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Darkovibes Enlists Mr Eazi for 'Come My Way'

The Ghanaian-Nigerian duo deliver heat on their new collaboration.

Ghanaian artist Darkovibes links up with Mr Eazi for his new banger 'Come My Way.'

The track is the latest from the artist and features fiery production from KillBeatz. The song sees both artists urging a love interest to get with them instead if their partners have been acting up. The song features cheeky lyrics and a catchy hook.

The Yaw Skyface-directed music video captures a good time as the artists and several fashionable people gather for an exclusive-looking party.


Darkovibes, who is part of Ghana's buzzing collective La Même Gang, released the track "Mike Tyson" featuring Nigerian artist Runtown last December. The artist has a debut project coming later this year.

Mr Eazi dropped his first single of the year, "Kpalanga" just last week, which was inspired by the love between his military father and his civilian mother.

The two make for a strong and infectious duo on "Come My Way," listen to the track below.

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Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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