The first Nigerian film to be officially selected by the Cannes Film Festival has earned praise for its emotional depth, technical brilliance, and the acting of its main trio.
The Cameroonian filmmaker uses her documentary skills to create her first fictional feature, Mambar Pierrette, which premiered at the Cannes Film Festival this week.
The French Senegalese filmmaker is the only director at this year’s Cannes Film Festival to be competing for the fest’s main prize with her debut film. We take a closer look at the film and the story she’s telling.
He’s a force in the music world, and with the premiere of his narrative feature at the world’s most popular film festival, Baloji hopes he’ll be seen as a filmmaker to be reckoned with, too.
In this op-ed, OkayAfrica contributor Aude Konan reflects on the progression of diversity in French cinema a year after the Noire N'est Pas Mon Métier demonstration at Cannes Film Festival.
In 'Moments With: Wanuri Kahiu,' we sit down with the Kenyan director where she touches on the inspiration behind 'Rafiki,' the continued challenge to life the ban of her film in her home country and more.
The film made its world premiere at Cannes in 1980 but was "too controversial, likely to incite racial tension" for big screens in the States—until this week.
High Court Judge Wilfrida Okwany says she was "not convinced that Kenya is such a weak society that its moral foundation will be shaken by seeing such a film."