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Beyoncé Wore These 2 African Designers in Her Music Video for 'Spirit'

Queen Bey continues to include and give a nod to African talent in her visuals.

As we draw even closer to Disney's The Lion King opening in theaters this week, Beyoncé continues to lead the way with her new music video for "Spirit"—the first single off of the film's album she produced and curated, The Lion King: The Gift.

Shot in the Havasu Falls in Arizona's Grand Canyon, Beyoncé and her legion of beautiful dancers are one with nature and its various elements as she beckons us to be brave and hear the calling of spirit. As we noted when she announced the album, the track opens with a call and response in Swahili that translates to "Long live the king": Uishi kwa mda mrefu mfalme—uishi kwa.

Keeping our eyes peeled for African influences in the music video, it's evident that is seen in the choreography. We even spotted our extended fam with the afrobeats moves—the AVO Boys: Stephen Ojo and Caleb Bonney—as two of her dancers in the video.

Beyoncé continues to also give a nod to African talent through the looks she donned in "Spirit" styled by her mainstay, Zerina Akers.

Take a look at the two African designers she wore in the video below.


TONGORO

Image courtesy of TONGORO.

This is not the first time Queen Bey has worn items from Senegal's own TONGORO. She was spotted last summer wearing the brand while on family vacation in South Africa and since rocked looks from the posh brand four times in the span of 6 months, according to the brand's statement.

In "Spirit," we see her wear a custom bustier suit and durag from the brand's SS19 collection, named Tribe. The look was paired with TONGORO's new jewelery pieces—the CAIRO face piece and T earrings—which can also be seen on the dancers.

Image courtesy of TONGORO.

LA FALAISE DION

Image via La Falaise Dion's Twitter page.

"My dream come true today," designer La Falaise Dion exclaims on Twitter. She then notes that Beyoncé is wearing her LAGBADJA headpiece in the music video.

Meaning "the unknown man" in Yoruba, the face of a lagbadja is usually hidden under a mask, like the famed Nigerian musician with the same name.

We recently named La Falaise Dion one of the top ethical and sustainable African fashion brands you need to know. The Ivorian designer repurposes cowry shells for intricate headpieces and masks that give an air of power and mystery.

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Image courtesy of Trap Bob.

Trap Bob Is the 'Proud Habesha' Illustrator Creating Colorful Campaigns for the Digital Age

The DMV-based artist speaks with OkayAfrica about the themes in her work, collaborating with major brands, and how her Ethiopian heritage informs her work.

DMV-based visual artist Tenbeete Solomon also known as Trap Bob is a buzzing illustrator using her knack for colorful animation to convey both the "humor and struggle of everyday life."

The artist, who is also the Creative Director of the creative agency GIRLAAA has been the visual force behind several major online movements. Her works have appeared in campaigns for Giphy, Girls Who Code, Missy Elliott, Elizabeth Warren, Apple, Refinery 29 and Pabst Blue Ribbon (her design was one of the winners of the beer company's annual art can contest and is currently being displayed on millions of cans nationwide). With each striking illustration, the artist brings her skillful use of color and storytelling to the forefront.

Her catalog also includes fun, exuberant graphics that depict celebrities and important moments in Black popular culture. Her "Girls In Power" pays homage to iconic women of color in a range of industries with illustrated portraits. It includes festive portraits of Beyoncé, Oprah, Serena Williams and Michelle Obama to name a few.

Trap Bob is currently embarking on an art tour throughout December, which sees her unveiling murals and recent works for Pabst Blue Ribbon in her hometown of DC and during Art Basel in Miami. You can see her tour dates here.

We caught up with the illustrator via email, to learn more about the themes in her work and how her Ethiopian heritage informs her illustrations. Read it below and see more of Trap Bob's works underneath.

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Adut Akech poses in winners room after winning the Model of the Year Award during The Fashion Awards 2019 held at Royal Albert Hall on December 02, 2019 in London, England. (Photo by Tim Whitby/BFC/Getty Images)

South Sudanese Model Adut Akech Wins Model of the Year at 2019 British Fashion Awards

The 19-year-old model spoke about the need for increased representation in the fashion world during her acceptance speech.

Star model Adut Akech was named 'Model of the Year' at last night's star-studded British Fashion Awards in London, earning her one of the biggest accolades during this year's ceremony.

The 19-year-old, South Sudanese-born model, beat out the likes of Adwoa Aboah, Kaia Gerber and Winnie Harlow to claim the recognition.

During her acceptance speech, Akech, who moved with her family to Australia as a young girl after fleeing South Sudan, touched on the need for better representation of women who look like her in the fashion industry. "It is important for all of us to remember that someone like me winning this award is a rarity," she said.

"This is for the young women and men who found representation and validation in my work. I want them to never be afraid of dreaming big like I once did."

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Photo by Lana Haroun

From #FeesMustFall to #BlueforSudan: OkayAfrica's Guide to a Decade of African Hashtag Activism

The 2010s saw protest movements across the continent embrace social media in their quest to make change.

The Internet and its persistent, attention-seeking child, Social Media has changed the way we live, think and interact on a daily basis. But as this decade comes to a close, we want to highlight the ways in which people have merged digital technology, social media and ingenuity to fight for change using one of the world's newest and most potent devices—the hashtag.

What used to simply be the "pound sign," the beginning of a tic-tac-toe game or what you'd have to enter when interacting with an automated telephone service, the hashtag has become a vital aspect of the digital sphere operating with both form and function. What began in 2007 as a metadata tag used to categorize and group content on social media, the term 'hashtag' has now grown to refer to memes (#GeraraHere), movements (#AmINext), events (#InsertFriendsWeddingHere) and is often used in everyday conversation ("That situation was hashtag awkward").

The power of the hashtag in the mobility of people and ideas truly came to light during the #ArabSpring, which began one year into the new decade. As Tunisia kicked off a revolution against oppressive regimes that spread throughout North Africa and the Middle East, Twitter, Instagram and Facebook played a crucial role in the development and progress of the movements. The hashtag, however, helped for activists, journalists and supporters of causes. It not only helped to source information quickly, but it also acted as a way to create a motto, a war cry, that could spread farther and faster than protestors own voices and faster than a broadcasted news cycle. As The Guardian wrote in 2016, "At times during 2011, the term Arab Spring became interchangeable with 'Twitter uprising' or 'Facebook revolution,' as global media tried to make sense of what was going on."

From there, the hashtag grew to be omnipresent in modern society. It has given us global news, as well as strong comedic relief and continues to play a crucial role in our lives. As the decade comes to a close, here are some of the most impactful hashtags from Africans and for Africans that used the medium well.

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Screenshot from the upcoming film Warriors of a Beautiful Game

In Conversation: Pelé's Daughter is Making a Documentary About Women's Soccer Around the World

In this exclusive interview, Kely Nascimento-DeLuca shares the story behind filming Warriors of a Beautiful Game in Tanzania, Brazil and other countries.

It may surprise you to know that women's soccer was illegal in Brazil until 1981. And in the UK until 1971. And in Germany until 1970. You may have read that Sudan made its first-ever women's league earlier this year. Whatever the case, women and soccer have always had a rocky relationship.

It wasn't what women wanted. It certainly wasn't what they needed. However, society had its own ideas and placed obstacle after obstacle in front of women to keep ladies from playing the game. Just this year the US national team has shown the world that women can be international champions in the sport and not get paid fairly compared to their male counterparts who lose.

Kely Nascimento-DeLuca is looking to change that. As the daughter of international soccer legend Pelé, she is no stranger to the game. Growing up surrounded by the sport, she was actually unaware of the experiences women around the world were having with it. It was only recently that she discovered the hardships around women in soccer and how much it mirrored women's rights more generally.

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