ATLANTA, GA - OCTOBER 5: Sarkodie speaks onstage at the BET Hip Hop Awards 2019 at Cobb Energy Center on October 5, 2019 in Atlanta, Georgia. (Photo by Carmen Mandato/Getty Images)
Sarkodie Won 'Best International Flow' at the 2019 BET Hip Hop Awards
The Ghanaian rapper is the first-ever winner of the newly created category.
Ghanaian rapper Sarkodie had a memorable night at the BET Hip Hop Awards this past weekend, which saw some of the biggest names in rap music gather in Atlanta for a jam-packed show.
The rapper beat out the likes of Falz the Bahd Guy, Ghetts and Little Simz, Nasty C and Tory Lanez to take home the award for the newly created 'Best International Flow' category.
The artist dedicated the award to his daughter, Titi and used his acceptance speech to urge audience members to take a trip to Ghana during the year of return. "I think Africa has always had it and it is about that time. This year is the Year of Return and I would urge each and every one of you here to take a trip back home," said the artist. He was presented the award by Ugandan Get Out star, Daniel Kaluuya.
Congratulations to @Sarkodie for winning #BETHIPHOPAWARDS2019 #BESTINTFLOW đź‘Źđź‘Źđź‘Źđź‘Źđź‘Źđź‘Ź https://t.co/57sdCy5KP8
From what we can tell. The night was packed with several memorable appearances and performances. One of our favorite moments (that's been making the rounds on social media) is whatever is happening in these pictures of hip hop "it girl" Megan the Stallion (who won Best Mixtape for Fever) and Daniel Kaluuya. Just look at them:
Megan & Daniel Kaluuya at the 2019 BET #HipHopAwards https://t.co/SlOF4q3pOT
A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.
This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.
It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.
My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.
The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.
Fast forward, 1997. The Paris-based record label
Buda Musique, stumbles upon a collection of decades old Ethiopian music and releases Éthiopiques Volume 1: The Golden Years of Modern Ethiopian Music, a compilation of largely forgotten songs from an extraordinary period of musical experimentation. Funk, soul, jazz, rock — popular Western and traditional Ethiopian music ground together into a dizzyingly fresh sound with subtle scents of bunna (coffee in Amharic) breezing through the music's notes.
At the forefront of this musical explosion was
Mulatu Astatke, the legendary jazz musician, who expertly meshed jazz and traditional Ethiopian melodies with a sprinkle of Latin-influenced rhythms. The result: Ethio-Jazz, a sweepingly beautiful sound of a certain unique tonality.
Buda Musique has released 29
Éthiopique compilations to date with gems on gems throughout the collection, ranging from traditional Ethiopian music while some focus on specific genres or highlight the works of certain artists such as Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, and Tilahun Gessesse. None of the compilations within the series feature the more contemporary synthesizer-based Ethiopian pop music.
The
Éthiopiques series, made possible by an unexpected but beautiful cross-cultural exchange of extraordinary proportions, has naturally caught the attention of music-heads, audiophiles and producers alike. And with that brief history in mind, I present to you a list of ten modern tracks, all made in the new millennia, that have sampled Ethiopian music, expanding even further the deep multicultural history of Ethiopian, and by extension, all music.
Below, see some Éthiopiques samples used in modern hip-hop songs and much more.
Mulatu Astatke "Yegelle Tezeta" sampled in Nas & Damian Marley's "As We Enter"
Let's begin this list with a song that has 'enter' in its title. Nas and Damian Marley sampled "Yegelle Tezeta" by Mulatu Astatke from the fourth Éthiopiques. It was used inthe track "As We Enter," off the 2010 hip-hop and reggae fusion album Distant Relatives. Throughout the album they fittingly rap and sing about Pan-Africanism, the plight of the continent, and offer ruminations on important social issues.
Seyfu Yohannes "Tezeta" sampled in Common's "The Game"
The first single from Common's 2007 album Finding Forever was "The Game" featuring DJ Premier. Produced by Kanye West, the track samples Seyfu Yohannes' "Tezeta" from the 1st Éthiopiques CD, which is translated to "remembering or nostalgia" from the Amharic. Kanye skillfully chops up the sample, intersperses the track with scratches and adds gritty drums for Common to rhyme about the perils of "The Game" over.
Mulatu Astatke "Kasalefkut Hulu" sampled in K'naan's "ABC's" ft. Chubb Rock
Somali-Canadian rapper, singer and songwriter K'naan's first single from his 2008 Troubadour, "ABC's" featuring Chubb Rock samples Mulatu Astatke's "Kasalefkut Hulu" from the 4th Éthiopiques album. K'naan adds some obligatory braggadocio and raps about the violence and lack of opportunities in his homeland and by extension poor areas across the world, from ghetto to ghetto backyard to yard.. The chorus has children singing "They don't teach us the ABC's/ we play on the hard concrete/ all we got is life on the streets." "ABC's" also samples Chubb Rock's "Treat 'Em Right" from 1991.
Mulatu Astatke ft. Belaynesh Wubante & Assegedetch Asfaw "Alemiye" sampled in Cut Chemist's "Adidas to Addis"
DJ and producer Cut Chemist, who did a concert with Astatke back in 2009, samples the Astatke joint featuring Belaynesh Wubante and Assegedetch Asfaw for his 2012 track "Adidas to Addis." Cut Chemist adds a fast and funky breakbeat, stutters portions of vocals, and moves the tempo up a notch bringing the track into break-dancing territory.
Madlib sampled Alemayehu Eshete's "Yebeqanal" off the 22nd Éthiopique offering for his track "Mighty Force," which can be found in his 2007 tape Medicine Show No. 3—Beat Konducta in Africa. The track is short, rounding off at the minute mark, but it bounces with some gritty snares that punctuate the Eshete sample.
Oh No 'Dr. No's Ethiopium'
We're going to end the list with a bang. Not a song but a whole damn album. Oh No, the Oxnard producer and younger brother of Madlib, made a whole project using samples from Éthiopiques. A follow-up to Oxperiment, Stones Throw records released Oh No's Dr. No's Ethiopium in 2009. The beat tape samples an array of the Ethiopian music from jazz to folk, psychedelic rock to soul. Here's his track "Soul of Ethiopia."
