MUSIC
The Best Afro-House Songs Right Now
For our May Afro-house list, OkayAfrica digs into releases from countries such as South Africa, Kenya, Zimbabwe, DRC, Brazil, and beyond.
This month has been significant for the Afro-house community for two reasons: Black Coffee's sold-out show at the O2 Arena in London on May 22 was a resounding success. Billed as Live with Orchestra, the Grammy Award-winning musician performed for approximately three hours in the round on a 360° stage at the center of the arena, surrounded by 20,000 fans on all sides. It featured collaborators ranging from Msaki to Nduduzo Makhathini to Nakhane, Alicia Keys, and Scorpion Kings.
Additionally, DJ Oskido, a figurehead of dance music in South Africa and beyond, and a mentor to Black Coffee, was awarded the Order of Ikhamanga in Silver, a prestigious South African national honor, by President Cyril Ramaphosa in recognition of his monumental role in creating opportunities for young musicians and pioneering the kwaito movement.
For this second issue, OkayAfrica has compiled music by artists from South Africa, Zimbabwe, Brazil, Belgium, and beyond.
These are the best Afro-house songs around the world right now.
Chalee – “Revelations”
Coming out of the Netherlands, Chalee is a rising talent already enjoying support from leading deejays like Black Coffee. With “Revelations,” we step further into the mind of the creative powerhouse and explore life in the key of Afro through this textured mind map of the dustier, deeper, darker shades of house music.
Fatboy Slim, Topic, Marco Generani – “Right Here, Right Now (Extended Rework)”
Some songs are too epic to touch. The idea of even remixing them sounds far-removed, almost like committing sacrilege at a sacred altar. Fatboy Slim’s “Right Here, Right Now” is one of those generational tunes so timeless that it doesn’t take a finely trained ear to recognize it from a mile away. However, Topic and Marco Generani make a strong case for relaxing those standards with their Afro rework, taking the tune beyond the confines of its origins and rigging it with the finest accouterments this side of the funk.
Bakka, Sued Nunes, Flip – “Eixo (Original Mix)”
Brazilian singer and songwriter Sued Nunes is a standout in the country’s current music scene, having gained prominence with the release of her 2021 album Travessia. On “Eixo,” her voice holds the center while the surroundings collapse, fold, flower, and flip the landscape on its side, revealing transient elements that make for a powerful showing. Bakka and Flip deliver a standout soundscape, elevating the percussive elements into something progressive, driving, and deeply joyful.
Busi Mhlongo, G-Wash10 – “Yehlisan'Umoya Ma-Afrika (G-Wash10 Panthera Remix)”
G-Wash10’s approach to Busi Mhlongo’s classic is notable. During a shaky period in South Africa, where the ugly undertones of ethnic chauvinism have manifested in a series of xenophobic attacks across the country, he reworks a song that essentially calls for peace and unity among Africans. When the song first appeared on Mhlongo’s era-defining — and defying — Urban Zulu in the early 2000s, it registered her voice against the backdrop of civil wars raging in countries like Angola, Mozambique, and the DRC. It’s only fitting, then, that G-Wash10 centers that vocal while building tension through percussion, swooshes, and risers. The release finally arrives around the 1:37 mark, and by then, Mhlongo’s wails and the deep, driving drums have all but entranced the dance floor. A gem.
Deco – “New Day”
Belgian-based Deco’s “New Day” is built on a deep, nasty, squelching bassline that suddenly drops away, giving space to a momentary build-up before resolving into neat rhythmic configurations. The haunting, reverb-drenched vocal and minimal keys create an effusive, celebratory dancefloor cut. It’s deep, it’s cranky, and it’ll leave your heart full. This song reworks the year-old tune by Dezko, introducing a more relaxed feel that works as the perfect counterpoint to the faster-paced original.
LevyM, Lesgo 966 – “Majo”
As the co-founder of Ópalo, LevyM has learned to build a platform that connects underground scenes with the global market through events and music releases. As a producer, he has collaborated with the likes of Shimza, Caiiro, and Major League DJz, and is rapidly becoming one of the scene’s rising names. “Majo,” his collaboration with Lesgo 966, features a cutting-edge vocal performance that sits neatly within LevyM’s visionary world-building.
Meith, MentMusik, Angelo Harris, Manoo – “Intertwined (Manoo Remix)”
Manoo began his deejaying career in the mid-90s and quickly became one of France’s leading selectors before transitioning into production in the early 2000s. His track record is too legendary to compress into a few lines, his influence too immense to quantify. Here, he takes “Intertwined” from its deep-house roots and does something mental with it: a progressive masterpiece, an exhibit of a master at work. Lock in and let the tune move your body and soul — they deserve it.
Kolinga, SØÑARA – “Kongo (SØÑARA Remix)”
When musician, author, composer, and singer Kolinga (real name Rébecca M'Boungou) released “Kongo” alongside Gaël Faye in 2019, it arrived as a lilting, sentimental, semi-acoustic aquatic tune that quickly developed a life of its own. It’s no surprise that the song is still finding new forms in 2026, this time as a thumping Afro banger designed for dancefloors, open skies, good living, and carefree times. The voice is slightly pitched to match the groove, but the message still centers Kolinga’s feminist ideas around children’s rights, ecology, and decolonial struggle.
Charrise C, Khandasi, Tapiwa – “Come To Me (My Love)”
From the onset, “Come To Me (My Love)” carries the feeling of summer: warm outdoors, endless days, and the freedom that comes with simply being. Charrise C, Khandasi, and Tapiwa cook up something of a marvel here — a banger of note that centers the soul and strips away any unnecessary fluff. This is what happens when the continent connects: Kenya, Zimbabwe, and South Africa are fully represented.