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"Ancestral Manifestations" by Alexis Tsegba. Photo courtesy of the artist.

Meet Nigerian 'New Media' Artist, Alexis Tsegba, Whose Work Explores the Intersection of Nature & Technology

We speak with the digital artist about the Afrofuturistic themes in her work, exploring culture through technology and her creative influences.

As a 7-year-old growing up in Benue State, Nigeria, Alexis Tsegba, loved watching her teenage cousin draw natural, flowing pencil strokes to create comics. But when she asked him to teach her, he pushed her aside with a scoff and a "No!". Later, he offered her his mentorship in exchange for payment. But headstrong and determined, Tsegba picked up her own writing utensil and a sheet of paper and began meticulously sketching out what she remembers as one of her first works.

At 15, she remembers painting water-colors, and at 18, she moved on to acrylics. Despite studying law at the University of Reading, it wasn't until completing her Masters in Creative and Media Enterprise from the University of Warwick that she realized the infinite artistic possibilities available to her.


"Beauty Overflows" by Alexis Tsegba. Photo courtesy of the artist.

"It was really cool and fun moving away from law and doing something I was more excited about," she says. Her dissertation had been on freelancing and how to use Social Media and YouTube as tools for new media work; this abstract way of thinking helped her realize she could combine her eclectic love of such things as painting, sketching, photography, landscape, portraiture, and architecture. "I don't know why but writing my dissertation gave me inspiration to dabble in the digital art field," says Tsegba. She learned to compose images with all of these elements.

When we speak, Tsegba, now 24, is an artist who approaches new media art by creating visual experiences. Her surrealist portraits often feature mystical landscapes. She documents modern day Africans in jarring settings and enthusiastically speaks about how her evocative collages center on Afrofuturism, reimagining religion and exploring gender.

"Constellations" by by Alexis Tsegba. Photo courtesy of the artist.

Tsegba has dedicated copious amounts of time to developing the concepts she wants highlighted and she may not believe it yet but her nonlinear work is disrupting the way individuals perceive art. With Afrofuturism, she states, "I aim to show the complexity of the relationship between our culture and how we use technology." She suggests we should, "change the narrative that we are this aqua people and that somehow being closer to nature is backwards."

Her works touch on what our reality is now and where it could be. With religion, she recalls, "I was raised Christian and because I was interested in theology I would read about other religions." Her curiosity has brought about her need to re-envision the things she doesn't agree with in the Bible. Beyond this, she explores the stereotypical assumptions African people tend to have about gender. She refutes the, "narrative in Nigeria that men are not supposed to be physically close or show affection or emotion. When men are seen as close with one another, it's seen as diabolical." She, instead, celebrates closeness and tenderness between men.

"Creation" by by Alexis Tsegba. Photo courtesy of the artist.

As one would imagine, Tsegba's process is one comprised of trial and error, researching and "piecing images together to find a story." She pushes boundaries much like the individuals who influence her own work. She draws inspiration from collage artist Victoria Topping and her use of the senses to create vibrant pieces; illustrator Christoph Niemann from whom she's learned to see the world as an abstract body of shapes, forms and structures; writer Chimamanda Adichie who has taught her to harness the ability to be unafraid to speak out when she feels something doesn't sit right; and she's gawked at the skill and scale of fellow Nigerian visual artist Njideka Crosby and the portrayal of tenderness she employs while portraying ordinary Nigerian settings. Despite stating that she's "holding back", Tsegba's virtual body of work speaks volumes.

*See more of Tsegba's work below.

"Divinity" by Alexis Tsegba. Photo courtesy of the artist.

"Face of God" by Alexis Tsegba. Photo courtesy of the artist.

"Love Is Here" by Alexis Tsegba. Photo courtesy of the artist.

"Mother of God" by Alexis Tsegba. Photo courtesy of the artist.

"Observing Beauty" by Alexis Tsegba. Photo courtesy of the artist.

"Ready" by by Alexis Tsegba. Photo courtesy of the artist.

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Image courtesy of the artist.

In 'Aba Women Riot' Nigerian Artist, Fred Martins, Reinterprets a Groundbreaking Moment In African History

In a new series of prints, the artist celebrates 'the women who lend their voices and stood strong against the oppression of Africans.'

March marks Women's History Month, and for African women, one event that epitomizes the will and tenacity within our community is the Aba Women's Riot, also known as The Women's War of 1929, in which thousands of predominantly Igbo women in eastern Nigeria mobilized to challenge British colonial rule and the barriers placed on women's civic life.

This paradigm-shifting moment in history is the center of the latest series from Nigerian visual artist Fred Martins, who began conceptualizing "Aba Women Riot" in 2019, while reflecting on the invaluable contributions women have made throughout history. "I reflected on the power of femininity and how it has affected history on every stage and era of human civilization," said the artist in a statement.

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"Zion 9, 2018" (inkjet on Hahnemuhle photo rag)" by Mohau Modisakeng. Photo courtesy of Jenkins Johnson Gallery.

South African Artist Mohau Modisakeng Makes Solo NYC Debut With 'A Promised Land'

The artist will present the video installation 'ZION' and other works centering on the "global history of displacement of Black communities" at the Jenkins Johnson Gallery in Brooklyn.

Renowned South African visual artist Mohau Modisakeng presents A Promised Land, his latest solo exhibition, opening at Brooklyn's Jenkins Johnson Gallery this month. This marks the New York debut of Modisakeng's ZION video installation, based on the artists's 2017 performance art series by the same name. It originally debuted at the Performa Biennial.

"In ZION the artist deals with the relationship between body, place and the global history of displacement of Black communities," reads a press release. "There is an idea that all people are meant to belong somewhere, yet in reality there are millions of people who are unsettled, in search of refuge, migrating across borders and landscapes for various reasons."

In addition to the video, the show also features seven large-scale photographs that communicate themes of Black displacement. From 19th century Black settlements in New York City, which as the press release notes, were eradicated to clear space for the development of Central Park, to the scores of Africans who have faced conflict that has led them to life as refugees in foreign lands.

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C Natty/emPawa

You Need to Watch C Natty's New Music Video For 'Ojah'

Video Premiere: Check out the striking first release from Mr Eazi's #emPawa30.

C Natty arrives in style with his new single "Ojah."

The track, which is the first release from Mr Eazi's new group of #emPawa30 artists, sees the Nigerian artist delivering a highly-infectious and grooving concoction over jazz-leaning afrobeats produced by Killertunes.

The new music video for "Ojah," which we're premiering here today, is equally as stunning and follows the story of someone who doesn't take others' advice. C Natty told us the following about the DK of Priorgold Pictures-directed video:

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South African Hip-Hop Producers Tweezy and Gemini Major Set for Instagram Live Beat Battle

Two of South Africa's hip-hop super producers Tweezy and Gemini Major will face-off in upcoming Instagram live beat battle.

After Instagram live beat battles such as Swizz Beatz versus Timbaland and Mannie Fresh versus Scott Storch amid the lockdown to curb the spread of the COVID-19 virus, it was only a matter of time until the hip-hop community across the world followed suit.

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