On Monday, April 20, J Molley released "I'm Good." In the song, he opted for rapped verses instead of his trademark melodies. In the song, the Pretoria-born rapper/singer throws a brief shot to fellow Pretoria rapper/singer The Big Hash, rapping:

"Ironic how these young boys wanna call my name out for clout/ Meanwhile be on the phone calling me tryna hash this shit out."

The then-cryptic line was understood to be a response to a line from The Big Hash's song "I'm Sorry" which he released two weeks prior (via the EP Life +Times) and in which he rapped, "Carried a coffin big enough to carry Mooz' and Molley."

The line was obviously making reference to the Sway Cold Cyphers which Hash, Moozlie, Rouge, A-Reece and J Molley were part of in 2019. Clearly The Big Hash felt only Rouge and A-Reece rapped better than him during the cyphers.

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At this point, it all seemed like healthy competition. After all, it's hip-hop.

After the release of J Molley's song, Hash tweeted "He picked the wrong battle." Everyone knew it was on.

On Friday, as part of Stogie T's ongoing #FreestyleFriday series, The Big Hash released a freestyle aimed directly at J Molley. It was a scathing piece that left a lot of hip-hop fans both shocked and thoroughly amused.

Lines like "I'm white-hot, you got hot 'cause you rap and you white" and "Tell the world you been a wannabe 8 Mile nigga/ If anything, sonically I'm like 8 miles ahead of you nigga," were emphasized by Hash's vicious delivery and facile tongue.

Fans were convinced there was no comeback for J Molley.

Several hours later, Stogie T tweeted that he had just gotten off the phone with J Molley and hinted at a response.

It did come.

Titled "Pallbearer," the freestyle which was done over an instrumental that samples "No Church in the Wild" by Jay-Z and Kanye West, the same beat The Big Hash's freestyle was over. Towards the end, the instrumental to Khuli Chana's "Tswa Daar" is interpolated. A move by the producer pH (who produced both "Tswa Daar" and "Pallbearer") that left many fans with questions.

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On "Pallbearer," J Molley fired such shots as: "Ironic how my numbers on that Sway shit got 8 miles on you Funny how you pulled the race card, that's even shady for you" and"They used to call you the black Molley, you came up on my shit."

For most of "Pallbearer," J Molley was dispelling The Big Hash's claims and punching his own chest egotistically.

After releasing his response, J Molley expressed that being white was counting against him. The line "Try come for Molley again and I'll have you hang by a noose" from "Pallbearer" was considered racially insensitive by some fans. In response, J Molley tweeted, "There is an ugly, distasteful racial narrative that's gaining momentum and has nothing to do with the music. That is a battle I can't win and personally do not want any part of. To those that believe in and support me, thank you. I'm only getting started. It was fun until it wasn't."

He was most probably referring to some lines from The Big Hash's freestyle and some tweets from fans that made reference to race.

In an attempt to contextualize the feud to fans and fellow artists, The Big Hash shared a note with his Twitter followers detailing what sparked the beef. In the note, he revealed he had spoken to Molley a few days before releasing "I'm Sorry" and alerted him he had mentioned his name in the song. He further revealed Molley was originally supposed to appear in the song "Saint Nick" from Life + Times.

The beef between the two has shone the light on the new wave, proving the fact that lyricism isn't a lost art in (South African) hip-hop. Even though artists like The Big Hash and J Molley may make a lot of melodic songs, they are still rappers at the heart.

At time of filing, The Big Hash had tweeted a soundless clip of himself in the booth. A response to "Pallbearer" could be on the way.

Update:

The Big Hash released a response to "Pallbearer" on Monday 27 April titled "How to Kill a Dead Body" featuring Flame. More about the song here.

Editor's note: an earlier version of this article stated that J Molley felt the beef was racialized based on some lines from The Big Hash's freestyle. After clarity from J Molley's team, the article was updated.