Inside Accra's Fresh New Art Gallery, Opening This Ghanaian Independence Day
- Serge Attukwei Clottey, Awaiting (Europe in the Eyes of Africa Series), 2013, ® the artist, courtesy of Gallery 1957
GoLokal’s performance, "My Mother’s Wardrobe,” marks the official opening of Gallery 1957, the latest addition to Accra’s already buzzing contemporary art scene. Founded by British Lebanese-born collector Marwan Zakhem, the new space will present exhibitions, installations and performances by Ghanaian artists, old and new. Okayafrica spoke to Gallery 1957’s Creative Director, Nana Oforiatta-Ayim, about her vision for the gallery and how she plans to use it to engage audiences and profile the work of local artists.
- Gallery 1957 Creative Director, Nana Oforiatta-Ayim. Artwork: Ibrahim Mahama. Photo: Alice McCool
Oforiatta-Ayim admits 1957 may look like a departure from her usual projects, but explains that she wants to “treat it more as a concept than a space.” The concept is to touch on a type of Ghanaian art history each year. She says they hope to profile local artists who also have an international presence in the first year, focus their attention on up-and-coming artists from the younger generations in the second year, and look at the work of the contemporary art veterans of the 60s, 70s and 80s, as “foremothers and forefathers of the artists who are working now,” in the project’s third year.
But, how does Oforiatta-Ayim intend to ensure this concept reaches a wide range of audiences with its location being the 5-star Kempinski Hotel? Aware of the risk of touching only a certain demographic of people in Ghana’s capital, she notes, “I insisted when I took the position that for every single exhibition I do at 1957 there is going to be a correlating public exhibition, for example in a market place.”
- Studio of Serge Attukwei Clottey, work in progress for My Mother's Wardrobe. ® the artist, courtesy of Gallery 1957
An important part of Oforiatta-Ayim’s vision is collaborating with organizations that already promote arts and culture in Ghana, such as the Foundation for Contemporary Art Ghana and the Nubuke Foundation. One of the gallery’s initial activities is at Asa Baako, a music festival in the Western Region fishing village of Busua. Oforiatta-Ayim also plans to develop films, publications and workshops through her own organization, ANO, in order to explore the issues covered by the gallery's participating artists in greater depth.
- Serge Attukwei Clottey and his GoLokal performance collective at Chale Wote festival, Accra, August 2015. Photo: Alice McCool
Gallery 1957 officially opens its doors March 6 with an opening reception and performance by GoLokal at 5pm. Serge Attukwei Clottey’s exhibition, “My Mother’s Wardrobe,” curated by Nana Oforiatta-Ayim, is on view March 7 to May 20, 2016.
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Alice McCool is a freelance journalist and masters student at the University of London’s School of Oriental and African Studies. You can tweet her at @McCoolingtons.
