#Okay100Women

YOUSRA ELBAGIR

OkayAfrica's 100 Women celebrates African women who are making waves, shattering ceilings, and uplifting their communities.

Yousra Elbagir is a journalist based in Khartoum, Sudan. Raised in a family of publishers and journalists while growing up under a dictatorship, she says, "Freedom of the media has always been a heartfelt concern."


Last year, she was honored as Thomson Foundation Young Journalist Winner for her outstanding reportage. She started the Twitter hashtag #SundanUnderSanctions to ignite a conversation amongst the Sudanese community on what life has been like living under U.S.'s sanctions. Her findings are documented in this insightful piece at The Guardian.

Blending activism, Sudanese awareness, news and culture, Elbagir is shining light on a country that many know little about. Her words are in The Guardian, CNN Africa and Elephant Media.

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Photo Courtesy of Uzo Aduba

100 Women: Uzo Aduba Wants to Use Her Roles to Give a Voice to the Voiceless

We talk to the Emmy-winning standout of Orange is the New Black on how to be good, just as you are.

As a child Uzoamaka Aduba was insecure about a great many things. Her name and the now-famous gap in her teeth were among the number. "My mom would try to impress upon me constantly, 'Don't you know that in Nigeria, a gap is a sign of beauty? It's a sign of intelligence.' I'm like, 'We don't live in Nigeria, mom. We live in Medfield, Massachusetts.'" Thirty-seven-year-old Aduba is quite the opposite—dramatically, if you will. Currently chatting from a mountainside village in Mendoza, Argentina, she exudes total self-possession, and is crystal clear on not just her beauty and her talent, but on what she stands for ("Equality for all. Full stop.") and even her privilege.

"Whatever I think is hard is nowhere near what hard is. First solid lesson. Anything that I considered to be difficult, I don't have to reach that far back into my history and to my community stories to know what hard really looked like," the Nigerian-American actress states in a definitive tone. "Hard is moving to a country where you know no one and have five children. Hard is surviving a civil war. Hard is surviving polio. Hard is learning how to blend into a new culture without losing your own. You understand? Me figuring out which of the seven pairs of jeans I want to wear today is not hard."

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OkayAfrica's 100 Women

Yvonne Orji and Luvvie Ajayi Welcome OkayAfrica's 100 Women 2018 Honorees

Join two of last year's 100 Women honorees in celebrating 2018 list of trailblazing African women.

OkayAfrica has officially launched our annual 100 Women list to honor the many contributions of African women globally.

Last year's inaugural list featured a group of groundbreaking African woman who continue to shape culture and expand representation, and this year is no different.

Two of the women from our 2017 list, Nigerian actor, writer and comedian Yvonne Orji and her fellow Naija sister—writer, speaker and social critic Luvvie Ajayi—took the time out to share a special message of encouragement to the new honorees.

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'54 Silhouettes' at the British Council of Nigeria's Lagos Theatre Festival. Photo: Drive Adebayo.

'54 Silhouettes' Is the One-Man Play Exploring What Happens When Other People Tell Our Stories

The play is the first from Nigeria to show at the international United Solo Theatre Festival in NYC.

Playwright, screenwriter, and theatre director Africa Ukoh's award-winning play 54 Silhouettes has made its way to New York City as part of the United Solo Festival, the annual international festival, highlighting solo theatre performances through a "variety of one-person shows."

The one-man play stars the award-winning Nigerian actor Charles Etubiebi as a struggling actor who thinks he's landed his big break when he gets a major role in an upcoming blockbuster, he becomes conflicted, however, when he learns the film is yet another stereotypical "war in Africa" production—the type of film he vowed to never do. "Caught between career ambitions and ideals of his African identity, he must decide whether to do the film or ditch it," reads an official description of the show.

"The play explores African representation in global media and asks questions about creative responsibility, with tensions of cross cultural relations at the center of it all," Ukoh tells OkayAfrica. "It explores the inherent complexities in culturally unique stories being told by people of different cultures and how this intersects with power dynamics, commerce, and artistic ideals."

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Interview
Sarz. Photo: Manny Jefferson. Courtesy of the artist.

Interview: Sarz Has Powered a Generation of Nigerian Music—and He Isn't Stopping Anytime Soon

We talk to the star producer about his role in the rising global popularity of Nigerian music, spanning his production on massive singles from the likes of Wizkid, Skepta, Drake and more.

"I think more than the music, the narrative is more important these days," says Sarz as he sits at the offices of his press agency. "So one great song with an amazing narrative can get you farther than five great songs sometimes."

When Sarz talks about music, his eyes light up. They dart with excitement as he runs through topics like sounds, production, trends, and innovation. These are all words that represent his life's work of impactful music production, which has powered a generation of music in Nigeria, and is currently playing a role in its international future. Sitting at the offices, decked in a white t-shirt, red trousers and Nike kicks, he makes a point that he rarely grants interviews. And when he does, it's in spaces like this, in rooms and studios where his business is conducted, and his work is birthed and refined for public impact.

Born Osabuohien Osaretin, the 30-year-old music producer discovered sounds by accident when his ears would automatically pick apart music and focus on the beat. Interestingly, he discovered that he could remember every beat in detail. It was the entry point to a career that took off in 2010 when he scored his first hit on Jahbless' "Joor Oh" remix—during the formative stages of the current Nigerian pop success—and has provided sounds that have shaped the culture and given it its biggest moments.

With afrobeats' global ambitions taking off, Sarz's production is playing crucial roles in celebrated cross-cultural projects. He's helmed Drake's "One Dance," unlocked the chemistry between Wizkid and Skepta on "Energy (Stay Far Away)," and added composition on Beyoncé's Lion King: The Gift album.

"I'm inspired by the thoughts of how far I can take music. Just thinking about where this music can take me to," Sarz says, taking swigs from a water bottle. The producer has also worked with the biggest stars in afrobeats, and a look through his catalogue has hits every year since 2007.

He talks passionately about his work, the source of inspiration, where good music originates from, and how he identifies where to direct his energies. He runs an academy that has been a vehicle for delivering new producers to the culture. Sarz converses with range, a brimming energy, and a humility that is tied to purpose and achievements. He never shies away from topics that examine his revered place in this ecosystem, admitting without bragging that he is no one's mate. Even his 2019 SINYM EP is affirmation that "Sarz Is Not Your Mate." He has seen a lot and has a lot to say.

Sarz. Photo: Manny Jefferson. Courtesy of the artist.

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