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LONDON, ENGLAND - OCTOBER 14: Joint winners Margaret Atwood and Bernardine Evaristo attend The 2019 Booker Prize Winner Announcement at The Guildhall on October 14, 2019 in London, England.

British-Nigerian Writer Bernardine Evaristo Wins Joint Booker Prize With Margaret Atwood

Evaristo is the first black woman to win the prize, but not everyone is pleased that she had to split the award.

History was made yesterday as the Booker Prize was awarded to British-Nigerian author Bernardine Evaristo for her novel "Girl, Woman, Other," beating out four others including fellow Nigerian Chigozie Obioma. It marked the first time the prestigious literary award was given to a black woman and only the second time it has been given to a Nigerian (Ben Okri in 1995 for "The Famished Road"). In another historical twist for the event, Evaristo shared the award with famous Canadian author Margaret Atwood for her novel "The Testaments," the long awaited sequel to fan-favorite "The Handmaid's Tale." This is the third time the award has been split in its 50 year history and Brittle Paper reports that the judges described the decision as "explicitly flouting" the rules.


For Evaristo, who is also a professor of creative writing at Brunel University, this was her eighth book and the first time she was ever seriously considered for the award. Her novel is a work of experimental fiction that follows 12 characters, mostly black women, as they navigate modern day England. Elle magazine described the work as "a choral love song to black womanhood in modern Great Britain."

Thanks to her illuminating views, clever word use and unrelenting championing of black women, black voices and black lives—Evaristo has been able to solidify the lives of black women in a well respected literary vault.

While Evaristo's win is undoubtedly impressive and laudable, the fact that it's the first win by a black woman in the prize's 50 year history, as well as the decision to split the first black woman's award is causing a bit of a stir from observers on social media.

When asked if she would rather not have split the award, Evaristo replied "What do you think? Yes, but I'm happy to share it. That's the kind of person I am."

Evaristo penned a reflection on race and representation for The Guardian just one week before the prize. "What, then, does it mean to not see yourself reflected in your nation's stories? This has been the ongoing debate of my professional career as a writer stretching back nearly 40 years, and we black British women know, that if we don't write ourselves into literature, no one else will."

Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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