The first Nigerian film to be officially selected by the Cannes Film Festival has earned praise for its emotional depth, technical brilliance, and the acting of its main trio.
Filmmakers Akinola Davies Jr. and Wale Davies will premiere their feature at the prestigious film festival this weekend, hoping to drive conversations around fatherhood and nationalism.
After Ward’s Henna Party and I Promise You Paradise, the director closes his trilogy of inspecting Egyptian society through the eyes of Sudanese migrants.
The award-winning Goodbye Julia, a restored version of the classic Mapantsula, and many more African gems will play at this year’s African Diaspora Film Festival in New York.
The Cameroonian filmmaker uses her documentary skills to create her first fictional feature, Mambar Pierrette, which premiered at the Cannes Film Festival this week.
The French Senegalese filmmaker is the only director at this year’s Cannes Film Festival to be competing for the fest’s main prize with her debut film. We take a closer look at the film and the story she’s telling.
He’s a force in the music world, and with the premiere of his narrative feature at the world’s most popular film festival, Baloji hopes he’ll be seen as a filmmaker to be reckoned with, too.
In this op-ed, OkayAfrica contributor Aude Konan reflects on the progression of diversity in French cinema a year after the Noire N'est Pas Mon Métier demonstration at Cannes Film Festival.