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Photo: Tjeerd Braat. Courtesy of Marieme.

Watch Marieme & Melanie Faye's Beautiful Acoustic Video For 'Be The Change'

A vibrant, stripped-down new video for the highlight track from her Marieme EP.

Senegalese singer-songwriter Marieme has been revisiting songs from her self-titled EP for a new visual project.

"Be The Change," one of the standouts from that Marieme EP, is an uplifting composition about holding ourselves accountable for our actions. The Senegalese artist is now sharing a new and alluring acoustic video version of that song accompanied by Melanie Faye, which we're premiering here today.

"'Be The Change' is a song I wrote with Danny Burke that was a part of my debut EP," Marieme tells OkayAfrica, "This song is very special to me because I know it gives people hope. I am guilty of saying I'm going to do something and never do it, even if it's beneficial to humanity. We all need reminders to do better, and be held accountable to our words and intentions. It has become a sort of anthem and call to action for some and I'm grateful for that, because it means people are listening and are ready."


The stripped-down video version of "Be The Change" zeroes in on the Marieme's captivating raw vocals and Melanie Faye's eye-catching guitar riffs. "I thought that Melanie Faye would be amazing for [this video]," Marieme mentions. "She is the future of music and I wanted to represent that in the video."

The video, which was directed by Jacob Sacks, also features some striking outfits, some of which were made by Ghanaian artist Jojo Abot. Marieme even crafted one of them herself, the world map outfit. She also mentions the video features "all African made Jewelry. 100% African!"

Watch the new acoustic video for Marieme and Melanie Faye's "Be The Change" below.

Marieme X Melanie Faye - Be The Change (Acoustic) youtu.be

Music

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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