We are suffering and we can’t meet the needs. We have set up temporary camps and food is needed, shelter, yes, but must go past that and build stronger because of the damage.

There is also concern over an elevated cholera risk; since last year, there has been a cholera outbreak that has killed more than 1,700, making it one of the deadliest on record. Those numbers are now expected to go up.

“With the floods, people’s toilets have been washed away and most people have no access to safe drinking water,” Storn Kabuluzi, health services director, said.

Music
Kengol DJ/Jailtime Records

Get to Know Kengol DJ’s Cameroonian Drill Music

The 32-year-old is blending drill and coupé-décalé—all from a prison in Cameroon.

Kengol DJ, born Magloire Noumedem, entered a world of suffering when faced with intense stares from the shadows of the notorious Central Prison of Douala—a place which operates more like a small walled city than a high-security jail.

"Arriving in prison is exactly as you might imagine — I can only laugh now, everyone half-naked, and the voices ringing out...it was terrifying." Kengol is an emotional man. Over two hours in his presence, he acts out his life experiences rather than recount them. It becomes an interview that is as much a performance, where Kengol lays himself bare—spitting bars wide-eyed one minute, singing his heart out the next, gesticulating wildly as tears run down his face.

The 32-year-old's latest single “Ca Va Aller' (It's Gonna Be Ok),” his cry of survival, is a fresh take on Drill that "Cameroon has never seen before--I call it Atalaku Drill,” Kengol explains, “I've crossed it with coupé-décalé." It was released this month on Jail Time Records, a label set up in prison to rehabilitate talent fallen to the wayside.

Noumedem was, by his own admission, lost to the streets when he was arrested for possession of drugs and sentenced to a term of 6 months: "Not many go inside to find the light, but I started to have visions. I could work day and night on my music, my God-given talents were no longer lost.”

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