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The Oscars have Disqualified 'Joy', a Film about Nigerian Sex Workers, Submitted for Best International Feature Film

Like Genevieve Nnaji's 'Lionheart', the film has reportedly been disqualified by the Academy because of too much English dialogue.

It seems films from Nigeria or films about Nigerians can't seem to catch a break at the Oscars. Just last week, Genevieve Nnaji's Lionheart was disqualified from the Best International Feature Film category of the Oscars because of too much English dialogue. The film was Nigeria's first ever entry to the Oscars—a historic moment. Similarly, Austrian filmmaker Sudabeh Mortezai's Joy, a film about Nigerian sex workers living in Vienna, has also been disqualified by the Academy in the same category, according to Deadline.

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Joseph Otisman and Cynthia Dankwa as Kojo and Esi. Photo by Ofoe Amegavie via 'The Burial of Kojo's' Kickstarter page.

'The Burial of Kojo' Is Ghana's First Golden Globe Entry

Blitz the Ambassador's debut film is being considered for the Best Foreign Language Film nomination at the 2020 Golden Globes.

Blitz Bazawuke, also known as Blitz the Ambassador's critically-acclaimed directorial debut The Burial of Kojo is officially in the running for a Golden Globe nomination, making it the first Ghanaian film ever to be considered for a nomination.

The musician, writer and director took to Twitter on Friday to share the news along with a picture of the list of contenders for the Golden Globe's "Best Foreign Language Film" award, which also includes Senegal's Atlantics (which is also in the running to become the first Senegalese film nominated for an Oscar) and Malawi's The Boy Who Harnessed Wind. Ninety-five films from 65 different countries are being considered for nomination in the category.

READ: In Conversation: The Cast & Crew of 'The Burial of Kojo' On Representation, Power & Filming in Ghana

The mystical and visually striking movie, which premiered at the Urban World Festival in NYC last year, tells the story of two brothers through the eyes of its young protagonist Esi, played by Cynthia Dankwa. The film takes viewers on a surreal journey exploring family bonds and the complexity of life and death. "Usually movies about Africa are very dystopian, more about survival mode. We never get a chance to break down our people," the director told OkayAfrica in an in-depth interview last year. "We just end up with a war, and in a war you can't show nuance in family relationships—the film is about survival. The hardest thing to do is humanize a people that has little history in cinema. Hopefully this film brings father and daughter closer, especially back home."

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