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Here is All the Fake News About South Africa's Current Xenophobic Attacks

These are confirmed accounts of what's really happening since the attacks began.

Since last week, South Africa has been embroiled in a fresh spate of xenophobic attacks towards African foreign nationals living in the central parts of Johannesburg. However, the volatile situation has unfortunately given fake news the opportunity to unnecessarily stoke the flames even more. There are stories, videos and images circulating on social media platforms which are either old or entirely unrelated to the current xenophobic attacks. Here is as much of the viral fake news we've managed to round up along with a comprehensive picture of what's really going on.


Read: Sho Madjozi Accuses Organizers of 'Africans Unite' of Using Xenophobia as a 'Marketing Ploy'

Recently, Burna Boy, AKA, YCee and several other artists got into a heated argument on social media over the current xenophobic attacks against Nigerian foreign nationals especially. Tiwa Savage went on to cancel her scheduled show at the Delicious Festival happening this month in South Africa after tweeting that, "I refuse to watch the barbaric butchering of my people in SA."

READ: Burna Boy to Donate Proceeds from Upcoming Show In South Africa to Victims of Xenophobic Violence

There have been no confirmed or verified reports by any media publications in South Africa that any Nigerian national has been killed. Of course, it also goes without saying that there is the possibility of unreported attacks and deaths by mainstream media especially in smaller areas outside of Johannesburg. Several media outlets, including The South African, reported that as of last week Tuesday, five people had been killed in the xenophobic attacks in Johannesburg. One of the deceased, a woman, was confirmed to be a Zimbabwean national while three others were South African citizens. The death toll then rose to seven after two burnt bodies were found in the Northern township of Alexandra, after members of the community looted several shops and subsequently set them alight in their hunt for foreign nationals. Neither the identities nor the nationalities of the deceased have been confirmed.

At least 189 people have been arrested thus far in connection to the xenophobic violence and looting of stores in various parts of Johannesburg. Yesterday, the former leader of opposition party Inkatha Freedom Party (IFP), Mangosuthu Buthelezi attempted to address an angry crowd of residents from hostels in the Eastern part of Johannesburg and condemn the current xenophobic attacks. However, before Buthelezi could even continue with his speech, the crowd chanted "foreigners must go back to where they came from" and got up and left.

READ: Understanding South Africa's Violent Inferiority Complex

A fresh set of xenophobic attacks erupted yesterday morning in Malvern and saw two people being killed. Again, the nationalities of both the deceased have not been confirmed.

In the wake of these xenophobic attacks, the South African embassy in Nigeria, along with telecommunications giant, MTN, and retailers including PEP and Shoprite, have all temporarily closed operations after Nigerian citizens attacked them in response to the xenophobic violence in South Africa. Admittedly, South African law enforcement has been struggling to maintain order and Gauteng Premier, David Makhura, has threatened to deploy the army should the situation not be resolved soon. While President Cyril Ramaphosa has condemned the violence, although he has also been accused of inciting it in the first place along with the Democratic Alliance's (DA)Herman Mashaba, Nigeria's President Muhammadu Buhari is set to make a state visit to South Africa in an attempt to address Nigeria's growing concerns over the violence.

EWN compiled several videos which have been identified as fake news. Some of the videos are old, unrelated to the current xenophobic attacks or did not take place in South Africa altogether. Please be advised that the content below may upset sensitive viewers.

Videos of xenophobic attacks in South Africa not all trueyoutu.be

Interview

Fireboy DML On Embracing His Inner 'Playboy,' Stepping Outside & Learning to Let Go

On Playboy, Fireboy moves further away from his previous records and embraces the mainstream afrobeats sound hinted in recent hits like "Peru" and "Bandana." We sit down with the Nigerian star to talk about his new album.

“I would like to discuss my forthcoming album only, nothing else. That is where my headspace right now.”

Nigerian superstar Fireboy DML draws up the rules of engagement as soon as we get on a Zoom call. The notoriously reticent singer, fresh from enjoying the biggest year of his musical career, powered by the international breakthrough of his single "Peru," is checking in from London. The city has become somewhat of a second home for him of late and it is here that Fireboy is ensconced while getting ready to kick off promotional activities for his third studio album, Playboy, which arrived last Friday.

The 14-track album comes almost two years after Fireboy’s last pop effort, Apollo ,which in turn was released about nine months after his stellar debut, Laughter, Tears & Goosebumps. On Playboy, Fireboy moves further away from his previous records and embraces the mainstream afrobeats sound hinted in recent hits like "Peru" and "Bandana," with newbie Asake.

He tells OkayAfrica about putting the album together below.

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Spotlight: NK Is The Future and Star of His Own Show

We spoke with the 18-year-old visual artist about creating art from his surroundings and empowering his generation.

In our 'Spotlight' series, we highlight the work of photographers, visual artists, multimedia artists, and more who are producing vibrant, original work.

In our latest piece, we spotlight Ghanaian digital artist NK. The self-proclaimed Afrocentric visual artist's love for drawing and sketching at a young age pushed him to explore the many ways in which modern technology supports and advances creativity. Simply playing around with a popular photo editing app propelled the young artist into a world of self discovery, empowerment, and a keen understanding about how big the Universe we call home actually is. As the digital creative puts it, "I think my interest in space and what could exist outside the world we live in also had an impact on my desire to incorporate futuristic technology with cultural art." Armed with a keen interest in all things Afrofuturist, NK's futuristic eye has gained the teen artist recognition from some of his industry faves, too.

We spoke with the 18-year-old visual artist about creating art from his surroundings and empowering his generation.

Responses have been edited for length and clarity.


Describe your background as an artist and the journey you have taken to get to where it is today.

I grew up with an interest in art and drawing. I loved to draw and sketch, usually with both pen and pencils, whatever was interesting around me. I would make compositions of items within my surroundings and paste them on the walls of my parent’s rooms. My interest in the digital world peaked around the ages of 14 and 15 -- I've always been intrigued by astronauts and futuristic technology. I started digital art in 2017 when I created 2D pieces on the PicsArt app on a phone at home. Eventually, I gained access to the Adobe Photoshop software.

Artists like David Alabo, Beeple, Basquiat, and Juan Carlos Ribas inspired me and also made me think of what I could achieve if I tried. I spent a lot of time watching tutorial videos and related content online to be able to develop my skill. Initially, I created my pieces by combining a number of stock images and online resources to create an entirely new fictional scene. Around early 2020 I had a creative block and was desperate to find new sources of inspiration. Over time I came to the realization that my inspiration surrounded me and that I shouldn’t have to force creativity. I did more research on Afrocentric art and stepped out of my comfort zone to create my first Afrocentric pieces, “Gateway to Paradise” and “Modernization”. These pieces attracted a lot of attention and also the smArt magazine which granted me my first interview and magazine feature opening the door to new relationships in the creative industry, various opportunities, and collaborations.

What are the central themes in your work?

My work is mainly centered around the expression of development in the Black experience and empowering African Culture. I try to factor in Afrofuturism and Afrocentrism in making my pieces whether it’s how my models are dressed, their accessories, or represented by items that surround them. My pieces are intended to put forward the message of creating brighter futures and realities where Africans thrive. This helps give my pieces in themselves an identity.

How did you decide on using a digital medium for your art?

Even though I do draw and sketch, I also feel very comfortable using digital software which to me offers endless possibilities. I believe that using digital media as an African artist helps bridge the gap between technology and cultural art, directly falling in line with my field of interest, Afrofuturism.

How has the pandemic affected you creatively?

The start of the pandemic in 2020 was devastating. A lot happened during that period. It was during the lockdown that I made the decision to transition into creating Afrocentric art. We were made to take a break from school, which freed up a lot of my time. I had the time to research, watch tutorials and practice more. It might have been one of the most defining years for me as an artist. It also granted me a larger audience as everyone was made to work from home. I actually learned a lot and worked hard during that period and this led to my work improving massively.

Can you describe your artistic relationship with ‘Afro-futurism’?

Afrofuturism is a theme I can really relate to as a young African. It's our responsibility to contribute to our development as a people. I think my interest in space and what could exist outside the world we live in also had an impact on my desire to incorporate futuristic technology with cultural art. I like to think of what we can achieve, the seemingly impossible things, and then I pour out those thoughts and ideas into my art and that is why I immediately fell in love with Afrofuturism. We are the future, the stars of our own show.

Can you talk about your use of colors and accessories in your art?

The most dominant figure in my pieces is usually the black figure/model which usually stands out as the main subject. Regarding the backgrounds, I usually try to make a scene with colors to create a particular mood or in some of my pieces to complement the clothes of the model, usually African prints. They range from solid backgrounds to gradients and various sky textures. I use different cultural accessories both for beautification and also to provide that Afrocentric feel and message. I love to use various beads, bracelets, and traditional cloths with interesting textures to convey these messages of who we are as Africans and where we come from.


Artwork by NK

"Cultural Adornment"

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Photo Credit: Adedamola Odetera

An Inside Look Into the Underground Queer Party Scene in Nigeria

As a result of the laws and law enforcement bodies in the country, queer nightlife in Nigeria is shrouded in secrecy and has been forced to go underground.

A few minutes before midnight on a June evening, there was a line of people attempting to gain access to an unmarked apartment block in Lekki Phase 1 — a suburban neighborhood in Lagos State. To the uninitiated, it was a regular house party in the heart of Lagos Island, which is populated with young people in their 20s. For the attendees who had a flier on their phones and a passcode on their lips, this was an event they had looked forward to for weeks. When they arrived at the doors, they were all asked for a passcode which transported them into a vibrant pulsing party which had drag queens walking across the room and men in shorts that barely went past their crutches gyrating on other men while afrobeats blared. Welcome to queer nightlife in Nigeria where, on weekends, apartments turn into gay clubs, barred with passcode-guarding doors to protect against homophobes.

Party people hugging each other

Secret house parties, discrete raves, and clubs are now becoming increasingly popular amongst young queer Nigerians.

Photo Credit: Adedamola Odetera

Across the country, especially in the big cities like Lagos, Abuja, and Port Harcourt, lounges, clubs, and bars dedicated to the LGBTQ+ community have started sprouting despite legislation that makes it illegal for them to exist. In 2014, the Nigerian government passed the highly controversial and homophobic Same-Sex Marriage Prohibition Act. Despite the name, the law would go on to criminalize many other aspects of queer existence and not just marriage between people of the same sex. The far-reaching law criminalized queer social spaces, groups that advocate for queer rights, and even individuals advocating and supporting queer rights. The law also went on to prescribe a prison term that could go up to 14 years for those who were found guilty of these crimes in southern Nigeria. However, in Northern and mostly Muslim Nigeria, where Shariah law takes pre-eminence, these crimes could lead to death by stoning. While there isn’t an extensive record of people being found guilty for these crimes in Nigeria, these laws emboldened many homophobic mobs who took the laws into their hands and would beat individuals who they identified as queer and destroy spaces and parties that they suspected were hosted by or for queer people. One of the most infamous instances was a 2018 case where 57 men were arrested at a party in Lagos under the suspicion of being initiated into a gay club. While this particular case garnered significant press coverage as the men were made to go to trial, it is far from being the only case of its kind. It is fairly common for the police to raid suspected queer parties to arrest everyone in sight — often with little to no proof of the suspects being gay.

As a result of the laws and law enforcement bodies in the country, queer nightlife in Nigeria has been forced to go underground. Bars and clubs are left behind for parties in apartments. Recent years have seen a resurgence in the public profile of queer nightlife in Nigeria — partly thanks to a rise of resistance against oppressive systems within Nigeria that have been supported and have originated on social media, more queer people are becoming brave and open about queer nightlife in Nigeria. Secret house parties, discrete raves and clubs are now becoming increasingly popular, especially amongst young queer Nigerians. Creative collectives like hFactor and Pride in Lagos have pushed the narrative even further by organizing pride-specific events and raves in Lagos over the last few years.

Man making out with man

"‘‘I had been to clubs before but this was different. There was a freedom I didn’t feel in other parties."

Photo Credit: Adedamola Odetera

‘‘My first time at a queer party in Nigeria was in 2021. A friend invited me to a hFactor event and It was such an experience,’ Peju, a 23-year-old bisexual man tells OkayAfrica. ‘‘I had been to clubs before but this was different. There was a freedom I didn’t feel in other parties. Guys were grinding on guys, girls were flirting with girls. There wasn’t a need to pretend to be something I’m not.’’

However, attending these events comes with specific risks. Guests often took precautions — attending the parties with friends, letting their friends who weren’t there know where they were at and confirming there were accessible exits at all times. For many of these attendees, they may have never had to use those themselves but they know of people or at least have heard of people who have had to. Tamuno, a 31-year-old gay man, tells me of a near-capture experience when he had gone to a party in Port Harcourt in 2020.

‘‘There was this party that happened weekly. It became kind of popular and more queer people started coming. What we didn’t account for was that neighbors had realized it was full of queer people,’ Tamuno said. ‘‘One day, we were all at the party and they surrounded the house. Some of us managed to escape, others weren’t as lucky. I wasn't lucky.’’ Tamuno recounts that after being taunted and shamed and then stripped to their boxers for a relatively long time, the police then came. ‘‘The police coming to carry us was what saved us because then my brother, who I called, was able to bribe them to let us go. Whenever I think about what would happen if the police hadn’t come, I experience a full body shudder.’’

a group of people taking photos

Organizers have to find ways to limit people who can gain access to these parties.

Photo Credit: Adedamola Odetera

To help combat this, organizers of these events prioritize security and the safety of their guests. It is important that attendees feel safe from homophobic attacks from civilians and the armed forces. To achieve this, organizers have learned to deploy multiple guards.

‘‘Everyone’s safety is a priority to me and this means that multiple channels of security are constantly put in place to help safeguard our guests.’’ Kayode Timileyin, one of the organizers of Pride In Lagos tells OkayAfrica. ‘‘The first of which is the fact that all our events are only by a registration and verification process. Also, external security guards are made available. Lastly, we go all out to look for a real safe space.’’

It doesn’t end at just verifying the identities of the guests. Organizers have to find ways to limit people who can gain access to the location. This might mean generating a password only verified guests are given or keeping the exact location — and sometimes even date — a secret and only given to the verified guests. For these organizers, these security measures are put in place, not against potential miscreants or robbers but instead to keep off the police force and homophobes.

woman wearing black smiling

Despite dangers, the queer nightlife scene is bustling and thriving.

Photo Credit: Adedamola Odetera

The underground nightlife scene in Lagos is bustling and thriving — despite the laws that criminalize it and the constant danger. This illustrates the spirit of resilience amongst queer Nigerians who choose to reach for any semblance of freedom they can find even if it is on the dance floor for just a night.

‘‘My experience getting arrested traumatized me. It scared me. I was getting beaten, and paraded and I was so scared that they would kill me. But they didn’t so of course, I’ll party again," Tamuno said. ‘‘I still go to these parties and I’ll still keep going. It’s not that I’m scared. It’s just that when I’m on the dance floor surrounded by other queer men, I feel like my true self. I feel happy. I feel content. And that’s what I want out of life. If I die because I am seeking that, that’s fine.’’

a group of friends taking a photo

More queer people are becoming brave and open about queer nightlife in Nigeria.

Photo Credit: Adedamola Odetera

Interview

Interview: Director K Is Making Historic Music Videos For Afrobeats & Beyond

The 28-year-old director behind the "Essence" music video (and many more) tells us about his come-up, inspirations and working with the biggest stars in Afrobeats like Wizkid, Burna Boy, Davido, and more.

African music is sprouting into dominance with the upswing of genres such as Amapiano and Afrobeats across dance floors, day parties, festivals, and gatherings across the globe. Among the ranks of directors curating the visual interpretation of African music; Director K, born Qudus Olaiwola, is an oft-tranquil figure that has charted a lane separate from his contemporaries.

Starting off in the perpetually bristling clusters of Surelere, Lagos, Nigeria as a phone repairer at his uncle’s workshop, Director K’s curiosity shoveled him into believing he could shoot videos on his iPhone. “I used to go super crazy on iPhones, I used to make iPhones do stuff that you couldn’t normally do,” he tells OkayAfrica nostalgically.

Raised in the hovels of Shitta, Surulere, and Lagos — home to Afrobeats trailblazer Wizkid—Director K found a neighborhood artist called C.O. Decoast, and tested his hands at music video directing off the lens of his iPhone. “It wasn’t anything big. It was just something in the hood that I shot with a few people."

Now, in the parking lot of a lush apartment in Lekki, Lagos, Director K regales me with stories of his journey while walking me towards a modest swimming pool. The Creative Arts dropout has had his work nominated for Video Of The Year at the Soul Train Awards, and he has won an NACCP Image Award and Best Music Video at Nigeria’s most-prestigious awards show, The Headies.

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