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Screen grab from "Killin Dem" video. (Youtube)

Watch Zlatan & Burna Boy's New Music Video For 'Killin Dem'

A certified banger.

Zlatan Ibile is having one hell of a start to his 2019 with the spread of his massive dance single, "Zanku (Leg Work)," and now, the release of the video for his Burna Boy collaboration, "Killin Dem."

The single, which dropped late last year in anticipation of Burna's sold out show at the Eko Convention Center in Lagos, sees the two Nigerian acts going in over some highly-infectious beat work produced by Kel P.


Read: Why Burna Boy & Mr Eazi Are the Right Artists to Bring Afrobeats to the World

"Killin Dem" is a straight-up banger that seamlessly blends Zlatan's energetic 'zanku' style with Burna Boy's afro-fusion.

The track now has a new music video, directed by Prodigeezy, which matches all of the energy of the song. It features dancers serving moves across rooftops and, also, uses clips from what looks to be a Zubby Michael Nollywood film.

Check out Zlatan and Burna Boy's new video for "Killin Dem" below.

Read: Is Zanku Set to Be the New Dance Craze of 2019?

Zlatan & Burna Boy - Killin Dem (OnASpaceship Exclusive - Official Music Video) youtu.be

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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