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Mannywellz. Photo courtesy of the artist.

DACA Artists Won 3 Grammy Awards For 'American Dreamers' Album

Many 'Dreamers,' including Nigeria's Mannywellz, performed on the John Daversa Big Band album.

Out of the many headlines coming out of the Grammys, you might have missed this one.

Several artists and recipients of the Deferred Action for Childhood Arrivals (DACA) won three Grammys last Sunday for their contribution to trumpeter John Daversa's album, American Dreamers: Voices of Hope, Music of Freedom.

The album—which won Best Large Jazz Ensemble Album, Best Improvised Jazz Solo Performance ("Don't Fence Me In") and Best Arrangement, Instrumental or A Capella ("Stars & Stripes Forever")—features contributions from many 'Dreamers' including Nigerian-born Mannywellz.

As a recipient of the Deferred Action for Childhood Arrivals (DACA) policy, Mannywellz' is one of the 800,000 young immigrants who receive a renewable two-year period of deferred action from deportation and eligibility for work permits. That is all in limbo under the Trump administration's mission to repeal DACA.



Mannywellz is a rising young artist who's toured with Jidenna, collaborated with Adekunle Gold, and garnered millions of plays on streaming services. The ultimate decision on DACA could crush Mannywellz' career.

We interviewed him last year when he told us, "It was tough before DACA. I couldn't get a regular job, so I had to buy Jordans or phones and flip them just to pay my own phone bill. Things were hard. My dad had moved back to Nigeria, so it was just my mom and my younger siblings. That was five years ago or so in 2012. I remember my friends being able to drive when they were 16 and I had to wait until I was 19 or 20 years-old to get a freaking permit. Receiving the DACA was a relief because I was able to get a regular job—from Ledo's to Sun Trust to PNC, you know."

However he, like many other DACA kids, remains positive, "My main goal is to inspire kids that are just like me. Coming out and letting everyone know that they're not alone in this DACA fight and that we can stand together, pray together and make something happen. I think that's my main goal with my art, with what I stand for and what I release on social media."

Listen to American Dreamers: Voices of Hope, Music of Freedom from John Daversa Big Band and DACA artists below.

Style
Photos by David Pattinson.

First Look: This New Collection from Art Comes First Is Peak Black Yeehaw Aesthetic

The design and brand consultant duo previews the SS20 collection displayed during their residency at The Mandrake Hotel in Paris.

Following their wavy Surf Afrika collection, Art Comes First (ACF) shares with us a preview of their SS20 collection that is all things Black Yeehaw Aesthetic.

Dubbed El Charro Negro, the collection features neutral colors and an array of textures—from leather, embroidery, fringed denim and ponchos, to vests, suede jackets and straight flyness.

Sam Lambert and Shaka Maidoh of ACF are known as the "Travelling Tailors" where their ventures around the world influence their designs. This time the nomads, who hail from the West Indies, Ghana and Angola respectively, have landed in Paris.

Earlier this month, ACF curated a week-long event-filled residency at The Mandrake Hotel in Paris that encapsulates their ethos of taking cultural influence from around the world and only staying still long enough to create. There, Lambert and Maidoh presented an installation, live musical performances and DJ sets, a film screening and a pop-up shop leading up to Fashion Week. The residency also showcased the duo's latest collaboration with London mainstay Fred Perry.

El Charro Negro will still be showcased in Paris at another location from June 18 to 23. Keep up with ACF on Instagram to stay tuned for details.

Check out our favorite images from the collection below.

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Nonso Amadi & Kwesi Arthur's 'Comfortable' Will Get You In Weekend Mode

Watch the trippy new music video for this link-up from the buzzing Nigerian and Ghanaian artists.

Nonso Amadi is one of the standout acts from a young wave of Nigerian musicians blending afro-fusion with RnB and much more. He's now dropping the brand new single "Comfortable," an addictive self-produced track that sees him linking up with bubbling Ghanaian act Kwesi Arthur, which we're premiering below today.

"Comfortable" is built on woozy synth keys and sparse beat work, all spearheaded by Nonso Amadi's vocals about wanting freedom in a relationship.

"The song is inspired by experiences with having a girl over and not wanting them to get too comfortable by staying too long with you," says Nonso Amadi. "I thought it'll be interesting to create a song around this 'cos it's not a perspective were used to hearing from guys very often."

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Screenshot via YouTube.

Maleek Berry Makes a Statement with His First Track of the Year, 'Flashy'

And the music video follows suit.

After months of anticipation, Maleek Berry finally dropped his first track of the year, "Flashy."

The Nigerian crooner-producer surely makes a statement on the track while flexing his rapping skills, as he chronicles how he leveled up to be flashy—and it's well-deserved. The video shows us a scene of a fly photo shoot that's underway, where Maleek is dripping in gold and fancy cars surrounded by stunning black women and his homies—Eugy, Tinie Tempah, Juls and more.

Watch the video, directed by Capone and Guise of Vissionaire Pictures, below.

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