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Courtesy of Abdul Quam Tadese

Watch the Premiere of GALAKTIQ + L.A.X's New Music Video for their Collaborative Single 'Na So'

"Na So" is an Afro-World jam.

The Galaktiq duo is back with a new single and a refreshing collaboration with the famed Nigerian recording artist, L.A.X.

"Na So" is a bumping blend of pop, R&B, and Afrobeats, in the style of their claimed-genre of Fuji-Pop.

The versatile duo consists of Nigerian-American, Brooklyn-raised artist, producer, fashion aficionado, Abdul Quam Tadese, and Texan-Nigerian, producer, artist, creative director, actor and former UTSA Roadrunner, Kalif Bakare. Joined by the creativity inducing city of Houston, the two set out to make innovative Afrobeat hits.

Produced by D.I.N Beats, "Na So" features great choreography, nice direction and swag in terms of both fashion and personal appearance. It embodies the meaning and mission of Galaktiq which, as their team put it, is to "reach out to everyone's inner fashionista by providing fresh, new and innovative styles that transcend the norm and promote the taboo" and "inspire all genres to return to their true roots, expand on creativity, while cultivating a soulful sound."

Watch the music video for "Na So" which we premiere below. Their debut EP, "J4MS" will be available in July.

You can follow the duo for more content on Instagram as well as individually at @aqtgf and @keepswagalive.

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Nike Has Unveiled a New Nigeria 2020 Kit—and It's Just as Striking as the First

The Super Eagle's new kits are an impressive follow-up to the 2018 design.

Nike and Nigeria have done it again.

On Wednesday, the sporting brand unveiled a brand new Nigeria kit. This comes after the success of the wildly popular World Cup kit from 2018 which seamlessly fused streetwear with athletic function. The famous design was even nominated for the Beazley Design of the Year Award the year of its release.

The 2020 design is just as striking, featuring an angled, hand-drawn green design on top of a cream base. The Super Eagles's football crest is placed at the top front of the jersey, with the signature Nike swoop underneath. Matching sock sets were also unveiled for both colors of the jersey.

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Image via Getty.

29 Nigerian English Words Have Been Added to the Oxford Dictionary—Here's What That Means

Linguist Kola Tubosun breaks down how language grows and why it's also important for Nigerian policymakers to empower local languages.

Last month, the Oxford English Dictionary (OED) announced a new development: it would be adding 29 new "loanwords" from Nigerian vernacular to the English dictionary. The news caused excitement amongst Nigerians on Twitter after it was shared by Nigerian linguist and founder of Yorubaname.com, Kola Tubosun. According to Tubosun, new words get added to the dictionary when they "gain new currency," which reflects how these words are being used in everyday language and not how they should be used (contrary to how many believe dictionaries function).

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Justice Mukheli. Courtesy of Black Major/Bongeziwe Mabandla.

Interview: Bongeziwe Mabandla's New Album Is a Calm Meditation On Relationships

We speak with the South African artist about his captivating new album, iimini, love cycles, and the unexpected influence of Bon Iver.

"I've been playing at home for so many years and pretending to be having shows in my living room, and today it's actually happening," Bongeziwe Mabandla says, smiling out at me from my cellphone as I watch him play songs on Instagram Live, guitar close to his chest.

Two weekends ago, Mabandla was meant to be celebrating the release of his third album, iimini, at the Untitled Basement in Braamfontein in Joburg, which would no doubt have been packed with some of the many fans the musician has made since his debut release, Umlilo, in 2012. With South Africa joining many other parts of the world in a lockdown, those dates were cancelled and Mabandla, like many other artists, took to social media to still play some tracks from the album. The songs on iimini are about the life and death of a relationship—songs that are finding their way into the hearts of fans around the world, some of whom, now stuck in isolation, may be having to confront the ups and downs of love, with nowhere to hide.

The day before his Instagram Live mini-show, Mabandla spoke to OkayAfrica on lockdown from his home in Newtown about the lessons he's learned from making the album, his new-found love for Bon Iver, and how he's going to be spending his time over the next few weeks.

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Lueking Photos. Courtesy of emPawa Africa.

Interview: GuiltyBeatz Proves He's Truly 'Different'

The Ghanaian producer talks to us about his debut EP, Different, the massive success of "Akwaaba," producing for Beyoncé and more.

GuiltyBeatz isn't a new name in the Ghanaian music scene. A casual music fan's first introduction to him would've likely been years ago on "Sample You," one of Mr Eazi's early breakout hits. However, he had scored his first major hit two years before that, in the Nigerian music space on Jesse Jagz' and Wizkid's 2013 hit "Bad Girl." In the years to come, the producer has gone on to craft productions for some of Ghana's most talented artists.

In the years to come, the producer has gone on to craft productions for some of Ghana's most talented artists, having worked with the likes of Efya, Pappy Kojo, Sarkodie, R2Bees, Stonebwoy, Bisa Kdei, Wande Coal, Moelogo and many more over the last decade. The biggest break of the talented producer's career, however, came with the arrival of his own single "Akwaaba".

In 2018, GuiltyBeatz shared "Akwaaba" under Mr Eazi's Banku Music imprint, shortly afterwards the song and its accompanying dance went viral. The track and dance graced party floors, music & dance videos, and even church auditoriums all around the world, instantly making him one of Africa's most influential producers. Awards, nominations, and festival bookings followed the huge success of "Akwaaba." Then, exactly a year later, the biggest highlight of his career so far would arrive: three production credits on Beyoncé's album The Lion King: The Gift.

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