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Falz Is on a Mission to 'Save Nigeria' In the Music Video for 'Talk'

Falz is back with another politically-charged banger.

Nigerian rapper Falz is back with his first music video offering of 2019.

Once again, the "This is Nigeria" rapper tackles various social ills plaguing Nigeria from greedy politicians, and an ineffective president to Nigerian's penchant for conspicuous consumption.

The music video begins with a young boy playing a video game with Falz as his character. The game gives him the options to use his Falz player to "Save Nigeria," "Relocate to Yankee" or "Join Gang." He chooses the first option, sending Falz into the real world where the rapper tries his hand at becoming a judge a politician and more.


The song encourages Nigerians to talk openly about the issues facing the nation and what it takes to change the country for the better. With Nigeria's upcoming elections taking place in February, it's a prime time for critical discussion.

Watch the music video for Falz's "Talk" below.

Falz - Talk (Official Video) youtu.be

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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