News Brief

Listen to Prince Kaybee's New South African House Banger 'Banomoya'

Prince Kaybee releases a new tune featuring Busiswa and TNS.

For his latest single, South African house music stalwart Prince Kaybee ropes in the indomitable Busiswa and the vocalist TNS.

In the song, which leans towards deep house, Busiswa delivers her lyrics in chants, as usual, the way kwaito artists and rappers do. She speaks of women who do their own shit and leave the party on their own. It's nothing we wouldn't expect from Busiswa, whose lyrics always touch on female empowerment without being preachy. She uses humor and her infectious personality to get her point across.

TNS finishes the song off the song with a smooth vocal.

Listen to "Banomoya" below:


Read: 10 Times Busiswa Dominated A Song She Was Featured On

Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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