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Mannywellz. Photo courtesy of the artist.

DACA Artists Won 3 Grammy Awards For 'American Dreamers' Album

Many 'Dreamers,' including Nigeria's Mannywellz, performed on the John Daversa Big Band album.

Out of the many headlines coming out of the Grammys, you might have missed this one.

Several artists and recipients of the Deferred Action for Childhood Arrivals (DACA) won three Grammys last Sunday for their contribution to trumpeter John Daversa's album, American Dreamers: Voices of Hope, Music of Freedom.

The album—which won Best Large Jazz Ensemble Album, Best Improvised Jazz Solo Performance ("Don't Fence Me In") and Best Arrangement, Instrumental or A Capella ("Stars & Stripes Forever")—features contributions from many 'Dreamers' including Nigerian-born Mannywellz.

As a recipient of the Deferred Action for Childhood Arrivals (DACA) policy, Mannywellz' is one of the 800,000 young immigrants who receive a renewable two-year period of deferred action from deportation and eligibility for work permits. That is all in limbo under the Trump administration's mission to repeal DACA.



Mannywellz is a rising young artist who's toured with Jidenna, collaborated with Adekunle Gold, and garnered millions of plays on streaming services. The ultimate decision on DACA could crush Mannywellz' career.

We interviewed him last year when he told us, "It was tough before DACA. I couldn't get a regular job, so I had to buy Jordans or phones and flip them just to pay my own phone bill. Things were hard. My dad had moved back to Nigeria, so it was just my mom and my younger siblings. That was five years ago or so in 2012. I remember my friends being able to drive when they were 16 and I had to wait until I was 19 or 20 years-old to get a freaking permit. Receiving the DACA was a relief because I was able to get a regular job—from Ledo's to Sun Trust to PNC, you know."

However he, like many other DACA kids, remains positive, "My main goal is to inspire kids that are just like me. Coming out and letting everyone know that they're not alone in this DACA fight and that we can stand together, pray together and make something happen. I think that's my main goal with my art, with what I stand for and what I release on social media."

Listen to American Dreamers: Voices of Hope, Music of Freedom from John Daversa Big Band and DACA artists below.

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Photo: Courtesy of Radswan

Freddie Harrel Is Building Conscious Beauty For and With the African Diaspora

Formerly known as "Big Hair Don't Care", creator Freddie Harrel and her team have released 3 new wig shapes called the "RadShapes" available now.


Photo: Courtesy of Radswan


The normalising of Black and brown women in wigs of various styles has certainly been welcomed by the community, as it has opened up so many creative avenues for Black women to take on leadership roles and make room for themselves in the industry.

Radswan (formerly known as Big Hair Don't Care), is a lifestyle brand "bringing a new perspective on Blackness through hair, by disrupting the synthetic market with innovative and sustainable products." Through their rebrand, Radswan aims to, "upscale the direct-to-consumer experience holistically, by having connected conversations around culture and identity, in order to remove the roots of stigma."

The latest from French-Cameroonian founder and creator Freddie Harrel - who was featured on our list of 100 women of 2020 - has built her career in digital marketing and reputation as an outspoken advocate for women's empowerment. On top of her business ventures, the 2018 'Cosmopolitan Influencer of the Year' uses her platform to advocate for women's empowerment with 'SHE Unleashed,' a workshop series where women of all ages come together to discuss the issues that impact the female experience, including the feeling of otherness, identity politics, unconscious bias, racism and sexism.

And hair is clearly one of her many passions, as Freddie says, "Hair embodies my freest and earliest form of self expression, and as a shapeshifter, I'm never done. I get to forever reintroduce my various angles, tell all my stories to this world that often feels constrained and biased."

Armed with a committee of Black women, Freddie has cultivated Radswan and the aesthetic that comes with the synthetic but luxurious wigs. The wigs are designed to look like as though the hair is growing out of her own head, with matching lace that compliments your own skin colour.

By being the first brand to use recycled fibres, Radswan is truly here to change the game. The team has somehow figured out how to make their products look and feel like the real thing, while using 0% human hair and not negotiating on the price, quality or persona.

In 2019, the company secured £1.5m of investment led by BBG Ventures with Female Founders Fund and Pritzker Private Capital participating, along with angelic contributions from Hannah Bronfman, Nashilu Mouen Makoua, and Sonja Perkins.

On the importance of representation and telling Black stories through the products we create, Freddie says, "Hair to me is Sundays kneeling between your mothers or aunties legs, it's your cousin or newly made friend combing lovingly through your hair, whilst you detangle your life out loud. Our constant shapeshifting teaches us to see ourselves in each other, the hands braiding always intimately touching our head more often than not laying someone's lap."

"Big Hair No Care took off in ways we couldn't keep up with," she continues, "RadSwan is our comeback.It's a lifestyle brand, it's the hair game getting an upgrade, becoming fairer and cleaner. It's the platform that recognises and celebrates your identity as a shapeshifter, your individuality and your right to be black like you."


Check out your next hairstyle from Radswan here.

Radswan's RadShape 01Photo: Courtesy of Radswan


Radswan's RadShape 02Photo: Courtesy of Radswan


Radswan's RadShape 03Photo: Courtesy of Radswan

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