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Photo courtesy of Upile Chisala.

Upile Chisala set to host book readings on Instagram Live this week.

Join Upile Chisala For Soothing Readings of Her Latest Works

Malawian poet Upile Chisala is set to deliver readings from her three poetry collections on Instagram Live.

Malawian poet Upile Chisala is set to deliver readings of her latest works of poetry on Instagram Live this week.

On the 8th of April, she'll be hosting a session where she'll read from her first two works Soft Magic and Nectar while the session on the 9th of April will include a reading from her latest work titled AFire Like You. Both sessions will take place at 8 PM (SAST).


Chisala recently announced the news of her upcoming readings on social media.

The talented poet has released three collections of poetry thus far, all of which seek to empower Black women through a riveting exploration of love, vulnerability, femininity and liberation. As a 2018 OkayAfrica 100 Women honoree, we describe Chisala in the following words:

"Upile Chisala's version of a powerful woman is one who has flaws. She may fall short and cry at the kitchen sink from time to time, but she is dynamic and complex, strong and soft. Her strength lies in the fact that she is many things all at once. The Malawian storyteller's work is an expression of these multilayered women (she prefers the use of "womxn") in their many forms, particularly African women."

You can purchase Soft Magic, Nectar and A Fire Like You here.

Chisala is among the many artists and creatives who've settled into using social media to connect with their respective audiences during a time of social-distancing and national lockdowns due to the growing coronavirus outbreak.

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Photo: Odartey Aryee

With her Words, Poetra Asantewa Rages and Dreams

The Ghanaian poet is releasing her anthology, Woman, Eat Me Whole, this month.

In 2020, after two years of repeated rejections, documented via an Excel sheet, Ama Asantewa Diaka, aka Poetra Asantewa, scored a deal with one of the big five English-language publishing companies. Under Ecco books, an imprint of HarperCollins, her debut collection of poems exploring womanhood, the body, mental illness, and what it means to move between cultures will be published. Titled Woman, Eat Me Whole, the book also touches on themes like perceptions of beauty, the betrayals of the body, and what it means to give consent.

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Photo: Sarah Lubala

Poet Sarah Lubala Examines Disappearances of All Kinds

The DRC-born poet tells OkayAfrica how and why she practices 'a poetics of disobedience.'

Sarah Lubala has been interrogating the history of disappearances. And no, she’s not with the FBI or DCI, but with the POETRY department. ‘I arrived with/ bruised knees/ wet hair/ a mouth-full of salted fish,' -- she recreates the scene in '6 Errant Thoughts on Being a Refugee,' the first poem in her debut poetry collection, A History of Disappearance.

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Photo Credit: From Taamaden

10 Upcoming African Films to Look Forward to in 2022

From Nigerian thrillers to South African documentaries, here are 10 African films we are looking forward to in 2022.

The glitzy and glamorous Durban International Film Festival (DIFF) recently returned for its 43rd edition. The eight day festival, which took place in Durban (KwaZulu-Natal, South Africa), featured an embarrassment of riches on the program, from around the world. The festival is a good indicator of what we can expect from African cinema for the rest of 2022.

The 10 films on this list were all screened at the festival. These films managed to stand out for reasons that have been explained below. (One of those films, Robin Odongo's Bangarang from Kenya, won the Best African Feature Film award at DIFF.)

Do not miss these movies when they come to a theater or streaming platform near you.

1960 (South Africa)

This pleasant, King Shaft directed period musical centers a heroine who may have been inspired by the life of the late South African icon Miriam Makeba. 1960 opened the Durban festival this year and set the tone for what would come after. Lindi (played by both Zandile Madliwa and Ivy Nkutha) is a singer who in her twilight days digs back into her past to shed light on the murder of an apartheid-era police officer when his remains turn up in Sharpeville some six decades after the infamous massacre of 1960.

African Moot (South Africa​)

There are plenty reasons to be hopeful for the future of the continent. According to Shameela Seedat’s African Moot, the educated youth are leading the way. This fly-on-the-wall documentary follows a group of bright law students who are participating in the annual African Human Rights Moot Court Competition. Seedat, a human rights law specialist turned filmmaker, heads to the University of Botswana with her subjects. Her film details the interesting ways the students approach the fictional case of a people crossing fictional African borders to escape oppression.

​Bangarang (Kenya)

Inspired by true events, Robin Odongo’s chaotic feature expounds on an earlier short film. Bangarang’s protagonist, Otile (David Weda) is a graduate of engineering who has failed to secure decent employment a decade after university. He makes a meagre living as a bike rider instead. When election violence erupts after the disputed Kenyan presidential elections of 2007, an embittered Otile leads rioters on the streets of Kisumu. Before long, he is on the run from the law, accused of murder.

Collision Course (Nigeria)

A frustrated young man collides with the brutal power of the police force. Can a tormented official stop the descent into carnage? The third feature length title from Nigerian director Bolanle Austen-Peters (The Bling Lagosians, The Man of God) is a propulsive thriller set over the course of 24-hours. Starring Daniel Etim Effiong and Kelechi Udegbe, Collision Course digs into the underbelly of urban crime, law enforcement gone rogue, and the desperate victims that suffer the consequences.

The Crossing (La Traversee) (Burkina Faso)

After years in Italy, Djibi returns to his native Burkina Faso and begins to mentor a group of young people whose sole purpose is to leave for Europe. Djibi prepares them for this crossing through a tasking physical and intellectual program that helps bring them personal achievement and may end up neutering their resolve to migrate. Can he make this difference? Irène Tassembédo’s social drama embraces the complicated nature of the immigration experience.

Lesotho, the Weeping Motherland (South Africa)

Told interchangeably between South Africa and Lesotho, this Lwazi Duma-directed documentary engages with the effects of climate change on the agricultural sector, a key income earner in the region. Duma follows Khethisa Mabata as he attempts to revive his father’s farm. The film uses Mabata’s personal story as an entry point into the larger national crisis that has taken Lesotho from a thriving food basket to one suffering extreme drought.

Skeletons (South Africa)

Conceived as an experiment in theatre-making during the COVID-19 lockdowns, this magical realist expression was re-written for film and now sits somewhere as a hybrid between theatre and film. Set in the heart of the Maluti mountains, Skeletons grapples with the issue of land and ownership as told through the lives of four characters. In an environment of scarcity, these four people wrestle to break free from the vicious cycle of oppression. Skeletons confronts notions of home, belonging, and identity.

Streams (Tunisia)

Amel, a married Tunis factory worker is imprisoned on charges of adultery and prostitution following an assault. Upon release, she attempts to put back the pieces of her life and reconnect with her teenage son whose life was derailed by the scandal. Director Mehdi Hmili comments on the decay, contradictions, and hypocrisies of contemporary Tunisian society with this engaging drama about the breakdown of a working-class family and the state’s unwillingness to protect the vulnerable.

Taamaden (Cameroon)

In Taamaden, Mali-born filmmaker Seydou Cissé paints a uniquely intimate portrait of immigration and zeroes in on spirituality. Taamaden, which is the Bambara word for traveler or adventurer, presents two different points of view. The first is that of Bakary, a young Malian preparing for yet another attempt at crossing over to Europe. The other is a motley crew of West African immigrants struggling to survive in Spain. They are united by their ties to their spiritual clairvoyant.

You’re My Favorite Place (South Africa)

Jahmil X.T. Qubeka (Of Good Report, Knuckle City) is one of the most exciting and original cinematic voices on the continent. His latest, which closed the Durban film festival, is a change of pace attempt that also carries some of Qubeka’s slick imprint. On the last day of high school, the young heroine of You’re My Favorite Place and her three friends embark on an unforgettable road trip. They steal a car and head to the remote Hole in the Wall, a landmark that according to Xhosa legend, enables communication with the dead.

Interview
Photo courtesy of the artist.

Kelvyn Boy On Becoming One of Afrobeats’ Leading Stars

The Ghanaian singer narrates how his latest single "Down Flat" has accelerated the trajectory of his career.

Kelvyn Boy is one of the leading afrobeats hitmakers from Ghana. Since his official debut in 2017 under singer Stonebwoy’s record label imprint Burniton Music Group, the talented singer, songwriter, and performer has consistently dished out hit after hit. From the sentimental midtempo ballad “Na You” to the gritty afropop cut “Mea” to his Mugeez and Darkovibes-assisted smash hit “Momo”, with every new release Kelvyn Boy has established his profile as one of the West African nation’s top afrobeats acts.

Fast forward to January 2022, Kelvyn Boy drops his most recent single “Down Flat," an infectious afrobeats single produced by Nigerian producer KullBoiBeatz, and the song has been immensely successful. “Down Flat” has held the number one spot on Apple Music’s “Top 100: Ghana” playlist, hit number 10 on Billboard’s “Worldwide Digital Song Sales” chart, just a couple of out several other accolades the song has landed in the few short months since its release.

The effect of the song’s success has already kicked in, with the singer in London, United Kingdom as I speak to him, which is one of the early stops of his current world tour. “Down Flat” is currently the biggest song of his career so far, and even Kelvyn Boy himself didn’t see it coming. “Some of the great things that happen are unpredictable and unplanned. I didn’t really see it coming” he explained. “Everyone believes in himself or herself. I have that belief and that feeling already when I’m making every song. If it’s not right, I won't sing it. But I didn’t see it coming as quick as it did, and I didn’t know it would get to this level. I knew it was gonna be big, but honestly it got out of hand.”

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