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Here Are All the Samples In Burna Boy's 'African Giant'

This video breaks down all the African Giant samples & interpolations, including songs from Fela Kuti, Magic System, Naughty By Nature, D'banj and more.

Since it dropped, Burna Boy's highly-anticipated album African Giant has been making waves and getting played on constant rotation all over the place.

The 19-track album, which includes features from Angelique Kidjo, Damian Marley, Future, M.anifest, Jorja Smith, Jeremih and more, sees the buzzing Nigerian star delivering several addictive shades of his signature afro-fusion sound as he blends in influences from afrobeat, dancehall, hip-hop, RnB and more.

Listeners have also been spotting some of the many samples and interpolations used across African Giant and now, Sample Chief, a platform for African music knowledge, has put them all together in video form.

Read: Sample Chief Selects 5 of Their Favorite Samples

The samples and interpolations across African Giant include the use of Fela's "Sorrow, Tears & Blood" and Angelique Kidjo's "We WE" (in "Anybody"), Naughty By Nature's "Jamboree" (in "Collatelral Damage"), Magic System's "1er Gaou" ("On The Low"), plus many more from the likes of Stereoman, Ududo Nnobi, Blak Ryno, and D'banj.

Check them all out below courtesy of Sample Chief.

Keep up with Sample Chief by following them on Twitter and Instagram.



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6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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