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Photo by JP Yim/Getty Images.

Ozwald Boateng's Fashion Show at the Apollo Was an Exploration of Authentic Identity

The Ghanaian-British designer presented a new collection inspired by his African roots and the Harlem Renaissance.

Ozwald Boateng, the Ghanaian-British fashion designer known for his meticulous bespoke suits, recently held a fashion show at the iconic Apollo Theater in partnership with social networking platform, Vero.

When he made the announcement of the show, the designer floated around the abbrevation "AI" which we all know as "artificial intelligence," but this time, however, it was intended to stand for "authentic identity," CNN reports.

The models casted were a diverse multigenerational array of who's who in fashion, music and in Black Hollywood including Michael K. Williams, Jidenna, Adesuwa Aighewi, Aldis Hodge, Jo-Ani Johnson and more. They donned Boateng's classic three-piece suits as well as silk ensembles with wax print-inspired ensembles, Ethiopian-inspired jewlery across hues of greens, blues, earth-tones, grey and white.

"We live in a time where Authentic Identity is becoming a crucial part of who we are and the journey we are on," Boateng says to CNN.

Take a look at a few of our favorite looks below.

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Photo courtesy of Teranga.

In Conversation: Chef Pierre Thiam Is Using Traditional African Flavors To Push the Cuisine Forward

We catch up with the award-winning Senegalese chef ahead of the opening of his new Pan-African restaurant, Teranga.

Despite the subzero temperatures outside, the soft opening of Teranga had the warmth of a family gathering. The new restaurant helmed by renowned Senegalese chef Pierre Thiam is an attempt to put a unique spin on Pan-African food in Harlem.

The restaurant sits on the first floor of The Africa Center. Once known as the Museum for African Art, it reopened last year in Harlem with a broader cultural and political mission to create connections between the U.S. and Africa. Artwork from Nigerian artist Victor Ekpuk graces the walls of the new space that's reminiscent of nsibidi and uli symbols, telling the story of the Center's connection to Harlem and New York City as a whole.

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